The gods are dead. All that’s left are the Players… The performers of the Playhouse are as worshipped as they are feared, their enchanting shows bending hearts, minds, and even reality itself. Vicious, godlike, lethal. Eighteen-year-old Riven Hesper knows the dangers better than anyone, after her own encounter with a Player resulted in a curse that is slowly killing her. When the Playhouse announces the spectacle of a lifetime—a chance for one mortal to steal a Player’s immortality—Riven sees her last chance to live. Desperate for answers, she infiltrates the competition. There, she finds Jude, the Playhouse’s brilliant, merciless Lead Player, whose charm is as dangerous as his Craft, and strikes a deadly bargain to save her life. But with time running out and the Playhouse’s secrets unraveling into a disturbing picture, Riven faces a grim possibility: she might not be the hero of her story after all. In fact, she may be the villain. Because the Playhouse doesn’t just tell stories. It rewrites them. And Riven’s might end in blood. Caraval meets One Dark Window in this lush and dark fantasy.

Celaena Sardothien is her kingdom’s most feared assassin. Though she works for the powerful and ruthless Assassin’s Guild, Celaena yields to no one and trusts only her fellow killer for hire, Sam. When Celaena's scheming master, Arobynn Hamel, dispatches her on missions that take her from remote islands to hostile deserts, she finds herself acting independently of his wishes—and questioning her own allegiance. Along the way, she makes friends and enemies alike, and discovers that she feels far more for Sam than just friendship. But by defying Arobynn’s orders, Celaena risks unimaginable punishment, and with Sam by her side, he is in danger, too. They will have to risk it all if they hope to escape Arobynn’s clutches—and if they fail, they’ll lose not just a chance at freedom, but their lives . . . A prequel to Throne of Glass, this collection of five novellas offers readers a deeper look into the history of this cunning assassin and her enthralling—and deadly—world. Included in this volume: The Assassin and the Pirate Lord The Assassin and the Healer The Assassin and the Desert The Assassin and the Underworld The Assassin and the Empire

What happens to all the mind-controlled minions when the evil villain is finally vanquished? When Oaklin Nettlewood (accidentally) joined an evil cult, they and the rest of their small community were promptly whammied by mind control magic and forced to do unspeakable things. Now, years later, the realm's heroes have saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. Because the minions who were nothing more than obstacles were Oaklin's last remaining family and friends, and now as the entire realm celebrates, Oaklin is left alone to pick up the pieces. And so, with a spell-damaged memory and whole bushel of trauma, they buy a small farm on the edge of Mossley's Rest and swear an After all the things they were forced to do with their magic, they will never use it again. Ever. But the gentle ghost who lives in Oaklin's house has other ideas. And as she coaxes Oaklin out of their shell and back into the world, Oaklin begins to find companionship (a grumpy horse and a very good boy dog), friendship (a local bard and magical baker who should just kiss already), and even romance (a paladin-librarian who makes Oaklin's heart flutter.) Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

My body dictates who I am. I work the way I do because of my body, I vote the way I do because of my body and I live the way I do because of my body. It is not my body that is at fault, but society's failure to deal with bodies like mine. I might be in pain, but I am whole. I refuse to have the difficult parts cropped out. Kylie Maslen has been living with invisible illness for twenty years-more than half her life. Its impact is felt in every aspect of her day-to-day existence- from work to dating; from her fears for what the future holds to her struggles to get out of bed some mornings. Drawing on pop music, art, literature and online culture, Maslen explores the lived experience of invisible illness with sensitivity and wit, drawing back the veil on a reality many struggle-or refuse-to recognise. Show Me Where it Hurts- Living with Invisible Illness is a powerful collection of essays that speak to those who have encountered the brush-off from doctors, faced endless tests and treatments, and endured chronic pain and suffering. But it is also a bridge reaching out to partners, families, friends, colleagues, doctors- all those who want to better understand what life looks like when you cannot simply show others where it hurts.

Broadcaster Jacinta Parsons was in her twenties when she first began to feel unwell – the kind of unwell that didn’t go away. Doctors couldn’t explain why, and Jacinta wondered if it might be in her head. She could barely function, was frequently unable to eat or get out of bed for days, and gradually turned into a shadow of herself. Eventually she got a diagnosis: Crohn’s disease. But knowing this wouldn’t stop her life from spiralling into a big mess of doctors, hospitals and medical disasters. What’s most extraordinary about Jacinta’s story is how common it is. Nearly half of Australians live with a chronic illness, but most of these conditions are not obvious, often endured in secrecy and little understood. They are unseen. With compelling candour, Jacinta trains a microscope on the unique challenges of living with an invisible condition. She lays bare the struggles with shame, loss of identity, the threat of mortality, and the profoundly complex relationships between the chronically ill and their own bodies, as well as with those around them. It’s a story of trying to fix an unfixable illness, getting beaten down then clawing back up, and how that experience can shape a life.

