A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

T.H White′s masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published in one volume, as White himself always wished. Exquisite comedy offsets the tragedy of Arthur′s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

The English-language debut of one of Japan's most talented contemporary writers, selling over 650,000 copies there, Convenience Store Woman is the heartwarming and surprising story of thirty-six-year-old Tokyo resident Keiko Furukura. Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction―many are laid out line by line in the store’s manual―and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action… A brilliant depiction of a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures we all feel to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

A tender coming-of-age story about friendship, first love, loss, and facing the ultimate who am I going to be? For fans of Douglas Stuart, Michael Magee, David Nicholls and Andrew O'Hagan Brendan's best friend, his only friend, is Ronan McCoy. He knows things about Brendan that no one else about his job washing the cars at Feeney’s Funeral Home, about the loneliness he sometimes feels even when surrounded by hundreds of others at school. But Brendan never told Ronan about the dark feeling that sits at the bottom of his stomach, the feeling that tells him something bad is coming. It never comes when Ronan's around. Ronan is smart and sporty and popular, totally comfortable in his own all the things that Brendan himself isn't. But Ronan always makes him feel like a good friend, a good person, a better Brendan. Standing at the school gates on the first day of term, the dark feeling begins to form in Brendan's stomach. And when Ronan doesn’t turn up, Brendan learns that something terrible happened to his best friend over the summer and he'll never be the same again. Over the course of the final year of school, Brendan will have to learn to navigate the new shape of their friendship and find a place for himself in the world without Ronan to protect him. The Ballad of Ronan McCoy is a beautifully written, tender coming-of-age story about friendship and first love, loss and letting go, and the hopes and fears of a young man standing on the cusp of the rest of his life.

A tender coming-of-age story about friendship, first love, loss, and facing the ultimate who am I going to be? For fans of Douglas Stuart, Michael Magee, David Nicholls and Andrew O'Hagan Brendan's best friend, his only friend, is Ronan McCoy. He knows things about Brendan that no one else about his job washing the cars at Feeney’s Funeral Home, about the loneliness he sometimes feels even when surrounded by hundreds of others at school. But Brendan never told Ronan about the dark feeling that sits at the bottom of his stomach, the feeling that tells him something bad is coming. It never comes when Ronan's around. Ronan is smart and sporty and popular, totally comfortable in his own all the things that Brendan himself isn't. But Ronan always makes him feel like a good friend, a good person, a better Brendan. Standing at the school gates on the first day of term, the dark feeling begins to form in Brendan's stomach. And when Ronan doesn’t turn up, Brendan learns that something terrible happened to his best friend over the summer and he'll never be the same again. Over the course of the final year of school, Brendan will have to learn to navigate the new shape of their friendship and find a place for himself in the world without Ronan to protect him. The Ballad of Ronan McCoy is a beautifully written, tender coming-of-age story about friendship and first love, loss and letting go, and the hopes and fears of a young man standing on the cusp of the rest of his life.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

A story for seekers of small comforts. It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered. But the answer to that question depends on who you ask, and how. They’re going to need to ask it a lot. Becky Chambers’ new series asks: in a world where people have what they want, does having more matter?

A story for seekers of small comforts. It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered. But the answer to that question depends on who you ask, and how. They’re going to need to ask it a lot. Becky Chambers’ new series asks: in a world where people have what they want, does having more matter?

The award-winning masterpiece by one of today’s most honored writers! The Word for World is ForestWhen the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters. Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

The award-winning masterpiece by one of today’s most honored writers! The Word for World is ForestWhen the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters. Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her. After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety. When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.

There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her. After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety. When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.