Saida Agostini’s first full-length poetry collection, let the dead, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.

A fascinating historical novel about Hilde, an orphan who experiences Berlin on the cusp of World War II as she discovers her own voice and sexuality, ultimately finding a family when she gets a job at a gay cabaret, by award-winning author Kip Wilson. On her eighteenth birthday, Hilde leaves her orphanage in 1930s Berlin, and heads out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Café Lila, a vibrant cabaret full of expressive customers. Rosa, one of the club’s waitresses and performers, immediately takes Hilde under her wing. As the café denizens slowly embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa.  But Berlin is in turmoil. Between the elections, protests in the streets, worsening antisemitism and anti-homosexual sentiment, and the beginning seeds of unrest in Café Lila itself, Hilde will have to decide what’s best for her future . . . and what it means to love a place on the cusp of war. 

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

“Birlikte kadın olmak yetmiyordu. Biz farklıydık. Birlikte gey-kızlar olmak yetmiyordu. Biz farklıydık. Birlikte Siyah olmak yetmiyordu. Biz farklıydık. Birlikte Siyah kadınlar olmak yetmiyordu. Biz farklıydık. Birlikte Siyah dykelar olmak yetmiyordu. Biz farklıydık.” Audre, bu kitapta kendi öyküsünü bir şiir misali duygulara dokunarak ilmek ilmek işliyor. Kitap boyunca sadece küçük siyah bir kızın savaşçı bir kadına nasıl dönüştüğüne tanıklık etmekle kalmıyor, aynı zamanda Audre’nin yolculuğunda adeta ona yoldaşlık ediyoruz. Yazarın şair üslubu insanı sarıp sarmalayan yumuşacık bir mitolojik öykü okuduğumuz hissi yaratsa da, anlattığı sıradan ama keskin duyguların aslında ne kadar sert bir gerçekliğin ifadesi olduğuyla karşı karşıya bırakıyor bizi. Zami, çocukluk ve gençlikte kristalleşen özgün farkımızı içimize akıtan bir hikaye, büyüme ve mücadelenin, dahası bahisdışı olmanın, her seferinde yeniden ayağa kalkıp yola devam etme gücünün hikayesi.

A deeply researched and highly readable cultural history of queer women’s lives in the second half of the twentieth century, told through six iconic spaces For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own , journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore. Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women’s spaces of the ’70s toward today’s more inclusive yet more diffuse LGBTQ+ communities. At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history—and timeless present—of the lesbian community to vivid life.

The heart-rending autobiographical manga that’s taken the internet by storm! My Lesbian Experience with Loneliness is an honest and heartfelt look at one young woman’s exploration of her sexuality, mental well-being, and growing up in our modern age. Told using expressive artwork that invokes both laughter and tears, this moving and highly entertaining single volume depicts not only the artist’s burgeoning sexuality, but many other personal aspects of her life that will resonate with readers.

For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism. As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and by her teen years she was alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found supports to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counselor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in her adopted city, Thunder Bay, Ontario. Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humor, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.

Two video game creators go head-to-head in this delightful, queer enemies-to-lovers workplace romance debut. Cat Li cares about two things: video games and swoony romances. The former means there hasn't been much of the latter in her (real) life, but when she lands her dream job writing the love storylines for Compass Hollow—the next big thing in games—she knows it’s all been worth it. Then she meets her boss: the infamous Andi Zhang, who’s not only an arrogant hater of happily-ever-afters determined to keep Cat from doing her job but also impossibly, annoyingly hot. As Compass Hollow’s narrative director, Andi couldn’t care less about love—in-game or out. After getting doxxed by internet trolls three years ago, Andi’s been trying to prove to the gaming world that they’re a serious gamedev. Their plan includes writing the best game possible, with zero lovey-dovey stuff. That is, until the man funding the game’s development insists Andi add romance in order to make the story “more appealing to female gamers.” Forced to give Cat a chance, Andi begrudgingly realizes there’s more to Cat than romantic idealism and, okay, a cute smile. But admitting that would mean giving up the single-player life that has kept their heart safe for years. And when Cat uncovers a behind-the-scenes plan to destroy Andi’s career, the two will have to put their differences aside and find a way to work together before it’s game over.

From New York Times bestselling author Harley Laroux comes the unique standalone sapphic gothic romance, with mystery, the supernatural, and plenty of spice. Two women with very different lives share a night of passion, planning on it being a one stand. Only they meet again at a remote island in the Pacific Northwest, where one of them runs her family's bed and breakfast. A series of mysterious and increasingly bizarre events plague the island, and together they must determine who or what is haunting the House of Rayne.

"A WOMAN APPEARED TO ME is Renée Vivien's feverish, dream-like account of her tormented relationship with her muse and mistress, Natalie Clifford Barney." - Introduction

In a land impoverished by a war that started before she was born, Kiena has provided for her mother and brother by becoming one of the best hunters in the kingdom. But when a lifelong friend with connections recommends her to the king to track down a runaway princess, her life gets turned upside down. Finding the princess is easy. Deciding what to do in a conflicting mess of politics and emotions… not so much. 175,000 words