Winner of the Prix Femina and the Goncourt des Lycéens in 2023 and the Strega Prize in 2024, the book that shook France to its core. “Sad Tiger forces you to see, to really see, what it means to be a child abused by an adult.” (Annie Ernaux)Like Annie Ernaux or Sheila Heti, Neige Sinno has created a powerful new literary autobiographical form.Through its radical honesty, and also through its thoughtful interrogations into the nature of life and literature, Neige Sinno shares with her readers her journey from someone who considered her life to have been stolen from her to someone who over the twenty years that elapsed from her reporting the rape to writing this book, somehow got her life back, all without ever being able to erase or even change what had happened to her as a child.“Reading Sad Tyger is like descending into an abyss with your eyes open. It forces you to see, to really see, what it means to be a child abused by an adult, for years. Everyone should read it. Especially teenagers.” —Annie ErnauxThis international literary phenomenon—the title inspired by William Blake’s poem The Tyger—is a forensic exploration into how to speak about the unspeakable. Repeatedly exposed to sexual violence as a child, Neige Sinno tells of a family life built around lies and deception. She was seven or eight years old when her stepfather started abusing her. At fourteen or fifteen the abuse stopped. At nineteen, she decides to break her silence which leads to a public trial and prison for her stepfather, and Sinno starts a new life in Mexico, far away from France.It is through the craft of her narrative and her powerful direct analysis of the deep-seated taboo that Sinno explores the different facets of memory, her own, her mother’s, as well as her abusive stepfather’s; and of abuse itself in all its monstrosity and banality. How do we become who we are? What remains unsaid in families? How is society implicated? This harrowing auto-fictional account of the author's sexual abuse as a child is mediated through analysis of various literary texts, including works by Vladimir Nabokov, Virginia Woolf, Toni Morrison, Christine Angot, and Virginie Despentes.In this unparalleled work that contains a thousand questions, a thousand jewel-like insights, there is an abiding how to protect others from the rape, the incest that she herself endured? In the midst of so much darkness, an answer reads crystal by speaking up and asking questions. A striking, shocking, and necessary masterpiece.Winner of the US and UK Goncourt Prizes, 2024Winner of the Goncourt Prizes in Belgium, Slovakia, India, Turkey, Tunisia, and South Korea, 2023Winner of the European Strega Prize, 2024Winner of the Goncourt des Lyceens, 2023Winner of the Femina Prize, 2023Winner of the Le Monde Literary Prize, 2023Winner of the Inrockuptibles Prize, 2023Shortlisted for the Medicis Prize, 2023Shortlisted for the Decembre Prize, 2023

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir. When fourteen-year-old Lamya H realizes she has a crush on her teacher--her female teacher--she covers up her attraction, an attraction she can't yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don't matter, and it's easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own--ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant. This searingly intimate memoir in essays, spanning Lamya's childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one's own life.

From Brandon Sanderson—author of the #1 New York Times bestselling Stormlight Archive and its fourth massive installment, Rhythm of War—comes a new hefty novella, Dawnshard. Taking place between Oathbringer and Rhythm of War, this tale (like Edgedancer before it) gives often-overshadowed characters their own chance to shine. When a ghost ship is discovered, its crew presumed dead after trying to reach the storm-shrouded island Akina, Navani Kholin must send an expedition to make sure the island hasn't fallen into enemy hands. Knights Radiant who fly too near find their Stormlight suddenly drained, so the voyage must be by sea. Shipowner Rysn Ftori lost the use of her legs but gained the companionship of Chiri-Chiri, a Stormlight-ingesting winged larkin, a species once thought extinct. Now Rysn's pet is ill, and any hope for Chiri-Chiri’s recovery can be found only at the ancestral home of the larkin: Akinah. With the help of Lopen, the formerly one-armed Windrunner, Rysn must accept Navani's quest and sail into the perilous storm from which no one has returned alive. If the crew cannot uncover the secrets of the hidden island city before the wrath of its ancient guardians falls upon them, the fate of Roshar and the entire Cosmere hangs in the balance.

When Jeanie's aunt gifts her the beloved Pumpkin Spice Café in the small town of Dream Harbor, Jeanie jumps at the chance for a fresh start away from her very dull desk job. Logan is a local farmer who avoids Dream Harbor's gossip at all costs. But Jeanie's arrival disrupts Logan's routine and he wants nothing to do with the irritatingly upbeat new girl, except that he finds himself inexplicably drawn to her. Will Jeanie's happy-go-lucky attitude win over the grumpy-but-gorgeous Logan, or has this city girl found the one person in town who won't fall for her charm, or her pumpkin spice lattes… The Pumpkin Spice Café is a cozy romantic mystery for fans of Gilmore Girls, with a grumpy x sunshine dynamic, a small-town setting and a HEA guaranteed! Tropes: - grumpy x sunshine - small town - found family

If you look hard enough at old photographs, we're there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.