Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

Suppose you were an up-to-date young wife who moved into an old and elegant New York apartment house with a rather strange past. Suppose that only after you became pregnant did you begin to suspect the building harbored a diabolically evil group of devil worshippers who had mastered the arts of black magic and witchcraft. Suppose that this satanic conspiracy set out to claim not only your husband but your baby. Well, that's what happened to Rosemary... Or did it...?

Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable. As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman. A magnificent blending of the music, the mood, and the ethos that was the sixties with the story of one college student's romantic coming of age, Norwegian Wood brilliantly recaptures a young man's first, hopeless, and heroic love.

”Man gør, hvad Inga siger,” sagde folk. De havde ret. Hun vidste altid bedst. Sådan havde det været, så langt tilbage, hun kunne huske. ”Hun kan lugte, hvis du lyver,” sagde de også. “Alle steder, der er mennesker, stinker det,” svarede hun, hvis hun blev spurgt, om det var sandt. To kvinder er besatte af tanken om at redde en han ud fra et avlscenter på Lolland. Den ene i jagten på kærlighed, den anden for at parre sig med ham. I udkants-matriarkatet spænder urkvinden Inga sine rensdyr for slæden og tager turen ned fra det nordligste Norge gennem fjeldene og over vandet, for at stoppe kvinderne. Hun ved nemlig, at hvis deres mission lykkes, og hannen kommer ud i det fri, bryder samfundet sammen igen.

Barbara Erskine returns with this beautiful and haunting tale of dark forces and mystical powers. In present-day Cambridge, Abi, a recently ordained priest of the Church of England, is appointed to a notoriously difficult parish. The priest in charge is the charismatic but fundamentalist Kier. He objects to her mysticism, her practice of healing in particular. When she sees a vision of a congregation in an old church, Kier accuses her of witchcraft, but Abi soon sees more visions; an entire Roman family history, dark with betrayal and a promise of bloody revenge. With foreboding forces building up to violence, Abi must battle the approaching terror along with her own personal demons, drawing upon the expertise of Druidry and shamanism from a questionable source!

In the spring of 1995, Nate Cartwright has lost everything: his parents are dead, his older brother wants nothing to do with him, and he's been fired from his job as a journalist in Washington DC. With nothing left to lose, he returns to his family's summer cabin outside the small mountain town of Roseland, Oregon to try and find some sense of direction. The cabin should be empty. It's not. Inside is a man named Alex. And with him is an extraordinary little girl who calls herself Artemis Darth Vader. Artemis, who isn't exactly as she appears. Soon it becomes clear that Nate must make a choice: let himself drown in the memories of his past, or fight for a future he never thought possible. Because the girl is special. And forces are descending upon them who want nothing more than to control her.

The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate... An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them. Excerpt: I remember the whole beginning as a succession of flights and drops, a little seesaw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days - found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping place at which I was to be met by a vehicle from the house.

A warm and hopeful story of a lonely witch consumed by grief who discovers a whimsical cast of characters in a magical arboretum—and the healing power of found family. Powerless witch Saika is ready to enact her sister’s final to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate’s caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika’s been disconnected from her magic since her sister’s death two years prior. Saika gets by at the sanctuary using a fragment of a fallen star to cast enchantments—while hiding the embarrassing truth about herself. As Saika works harder in avoidance of her pain, she learns more about Frank, the decaying house at Ash Gardens, and the lives of the motley staff, including bickering twin cherubs, a mute ghost, a cantankerous elf, and an irritating half witch, among others. Over time, she rediscovers what it means to love and be wholly loved and how to allow her joy and grief to coexist. Warm and inventive, House of Frank is a stirring portrait of the ache of loss and the healing embrace of love.