From acclaimed author Makiia Lucier, a dazzling, romantic fantasy inspired by Pacific Island mythology. In the old tales, it is written that the egg of a seadragon, dragonfruit, holds within it the power to undo a person’s greatest sorrow. An unwanted marriage, a painful illness, and unpaid debt ... gone. But as with all things that promise the moon and the stars and offer hope when hope has gone, the tale comes with a warning. Every wish demands a price. Hanalei of Tamarind is the cherished daughter of an old island family. But when her father steals a seadragon egg meant for an ailing princess, she is forced into a life of exile. In the years that follow, Hanalei finds solace in studying the majestic seadragons that roam the Nominomi Sea. Until, one day, an encounter with a female dragon offers her what she desires most. A chance to return home, and to right a terrible wrong. Samahtitamahenele, Sam, is the last remaining prince of Tamarind. But he can never inherit the throne, for Tamarind is a matriarchal society. With his mother ill and his grandmother nearing the end of her reign. Sam is left with two to marry, or to find a cure for the sickness that has plagued his mother for ten long years. When a childhood companion returns from exile, she brings with her something he has not felt in a very long time - hope. But Hanalei and Sam are not the only ones searching for the dragonfruit. And as they battle enemies both near and far, there is another danger they cannot escape…that of the dragonfruit itself.  

A house in Bangkok is the confluence of lives shaped by upheaval, memory, and the lure of home. A missionary doctor pines for his native New England even as he succumbs to the vibrant chaos of nineteenth-century Siam. A post-WWII society woman marries, mothers, and holds court, little suspecting her solitary future. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the resident spirits. A young woman tries to outpace the long shadow of her political past. And in New Krungthep, savvy teenagers row tourists past landmarks of the drowned old city they themselves do not remember. Time collapses as these stories collide and converge, linked by the forces voraciously making and remaking the amphibious, ever-morphing capital itself.

A haunting and beautiful memoir from a Cambodian refugee who lost her country and her family during Pol Pot's genocide in the 1970s but who finds hope by reclaiming the recipes she tasted in her mother's kitchen. With over 20 Khmer recipes included, Slow Noodles will resonate with readers who loved the food and emotional truth of Michelle Zauner's Crying in H Mart, and it has the staying power of Loung Ung's  First They Killed My Father. “I’ve never read a book that made me weep, wince, laugh out loud, and rejoice like  Slow Noodles.  In Chantha Nguon’s harrowing, wise, and fiercely feminist memoir, cooking is a language—of love, remembrance, and rebellion—and stories are nourishment."   —Maggie Smith, New York Times> bestselling author of You Could Make This Place Beautiful Take a well-fed nine-year-old with a big family and a fancy education. Fold in 2 revolutions, 2 civil wars, and one wholesale extermination. Subtract a reliable source of food, life savings, and family members, until all are gone. Shave down childhood dreams for approximately two decades, until only subsistence remains.   In Slow Noodles, Chantha Nguon recounts her life as a Cambodia refugee who lost everything and everyone—her house, her country, her parents, her siblings, her friends—everything but the memories of her mother’s kitchen, the tastes and aromas of the foods her mother made before the dictator Pol Pot tore her country apart in the 1970s, killing millions of her compatriots. Nguon’s irrepressible spirit and determination come through in this emotional and poignant but also lyrical and magical memoir that includes over 20 recipes for Khmer dishes like chicken lime soup, banh sung noodles, pâté de foie, curries, spring rolls, and stir-fries. For Nguon, recreating these dishes becomes an act of resistance, of reclaiming her place in the world, of upholding the values the Khmer Rouge sought to destroy, and of honoring the memory of her beloved mother. From her idyllic early years in Battambang to hiding as a young girl in Phnom Penh as the country purges ethnic Vietnamese like Nguon and her family, from her escape to Saigon to the deaths of mother and sister there, from the poverty and devastation she experiences in a war-ravaged Vietnam to her decision to flee the country. We follow Chantha on a harrowing river crossing into Thailand—part of the exodus that gave rise to the name “boat people”—and her decades in a refugee camp there, until finally, denied passage to the West, she returns to a forever changed Cambodia. Nguon survives by cooking in a brothel, serving drinks in a nightclub, making and selling street food, becoming a suture-nurse treating refugees abused by Thai authorities, and weaving silk. Through it all, Nguon relies on her mother’s “slow noodles” approach to healing and to cooking, one that prioritizes time and care over expediency. Haunting and evocative, Slow Noodles is a testament to the power of culinary heritage to spark the rebirth of a young woman’s hopes for a beautiful life.  

A house with a terrifying appetite haunts a broken family in this atmospheric horror, perfect for fans of Mexican Gothic. When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised. But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound, while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves her cryptic warnings: Don’t eat. Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house—the home her family has always wanted—will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.

Two warriors shepherd an ancient god across a broken land to end the tyrannical reign of a royal family in this new epic fantasy from the author of The Vanished Birds.The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.But that god cannot be contained forever.With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.Both a sweeping adventure story and an intimate exploration of identity, legacy, and belonging, The Spear Cuts Through Water is an ambitious and profound saga that will transport and transform you—and is like nothing you’ve ever read before.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

'Spare, chilling, with wild flashes of vivid colour and the tempo of a thriller, Siblings jolts us into the beating heart of a family and post-war East Germany, conjuring the political dreams and divisions that make and ultimately break both' Lisa Appignanesi1960. The border between East and West Germany has closed.For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the Party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty, and desire. The result is this ground-breaking classic of post-war East German literature.Translated by Lucy Jones