A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

A wryly humorous and profoundly moving coming-of-age novel that grapples with grief, language, and culture shock—all set against the backdrop of an unforgettable summer in Taipei. College freshman Lily Chen is off to spend the summer in Taipei at an intensive language program like so many Chinese American students before her, hoping to connect with the culture she inherited but never fully understood. But a promising start quickly unravels. Her classes are grueling, her roommate is driving her insane, and a reckless trip to the hot springs with a guy she barely knows soon has her classmates viciously gossiping. She feels adrift, a foreigner in a country she thought would feel like home. Then shocking news Lily’s grandfather has passed away. The loss forces her to grapple with now-unanswerable questions about her family history. As Lily grieves, she’s drawn into a journey of self-discovery—piecing together memories, stories, and silences over a series of hilarious and devastating attempts at connection. What if the diaspora fantasy of homecoming never comes true? What if learning a language can’t bring you any closer to the people you’re trying to reach? What if you search for your family’s history, but your family doesn’t want to share? What if you wait too long to ask the right questions? As Lily struggles for answers, her summer becomes a poignant search for understanding—of herself, her family, and the meaning of home.

A wryly humorous and profoundly moving coming-of-age novel that grapples with grief, language, and culture shock—all set against the backdrop of an unforgettable summer in Taipei. College freshman Lily Chen is off to spend the summer in Taipei at an intensive language program like so many Chinese American students before her, hoping to connect with the culture she inherited but never fully understood. But a promising start quickly unravels. Her classes are grueling, her roommate is driving her insane, and a reckless trip to the hot springs with a guy she barely knows soon has her classmates viciously gossiping. She feels adrift, a foreigner in a country she thought would feel like home. Then shocking news Lily’s grandfather has passed away. The loss forces her to grapple with now-unanswerable questions about her family history. As Lily grieves, she’s drawn into a journey of self-discovery—piecing together memories, stories, and silences over a series of hilarious and devastating attempts at connection. What if the diaspora fantasy of homecoming never comes true? What if learning a language can’t bring you any closer to the people you’re trying to reach? What if you search for your family’s history, but your family doesn’t want to share? What if you wait too long to ask the right questions? As Lily struggles for answers, her summer becomes a poignant search for understanding—of herself, her family, and the meaning of home.

A marine biologist makes the discovery of a lifetime when called to rescue the inhabitants of a small Maine island being menaced by a giant, glowing jellyfish in this richly imagined, wholly original debut.Dr. Jo Ness prefers jellyfish to people. Her best friend, Aldo, was the exception, but he died seven months ago. So she spends her days hidden away at an underfunded aquarium with her specimens and a draft of the jellyfish guide she and Aldo had been working on together. His voice is alive in the notes in the margins, and it’s enough. Almost.Until she receives a call from Nadia, one of the few other humans she’s loved but whom she hasn’t heard from in years, asking for her help. Nadia tells her a grand tale of a giant jellyfish terrorizing her tiny island off the coast of Maine and sends a grainy video of the creature. Frankly, the footage looks fake, but Jo drops everything to fly across the country to see Nadia again, and to find this supposed sea beast. She couldn’t save Aldo, but perhaps she can help Nadia.But when Jo arrives on Shattering Point, Nadia is nowhere to be found, and the islanders she meets each have something different to say about the creature they’ve dubbed Clementine . . . a jellyfish who changes all who see it.At turns an ode to classic sea monster stories and a vibrant tale of human connection, The Jellyfish Problem is an unforgettable debut that announces a new talent.

