Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains. A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as they try to understand their own mental illness using The Lord of the Rings, Game of Thrones, and other stories as both guides to heroism and agency and cautionary tales of how mental illness is easily stereotyped as bad and violent. Aiello questions who is allowed to be “mad” versus “sane,” “good” versus “evil,” and “weak” versus “strong,” and who is allowed to tell their own stories. The Monster and the Mirror explores our perceptions of mental illness in a way that is challenging and tender, empathetic and knowledgeable, and offers a path to deeper understanding and compassionate care.

The gods are dead. All that’s left are the Players… The performers of the Playhouse are as worshipped as they are feared, their enchanting shows bending hearts, minds, and even reality itself. Vicious, godlike, lethal. Eighteen-year-old Riven Hesper knows the dangers better than anyone, after her own encounter with a Player resulted in a curse that is slowly killing her. When the Playhouse announces the spectacle of a lifetime—a chance for one mortal to steal a Player’s immortality—Riven sees her last chance to live. Desperate for answers, she infiltrates the competition. There, she finds Jude, the Playhouse’s brilliant, merciless Lead Player, whose charm is as dangerous as his Craft, and strikes a deadly bargain to save her life. But with time running out and the Playhouse’s secrets unraveling into a disturbing picture, Riven faces a grim possibility: she might not be the hero of her story after all. In fact, she may be the villain. Because the Playhouse doesn’t just tell stories. It rewrites them. And Riven’s might end in blood. Caraval meets One Dark Window in this lush and dark fantasy.

Drawing on extensive new archival material, this spellbinding biography reveals how James Baldwin's relationships shaped his work. A Love Story tells the overlapping stories of James Baldwin’s most sustaining with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac. This biography shows for the first time how Baldwin drew on complex structures within these relationships—geographical, cultural, political, artistic, and erotic—and alchemized them into art that spoke truth to power and had an indelible impact on the Civil Rights Movement and on Black and queer literary history. Nicholas Boggs's rich and subtle narration of Baldwin’s public story and his lucid discussion of his work are underpinned by what he calls “a search for the truth about Baldwin’s most sustaining intimate relationships and how they had shaped his life and art, which in turn has had such an indelible impact on the literary and political landscape of the twentieth century and continues to influence and even offer some measure of hope for the world today. It would not be until close to the end of this voyage that Irealized what I had actually been researching and trying to write all along was a new James Baldwin biography. But from the very beginning, I always knew it was a love story."

From RuPaul’s Drag Race winner and host of HBO’s We’re Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and music. In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say. Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way—by following in the footsteps of Lin-Manuel Miranda’s Hamilton. Harriet wants to put on a show about her life, and she needs a songwriter to help her. She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed by a rival at the BET Awards. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have one week to write a Broadway caliber musical she can take on the road. Over the course of their time together, they not only mount a show that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future. Original, evocative, and historic, Harriet Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

THE EMPEROR IS HERE. AND SHE MADE HIM WORSE. Rae is a fantasy reader who's been transported to her favourite fictional world of swords and sorcery, castles and monsters. Playing the villainess, she thought she could change the narrative, but this version of the plot is far much more deadly than the one she knew. Her friends are on the run: the Cobra shelters in an eerie manor haunted by dark secrets, while Emer and Lia stoke a revolution in the gutters. Undead armies roam the kingdom, raiders camp at the city gates, and the irresistible emperor - Rae's favourite character ever, now possibly the greatest monster in the land - wants her to be his evil queen. What's a villainess to do? It's time for wicked bargains and fake engagements, in a fantasy where the most dangerous thing you can do is believe in someone. All Hail Chaos is Sarah Rees Brennan's wicked, unmissable sequel to the No. 1 Sunday Times bestselling Long Live Evil ('delicious, subversive' Leigh Bardugo).

From the acclaimed author of Chef's Kiss, a groundbreaking trans Regency romance that's both delightfully witty and refreshingly iconoclastic. The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live as far from the prying eyes and ears of the ton as possible, and would rather have the comfortable company of his childhood cook and his aged butler, Plinkton, than the swarm of servants and hangers-on befitting a man of his station. But Christopher's pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family's fortune and the Eden's End estate. Christopher cannot imagine a worse fate: as he isn't attracted to women, his chances of making a wife happy are slim. Furthermore, if his quest to marry has any hope of succeeding, he must move to London posthaste and acquire some more suitable staff. Enter James Harding, Christopher's new, distractingly handsome—if rigidly traditional—valet. After a rocky start, the two strike up a fragile friendship amid the throes of the London Season . . . a friendship that threatens to shatter under the looming shadow of Christopher’s impending nuptials—and the secrets both men are keeping. With its heady combination of dry wit, slow-burn romance, and a nuanced, complex portrait of trans identity and relationships that’s as relevant now as it was during the Regency era, A Gentleman's Gentleman stands to transform the historical romance genre as we know it.