In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest. En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de Enkidu, su amigo bravío. Cada poema aparece en inglés y español, traducido por el autor. Cuando no hablas conmigo, te conjuro. Cuando pierdo el camino entre las hogueras, estás conmigo. Cuando mi cuerpo se desgasta, estás dentro de mí. Cuando quiero estar en otro lado, me acechas. Finalista del concurso de poesía de Grayson Books en 2020.

Kinga is a woman who is just trying to make it through the week. To move things along, there's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps and urging the others to get their stamina up, while Kinga E is happy to spend Fridays soaking, wine-drunk, in the bath until her toes prune. Kingas A-G, perhaps unsurprisingly, live a varied life - between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic. It's an arrangement that's not without its fair share of admin, grudges and half-truths. But when Kinga A discovers a man tied up in their apartment - a man none of them have confessed to knowing - the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

A groundbreaking history of evangelicalism and homosexuality in the United StatesEvangelicals claim that their opposition to homosexuality is an inherent feature of their faith, rooted in their unchanging beliefs about the Bible. Most scholars, journalists, and observers have accepted this account; in Born Again Queer, William Stell upends it. Arguing that the antigay majority in evangelicalism has been less dominant and more vulnerable than previously thought, Stell describes a network of authors, ministers, and professors—all veterans of major evangelical institutions—who worked in the 1970s and 1980s to persuade Christians that their churches should affirm the relationships and ministries of gay and lesbian members. By the late 1970s, some even thought that these activists might shape the future of evangelicalism.Of course, that speculation proved mistaken, and the antigay evangelical majority eventually overpowered the gay-affirming minority. Stell’s history of the rise and fall of evangelical gay activism shines a light on this largely forgotten chapter in American evangelicalism. Drawing on extensive archival research and interviews, Stell documents the work of four prominent the founder of a predominantly LGBTQ+ denomination called the Metropolitan Community Churches, the leader of a gay advocacy organization called Evangelicals Concerned, and the evangelical feminist coauthors of the influential book Is the Homosexual My Neighbor? By recovering the successes of evangelical gay activists and the struggles of their opponents, Stell’s account transforms how we think about evangelicalism, how we talk about the culture wars, and how we approach both religion in queer movements and queer activism in religious movements.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

From an electrifying new voice in epic fantasy comes The Raven Scholar, a masterfully woven and playfully inventive tale of imperial intrigue, cutthroat competition, and one scholar’s quest to uncover the truth. Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best. Then one of them is murdered. It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in. If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen. We are the Raven, and we are magnificent.

From the New York Times best-selling author of Wind-Up Girl and The Water Knife comes a sweeping literary fantasy about the young scion from a ruling class family who faces rebellion as he ascends to power. "You must be as sharp as a stilettotore’s dagger and as subtle as a fish beneath the waters. This is what it is to be Navolese, this is what it is to be di Regulai." In Navola, a bustling city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their staggering wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese knowing who to trust and who to doubt, and how to read what lies hidden behind a smile. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur—like the fossilized dragon eye in the family’s possession, a potent symbol of their raw power and a talisman that seems to be summoning Davico to act. As tensions rise and the events unfold, Davico will be tested to his limits. His fate depends on the eldritch dragon relic and on what lies buried in the heart of his adopted sister, Celia di Balcosi, whose own family was destroyed by Nalova’s twisted politics. With echoes of Renaissance Italy, The Godfather , and Game of Thrones , Navola is a stunning feat of world-building and a mesmerizing depiction of drive and will.