Actor-dancer Alyson Stoner's revelatory and incisive memoir—from family violence and betrayal, to eating disorders and religious trauma—may begin in Hollywood, but its chilling relatability will resonate with anyone navigating identity, privacy, purpose, and mental health in a digital age. Raised on soundstages and studio lots from the time they were six, shuffling between auditions for Disney Channel, Cheaper by the Dozen, or a Missy Elliott music video, Alyson experienced their defining moments of childhood inside the bizarre fishbowl of Hollywood. From being eight with an 80-hour work week, differentiating fan inquiries from kidnapping plots, and TV execs telling them they’re “not anorexic enough” to stop working and get help, they struggled to find stability and sanity in a chaotic world.In Semi-Well-Adjusted Despite Literally Everything, Alyson shares their powerful story for the first time, detailing a turbulent home life with addict parents, harrowing accounts from rehab, the messy process of discovering their sexuality in church, rebuilding a life after an early professional peak, and charting a path of self-discovery and advocacy. With striking introspection, Alyson connects the dots across the entertainment industry ecosystem, child development, and media culture, exposing the “toddler to trainwreck pipeline” of child stars and sparking timely conversations about success and society’s enchantment with fame.Bold, entertaining, warm, and galvanizing all at once, Semi-Well-Adjusted Despite Literally Everything is more than a personal it’s a beacon for industry reform, a roadmap for breaking the bonds of generational trauma, and a testament to the freedom and strength that come from finally trusting your own voice and power.

After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

The fiercest, most powerful novel of 2025. For what do you hunger . . .?Lenore is the wife of steel magnate Henry, but ten years into their marriage the relationship has soured, and no child has arrived to fill the distance growing between them. Henry's ambitions take them from London to Sheffield, and with his success hinged on a hunt, an old tradition looms over the home; the hunt is a time to settle old scores. If a bullet finds a human home, then it is only that they were foolish to become prey. In the weeks leading up to the hunt, a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who will not eat meals with the family, Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a terrible hunger . . .Set against the violent wilderness of the Peaks and the uncontrolled appetite of the industrial revolution HUNGERSTONE is a compulsive feminist reworking of CARMILLA, the book that inspired a captivating story of appetite and desire.

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

Wealth. Power. Murder. Magic. Alex Stern is back and the Ivy League is going straight to hell. Find a gateway to the underworld. Steal a soul out of hell. A simple plan, except people who make this particular journey rarely come back. But Galaxy “Alex” Stern is determined to break Darlington out of purgatory―even if it costs her a future at Lethe and at Yale. Forbidden from attempting a rescue, Alex and Dawes can’t call on the Ninth House for help, so they assemble a team of dubious allies to save the gentleman of Lethe. Together, they will have to navigate a maze of arcane texts and bizarre artifacts to uncover the societies’ most closely guarded secrets, and break every rule doing it. But when faculty members begin to die off, Alex knows these aren’t just accidents. Something deadly is at work in New Haven, and if she is going to survive, she’ll have to reckon with the monsters of her past and a darkness built into the university’s very walls. Thick with history and packed with Bardugo’s signature twists, Hell Bent brings to life an intricate world full of magic, violence, and all too real monsters.

An unforgettable epic saga of a French noblewoman deserted on an island where her survival will depend on the power of her faith and love—from the New York Times bestselling author of Sam.Heir to a chateau with its own village and lands, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and Jean Francois de la Rocque de Roberval—an enigmatic and volatile older man Marguerite has never met—becomes her guardian, controlling her future. He sells her property to pay his debts, leaving her destitute, and insists she accompany him on an expedition to New France. Isolated and afraid, Marguerite befriends Roberval’s servant and the two begin meeting secretly aboard the ship, drawn together by an intense attraction. But when Roberval discovers Marguerite’s deception, his rage is all-consuming. As punishment, he maroons her and her lover on a small island, condemning them to certain death.Once a child of privilege who dressed in gowns and laced pearls in her hair, Marguerite is now at the mercy of the elements. Without food or shelter, she must learn to hunt and live in a cave. As the weather turns, blanketing the island in ice, survival becomes nearly impossible. Marguerite despairs; has everyone and everything she once held dear abandoned her?A riveting portrait inspired by the real life of a sixteenth-century heroine, and a gorgeous celebration of the power of the natural world, Isola is the timeless story of a woman realizing her true strength.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Home is where the heart is - and this one is haunted. The No. 1 New York Times bestselling author of the Rebel Blue Ranch series returns with a brand-new story, featuring a small-town upholsterer in need of a fresh start, a photographer whose life has come to a screeching halt . . . and the supernatural forces that bring them together. Collins Cartwright does not want to go home. Sweetwater Peak, Wyoming, was supposed to be in her rearview mirror, but when she finds out a developer is trying to buy her parents' antique shop out from under them, she doesn't have a choice - at least, that's what she tells her family. They don't need to know she's lost her job and is out of money. Or that the ghosts that have always been her companions have recently gone silent. But just because she's returned home doesn't mean she has to stay with her parents or crash on her twin sister's couch. Lucky for her, the new-to-town upholsterer has a room for rent above his store. Unluckily, it is absolutely crawling with more ghosts who are freezing her out. And Collins hates being ignored. Brady Cooper is absolutely and totally fine. Seriously, there's no secret reason why he decided to uproot his life and suddenly move to Sweetwater Peak. He just needed a change of pace. At least, that's what he tells himself. And everyone else. When he agrees to let the elusive Collins Cartwright stay in his spare room, he doesn't know that she's absolutely bonkers - constantly talking to herself and having conversations with no one - or that she looked like that. But as they begin to get closer, the lines between them start to blur, leaving both of them - and the ghosts that have been pushing them together - wondering whether or not their temporary arrangement could be something more permanent.

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.