A Japanese rendition of The Office set in a bookstore, following a young bookstore employee's fight for stability despite her infuriatingly oblivious manager, while against all odds clinging to her passion for books. Kyoko Tanihara loves books. Just about. But life at the Musashino Bookshop is starting to get her down. Instead of promoting her favorite stories, she finds herself distracted, tearing her hair out at the mere sight of her infuriating manager Takeru Yamamoto who can’t seem to do anything but get in her way of success. From Yamamoto’s useless obsession with self-helps books to his cringey remarks on the hottest author in town, everything about Yamamoto seems designed to set Kyoko off. All that amid her struggle to make a name for herself in the publishing world, it's tough for her to keep her love of literature pure and alive. Until one day she is handed a book that speaks to all her frustrations, and opens her eyes to a whole new reality. What if there's actually more to her manager's obnoxious antics? What if, just maybe, her manager isn't so stupid after all?

She is a curator, who spends her time dressing the rooms of historic buildings to bring them to life. But in the lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.He is a reluctant ruler with no hunger for power, rushed to the throne after the untimely deaths of his older brothers. But it isn't long before whispers begin to fly around the court. And with the growing belief that the King is not fit for the throne comes the idea that another might rule in his stead.May We Feed the King dances between the lives of a historical subject who risks the future of his kingdom and a woman who turns to the past to hide from her present. Laced with desire and longing, it is a playful, stirring meditation on history and on what makes a King 'Great', and a life meaningful.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and 'poor Charlotte'. Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. 'As a work of scholarship it is briliant . . . For those with a passion for the Brontes, or for Victoriana, or for sheer wealth of historical minutiae, it is a stupendous read' INDPENDENT ON SUNDAY

An alternate cover edition can be found here. Pulitzer Prize-winning author Ron Chernow presents a landmark biography of Alexander Hamilton, the Founding Father who galvanized, inspired, scandalized, and shaped the newborn nation. In the first full-length biography of Alexander Hamilton in decades, Ron Chernow tells the riveting story of a man who overcame all odds to shape, inspire, and scandalize the newborn America. According to historian Joseph Ellis, Alexander Hamilton is “a robust full-length portrait, in my view the best ever written, of the most brilliant, charismatic and dangerous founder of them all.” Few figures in American history have been more hotly debated or more grossly misunderstood than Alexander Hamilton. Chernow’s biography gives Hamilton his due and sets the record straight, deftly illustrating that the political and economic greatness of today’s America is the result of Hamilton’s countless sacrifices to champion ideas that were often wildly disputed during his time. “To repudiate his legacy,” Chernow writes, “is, in many ways, to repudiate the modern world.” Chernow here recounts Hamilton’s turbulent life: an illegitimate, largely self-taught orphan from the Caribbean, he came out of nowhere to take America by storm, rising to become George Washington’s aide-de-camp in the Continental Army, coauthoring The Federalist Papers, founding the Bank of New York, leading the Federalist Party, and becoming the first Treasury Secretary of the United States.Historians have long told the story of America’s birth as the triumph of Jefferson’s democratic ideals over the aristocratic intentions of Hamilton. Chernow presents an entirely different man, whose legendary ambitions were motivated not merely by self-interest but by passionate patriotism and a stubborn will to build the foundations of American prosperity and power. His is a Hamilton far more human than we’ve encountered before—from his shame about his birth to his fiery aspirations, from his intimate relationships with childhood friends to his titanic feuds with Jefferson, Madison, Adams, Monroe, and Burr, and from his highly public affair with Maria Reynolds to his loving marriage to his loyal wife Eliza. And never before has there been a more vivid account of Hamilton’s famous and mysterious death in a duel with Aaron Burr in July of 1804. Chernow’s biography is not just a portrait of Hamilton, but the story of America’s birth seen through its most central figure. At a critical time to look back to our roots, Alexander Hamilton will remind readers of the purpose of our institutions and our heritage as Americans.

An enchanting and illuminating exploration of the history of craftsmanship and the world’s oldest craft traditions, documenting the rapid disappearances of time-honored practices and shedding light on artisanal work in the face of massive technological industrialization by renowned Cambridge art historian Dr. James Fox. During an age of mass manufacturing, fast fashion, synthetic materials and the unsustainable practice of companies valuing quantity over quality, a return to tradition, connection, and simplicity is essential. Art historian and award-winning broadcaster Dr. James Fox explores the rapidly fading crafts and artisanal traditions of the world—such as coopering, basket-weaving, wheelwrighting, metalwork, and blacksmithing—that have shaped so much of our history through their alchemy of the hand-made human touch and generational wisdom. Fox explains the history of craftsmanship in Britain, taking readers across the lands and communities that originated there, teaching them about the practices, traditions, and people at their heart. From coopers to thatchers, basket makers to bellfounders and dry wall builders, Fox tours Britain, once the workshop of the world, in search of its lost and disappearing craft traditions and the artisans trying to keep them alive including, a rush weaver who has managed to rebuild a sustainable business with her baskets and other wares, a bell foundry that uses the same practices it used in the nineteenth century, and dry wallers, building walls one piece of stone at a time that could last two centuries. Part travelogue and part historical record, Craftland is a profoundly intimate meditation on our human cultural heritage, exploring what we lose as these traditions fade from view in the race of progress, and what we stand to gain if we bring them back.

On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison’s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.

An enchanting and illuminating exploration of the history of craftsmanship and the world’s oldest craft traditions, documenting the rapid disappearances of time-honored practices and shedding light on artisanal work in the face of massive technological industrialization by renowned Cambridge art historian Dr. James Fox. During an age of mass manufacturing, fast fashion, synthetic materials and the unsustainable practice of companies valuing quantity over quality, a return to tradition, connection, and simplicity is essential. Art historian and award-winning broadcaster Dr. James Fox explores the rapidly fading crafts and artisanal traditions of the world—such as coopering, basket-weaving, wheelwrighting, metalwork, and blacksmithing—that have shaped so much of our history through their alchemy of the hand-made human touch and generational wisdom. Fox explains the history of craftsmanship in Britain, taking readers across the lands and communities that originated there, teaching them about the practices, traditions, and people at their heart. From coopers to thatchers, basket makers to bellfounders and dry wall builders, Fox tours Britain, once the workshop of the world, in search of its lost and disappearing craft traditions and the artisans trying to keep them alive including, a rush weaver who has managed to rebuild a sustainable business with her baskets and other wares, a bell foundry that uses the same practices it used in the nineteenth century, and dry wallers, building walls one piece of stone at a time that could last two centuries. Part travelogue and part historical record, Craftland is a profoundly intimate meditation on our human cultural heritage, exploring what we lose as these traditions fade from view in the race of progress, and what we stand to gain if we bring them back.

Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man and he is happy. But one day, he receives a call from his daughter's school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life Sarah Moss goes where most of us wouldn't dare to look, and the result is riveting - unbearably sad, but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the twenty-first century, the work-life juggle, and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.

As a bold and gifted child, Branwell Brontë’s promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius flickered and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a specter in the Brontë story, in pathetic contrast with the remarkable achievements of Charlotte, Anne, and Emily. Daphne du Maurier concentrates all her biographer’s skill on the shadowy figure of Branwell Brontë, and no reader could fail to be intensely moved by Branwell’s final retreat into laudanum, alcohol, and death. Dame Daphne du Maurier wrote more than 25 acclaimed novels, short stories, and plays, including Rebecca and The House on the Strand. She was also a passionate and skillful biographer.