As stunt double to Daniel Radcliffe in the Harry Potter film franchise, stuntman David Holmes helped to move J.K. Rowling's era-defining story from the page to the big screen. His work as a real-life Fall Guy enabled him to create some of the most memorable action sequences in the Wizarding World, as he became the first person ever to play Quidditch. In living his own hero's journey, David was also one of only a handful of people to have worn the iconic wizard's cape, glasses and scar in front of the cameras. That is, until an accident changed his life forever. During the making of Harry Potter and the Deathly Hallows: Part 1, David broke his neck in a stunt rehearsal and was instantly paralysed. From talented junior gymnast and stunt prodigy to fully qualified Hollywood stuntman, his story is a brutally honest portrait of a man who lost everything but found different ways to reimagine new possibilities with love, friendship and optimism - and he later co-created a BAFTA-nominated documentary about his life. David's behind-the-scenes look at one of the biggest film series of all time is both jaw-dropping and hilarious. Powerful and emotional, his is a story of hope and vulnerability and paints a picture of what it truly takes to rebuild a life and become The Boy Who Lived.

A hilariously honest, heartwarming essay collection about life, love, and discovering you have ADHD at age 35   Despite being a published writer with a family, a gaggle of internet fans, and (most shockingly) a mortgage, Emily Farris could never get her act together. As she saw it, disorganization was one of her countless character flaws—that is, until she was diagnosed with ADHD at age 35. Like many women and girls who go undiagnosed, Farris grew up internalizing criticisms about her impulsivity and lack of follow-through. She held on to that shame as she tried (and often failed) to fit into a world designed for neurotypical brains.   I'll Just Be Five More Minutes is a personal essay collection of laugh-out-loud funny, tear-jerking, and at times cringe-worthy true stories of Farris's experiences as a neurodivergent woman. With the newfound knowledge of her ADHD, Farris candidly reexamines her complicated relationships (including one with a celebrity stalker), her money problems, the years she spent unknowingly self-medicating, and her hyper-fixations.    I'll Just Be Five More Minutes is a powerful collection of deeply relatable, wide-ranging stories about a woman's right to control her own body, about overwhelm and oversharing, about drinking too much and sleeping too little, and about being misunderstood by the people closest to you. At its heart, it's about not quite fitting in and not understanding why.

Written by Naoki Higashida, a very smart, very self-aware, and very charming thirteen-year-old boy with autism, it is a one-of-a-kind memoir that demonstrates how an autistic mind thinks, feels, perceives, and responds in ways few of us can imagine. Parents and family members who never thought they could get inside the head of their autistic loved one, at last, have a way to break through to the curious, subtle, and complex life within. Using an alphabet grid to painstakingly construct words, sentences, and thoughts that he is unable to speak out loud, Naoki answers even the most delicate questions that people want to know. Questions such as: “Why do people with autism talk so loudly and weirdly?” “Why do you line up your toy cars and blocks?” “Why don’t you make eye contact when you’re talking?” and “What’s the reason you jump?” (Naoki’s answer: “When I’m jumping, it’s as if my feelings are going upward to the sky.”) With disarming honesty and a generous heart, Naoki shares his unique point of view on not only autism but life itself. His insights—into the mystery of words, the wonders of laughter, and the elusiveness of memory—are so startling, so strange, and so powerful that you will never look at the world the same way again.

Remarkably Bright Creatures, an exploration of friendship, reckoning, and hope, tracing a widow's unlikely connection with a giant Pacific octopus. After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late. Shelby Van Pelt's debut novel is a gentle reminder that sometimes taking a hard look at the past can help uncover a future that once felt impossible.

Jack Tamerlaine hasn’t set foot on Cadence in ten long years, content to study music at the mainland university. But when young girls start disappearing from the isle, Jack is summoned home to help find them. Enchantments run deep on Cadence: gossip is carried by the wind; plaid shawls can be as strong as armor, and the smallest cut of a knife can instil fathomless fear. The capricious spirits that rule the isle by fire, water, earth, and wind find mirth in the lives of the humans who call the land home. Adaira, heiress of the east and Jack’s childhood enemy, knows the spirits only answer to a bard’s music, and she hopes Jack can draw them forth by song, enticing them to return the missing girls. As Jack and Adaira reluctantly work together, they find they make better allies than rivals as their partnership turns into something more. But with each passing song, it becomes apparent the trouble with the spirits is far more sinister than they first expected, and an older, darker secret about Cadence lurks beneath the surface, threatening to undo them all.