Alternate cover edition of ISBN 9780062259653 Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from. Five years after it began, a handful of scattered survivors remains, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where they might be safe. Now that the boy and girl are four, it's time to go, but the journey ahead will be terrifying: twenty miles downriver in a rowboat—blindfolded—with nothing to rely on but her wits and the children's trained ears. One wrong choice and they will die. Something is following them all the while, but is it man, animal, or monster? Interweaving past and present, Bird Box is a snapshot of a world unraveled that will have you racing to the final page.

‘Gives you the information you need to begin, or continue, your understanding of what it means to be a true anti-racist ally’ Pippa VosperDo you want to be an anti-racist ally?  This punchy, pocket-sized guide shows you how, whether you’re using your voice for the first time, or are looking for ways to keep the momentum and make long lasting change. Sophie Williams’ no-holds-barred posts about racism and Black Lives Matter on @officialmillennialblack have taken the online world by storm. Sharp, simple and insightful, they get to the heart of anti-racist principles and show us all how to truly be better allies.  Now, in her iconic Instagram style, this pocket-sized primer unpacks complex topics into their most important concepts, and provides a crucial starting block for every anti-racist ally.

Some loves define you. Others destroy you.You and Me is a haunting, lyrical debut novel that captures love in its most intimate, raw, and unforgettable form. Scott Godwin explores the fragile beauty of connection, the weight of trauma, and the piercing ache of loss through the lives of two men whose bond is as tender as it is profound.The story begins in a quiet rural town in Ontario, January 2024, as an early morning run turns into a nightmare. The narrator is left to confront grief, guilt, and the unimaginable void of life without the one who made him whole. Godwin’s narrative then unfolds in a relationship that began years earlier in a bustling city gym, where guardedness met vulnerability, and affection blossomed amid curiosity, longing, and shared histories.Through non-linear storytelling, Godwin traces the evolution of a love that is playful, steady, and transformative. From pre-dawn runs and shared silences to intimate conversations about identity, fear, and past wounds, the novel illuminates the quiet rituals that define a life together. Moving between city and countryside, past and present, joy and heartbreak, You and Me reveals the courage it takes to love fully and the devastation of losing someone irreplaceable.This is a story of queer love in all its complexity—intimate, flawed, and beautiful. It is a meditation on memory, masculinity, and the fragility of life, capturing the moments that make a relationship endure in the heart long after it ends. Readers will be drawn into the tender, vivid, and at times devastating world Godwin creates—a world where love, once found, leaves a mark that time cannot erase.You and Me is for anyone who has loved fiercely, lost deeply, or wondered how we carry those who have shaped us. It is a celebration of intimacy, resilience, and the enduring power of memory and affection. With stunning prose and emotional precision, Scott Godwin delivers a debut that is at once heartbreaking, unforgettable, and depicts love as both an anchor and a wound.For fans of Hanya Yanagihara's emotional scope and Garth Greenwell's lyrical intimacy.

A chilling horror novel about a haunting told from the perspective of a young girl whose troubled family is targeted by an entity she calls “Other Mommy,” from the New York Times bestselling author of Bird Box   To eight-year-old Bela, her family is her world. There’s Mommy, Daddo, and Grandma Ruth. But there is also Other Mommy, a malevolent entity who asks her every day: “Can I go inside your heart?”     When horrifying incidents around the house signal that Other Mommy is growing tired of asking Bela the same question, over and over . . . Bela understands that unless she says yes, soon her family must pay.    Other Mommy is getting restless, stronger, bolder. Only the bonds of family can keep Bela safe but other incidents show cracks in her parents' marriage. The safety Bela relies on is on the brink of unraveling.     But Other Mommy needs an answer.    Incidents Around the House is a chilling, wholly unique tale of true horror told by the child Bela. A story about a family as haunted as their home.

A charming, clever, and quietly moving debut novel of endless possibilities and joyful discoveries that explores the promises we make and break, losing and finding ourselves, the objects that hold magic and meaning for our lives, and the surprising connections that bind us. Lime green plastic flower-shaped hair bobbles—Found, on the playing field, Derrywood Park, 2nd September. Bone china cup and saucer—Found, on a bench in Riveria Public Gardens, 31st October. Anthony Peardew is the keeper of lost things. Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidentally left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and and all its lost treasures, including an irritable ghost. Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners. Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made. As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest? Full of character, wit, and wisdom, The Keeper of Lost Things is a heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.

Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking.Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that its goal can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic. Instead, she calls for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state, including heteropatriarchy, white supremacy, and capitalist exploitation.

A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might re-imagine gender for the twenty-first century. Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. With raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of color and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

Upper-middle-class white women have long been heralded as “experts” on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity, all while branding the language of the movement itself in whiteness and speaking over Black and Brown women in an effort to uphold privilege and perceived cultural superiority. An American Muslim woman, attorney, and political philosopher, Rafia Zakaria champions a reconstruction of feminism in Against White Feminism, centering women of color in this transformative overview and counter-manifesto to white feminism’s global, long-standing affinity with colonial, patriarchal, and white supremacist ideals. Covering such ground as the legacy of the British feminist imperialist savior complex and “the colonial thesis that all reform comes from the West” to the condescension of the white feminist–led “aid industrial complex” and the conflation of sexual liberation as the “sum total of empowerment,” Zakaria follows in the tradition of intersectional feminist forebears Kimberlé Crenshaw, Adrienne Rich, and Audre Lorde. Zakaria ultimately refutes and reimagines the apolitical aspirations of white feminist empowerment in this staggering, radical critique, with Black and Brown feminist thought at the forefront.

A powerful, moving memoir about what it's like to be a student of colour on a predominantly white campus. A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by white students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners. She heard racial slurs in bars, on the street, and during lectures. And she gathered labels she never asked for: Abuse survivor. Token. Bad feminist. But, by graduation, she found an unshakeable sense of self—and a support network of other women of colour. Using her award-winning reporting skills, Eternity connects her own experience to the systemic issues plaguing students today. It's a memoir of pain, but also resilience.