This heartwarming story has beckoned generations of readers into the special world of Green Gables, an old-fashioned farm outside a town called Avonlea. Anne Shirley, an eleven-year-old orphan, has arrived in this verdant corner of Prince Edward Island only to discover that the Cuthberts—elderly Matthew and his stern sister, Marilla—want to adopt a boy, not a feisty redheaded girl. But before they can send her back, Anne—who simply must have more scope for her imagination and a real home—wins them over completely. A much-loved classic that explores all the vulnerability, expectations, and dreams of a child growing up, Anne of Green Gables is also a wonderful portrait of a time, a place, a family… and, most of all, love. WITH AN AFTERWORD BY JENNIFER LEE CARELL

The interest in Mexican Hieronimite nun, Sor Juana In�s de la Cruz (1648-1695) is reaching extraordinary new levels. She has been the subject of plays, a feature film, scholarly conferences, books and articles. Nobel Laureate, poet Octavio Paz, has called her one of the great poets of the Spanish language and considers her Response to Sor Philotea de la Cruz to be the first intellectual autobiography in the Hispanic world. At her death in 1695, Sor Juana was an internationally-known poet, dramatist and religious writer. Today, she is still considered an exceptional lyric poet and one of the great writers of Spain's siglo de oro, its Golden Age of drama. Latin American literary scholars have been continually enthralled by this nun of humble beginnings who was educated at the vice regal court in Mexico City after being recognized as a child prodigy. Until recently, though, their attention has been focused on her secular poetry and drama, to the neglect of her religious works. Included here are: religious songs and devotional poetry; Sor Juana's sacramental drama and preface play, Divine Narcissus; two devotional works (first English translation), Devotional Exercises for the Feast of the Incarnation and Offerings for the Sorrows of Our Lady; a theological disputation, Critique of a Sermon/Athenagoric Letter and her autobiographical Response to Sor Philotea de la Cruz. Sor Juana In�s de la Cruz: Selected WRITINGS in the Classics of Western Spirituality Series is essential reading for those interested in great literary figures, religious studies and women's history. +

Co-winner of the 2022 Novel Prize, this incredible life-after-death novel asks us to consider how much of our memory, of our bodies, of the world as we know it ― how much of what we love can we lose before we are lost? And then what happens?  This third perspective on myself is disconcerting.  The heroine of the spare and haunting It Lasts Forever and Then It’s Over  is voraciously alive in the afterlife. Adrift yet keenly aware, she notes every bizarre detail of her new reality. And even if she has forgotten her name and much of what connects her to her humanity, she remembers with an implacable and nearly unbearable longing the place where she knew herself and was known―where she loved and was loved. Traveling across the landscapes of time and of space, heading always west, and carrying a dead but laconically opinionated crow in her chest, our undead narrator encounters and loses parts of her body and her self in one terrifying, hilarious, and heartbreaking situation after another.  A bracing writer of great nerve and verve, Anne de Marcken bends reality (and the reader’s mind) with throwaway assurance. It Lasts Forever and Then It’s Over plumbs mortality and how it changes everything, except possibly love. Delivering a near-Beckettian whopping to the reader’s imagination, this is one of the sharpest and funniest novels of recent years, a tale for our dispossessed times.

Luca is the new queen of Balladaire. Her empire is already splintering in her hands. Her uncle wasn’t the only traitor in the court, and the Withering will decimate her people if she can’t unearth Balladaire’s magic. The only person who can help her wants the only thing Luca won’t give—the end of the monarchy. Touraine is Luca’s general. She has everything she ever wanted. While Luca looks within Balladaire’s borders, Touraine looks outward—the alliance with Qazal is brittle and Balladaire’s neighbors are ready to pounce on its new weakness. When the army comes, led by none other than Touraine’s old lover, Touraine must face the truth about herself—and the empire she once called home. A storm is coming. Touraine and Luca will stand against it together, or it will tear them apart once and for all.

Luca is the new queen of Balladaire. Her empire is already splintering in her hands. Her uncle wasn’t the only traitor in the court, and the Withering will decimate her people if she can’t unearth Balladaire’s magic. The only person who can help her wants the only thing Luca won’t give—the end of the monarchy. Touraine is Luca’s general. She has everything she ever wanted. While Luca looks within Balladaire’s borders, Touraine looks outward—the alliance with Qazal is brittle and Balladaire’s neighbors are ready to pounce on its new weakness. When the army comes, led by none other than Touraine’s old lover, Touraine must face the truth about herself—and the empire she once called home. A storm is coming. Touraine and Luca will stand against it together, or it will tear them apart once and for all.

This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

Set in 17th-century Puritan Boston, Massachusetts, during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and will not reveal her lover’s identity. The scarlet letter A (for adultery) she has to wear on her clothes, along with her public shaming, is her punishment for her sin and her secrecy. She struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

Set in 17th-century Puritan Boston, Massachusetts, during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and will not reveal her lover’s identity. The scarlet letter A (for adultery) she has to wear on her clothes, along with her public shaming, is her punishment for her sin and her secrecy. She struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.