A sweeping, global history of the rise of the factory and its effects on society. We live in a factory-made modern life is built on three centuries of advances in factory production, efficiency, and technology. But giant factories have also fueled our fears about the future since their beginnings, when William Blake called them "dark Satanic mills." Many factories that operated over the last two centuries―such as Homestead, River Rouge, and Foxconn―were known for the labor exploitation and class warfare they engendered, not to mention the environmental devastation caused by factory production from the beginning of the Industrial Revolution up to today. In a major work of scholarship that is also wonderfully accessible, celebrated historian Joshua B. Freeman tells the story of the factory and examines how it has reflected both our dreams and our nightmares of industrialization and social change. He whisks readers from the textile mills in England that powered the Industrial Revolution and the factory towns of New England to the colossal steel and car plants of twentieth-century America, Eastern Europe, and the Soviet Union and on to today’s behemoths making sneakers, toys, and cellphones in China and Vietnam. The giant factory, Freeman shows, led a revolution that transformed human life and the environment. He traces arguments about factories and social progress through such critics and champions as Marx and Engels, Charles Dickens, Alexander Hamilton, Henry Ford, and Joseph Stalin. He chronicles protests against standard industry practices from unions and workers’ rights groups that led to shortened workdays, child labor laws, protection for organized labor, and much more. In Behemoth , Freeman also explores how factories became objects of great wonder that both inspired and horrified artists and writers in their time. He examines representations of factories in the work of Charles Sheeler, Margaret Bourke-White, Charlie Chaplin, Diego Rivera, and Edward Burtynsky. Behemoth tells the grand story of global industry from the Industrial Revolution to the present. It is a magisterial work on factories and the people whose labor made them run. And it offers a piercing perspective on how factories have shaped our societies and the challenges we face now. 30 illustrations

AS SEEN IN THE SUNDAY TIMES, THE UK'S NO.1 FORENSIC ECOLOGIST LOOKS AT HER MOST HIGH-PROFILE AND INTERESTING CASES...'I love puzzles, and finding answers is the only truly enjoyable part of what I do.'Professor Patricia Wiltshire is a forensic ecologist, her days spent at crime scenes collecting samples, standing over dead bodies in a mortuary, or looking down her microscope for evidence.Working at the interface of where the criminal and natural world interact, Patricia has been involved in some of the most high-profile murder cases. Now, through a study of her most infamous, and fascinating cases - including the murder of Sarah Payne, and the Soham murders of Holly Wells and Jessica Chapman - Patricia will show us how she finds the answers to some of the worst crimes imaginable. Not only does she help the police solve crimes and give answers to the most bemusing circumstances, she can help to exonerate the innocent and enable confessions from the guilty.In The Natural History of Crime we join Patricia in putting the puzzle together, teasing the evidence out of her cases and showing us all how life and death have always been, and always will be, intertwined. Nature has given us a messy, imperfect world, but her job is to help make sense of it when we need it to most.

A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)--or both. In Culture Heist, scholar Rebecca Giblin and writer and activist Cory Doctorow argue that thanks to "chokepoint capitalism," exploitative businesses create insurmountable barriers to competition that enable them to capture value that rightfully belongs to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's role in radically changing publishing's economics, to the influence of Spotify in leveraging digital rights management, these few vicious monopsonists have lobbied for more barriers for new entrants. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow first deftly show how powerful corporations construct "anti-competitive flywheels" designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Culture Heist is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's been siphoned away--before it's too late.

With unprecedented access and unsparing analysis, this is the definitive investigation into Spotify, weaving interviews with incisive cultural criticism, and illuminating how streaming has reshaped music for listeners and artists alike.Flush with testimony from over a hundred industry insiders, former Spotify employees, and musicians, Mood Machine takes us into the inner workings of the highly consolidated modern music business and how it has become personalized, playlisted, autoplayed, and algorithmic. With an expert’s eye, music journalist Liz Pelly reveals how Spotify’s two-sided marketplace—the listeners who pay with their dollars and data, and the musicians who provide the material powering it all—has changed music media forever. She also explores how musicians and listeners are coming together to fight this era of musical individualism and advocate for artists’ futures. Amazon Unbound and Weapons of Math Destruction for the music industry, Mood Machine is a timely and unputdownable exploration of a company that has become synonymous with music.