Begin your journey into Middle-earth. The inspiration for the upcoming original series on Prime Video, The Lord of the Rings: The Rings of Power. The Return of the King is the third part of J.R.R. Tolkien’s epic adventure The Lord of the Rings. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. The Dark Lord has risen, and as he unleashes hordes of Orcs to conquer all Middle-earth, Frodo and Sam struggle deep into his realm in Mordor. To defeat Sauron, the One Ring must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. The Ring corrupts all who bear it and Frodo’s time is running out. Will Sam and Frodo succeed, or will the Dark Lord rule Middle-earth once more?

From the instant New York Times bestselling author of Firekeeper’s Daughter and Warrior Girl Unearthed comes a daring new mystery about a foster teen claiming her heritage on her own terms. Ever since Lucy Smith’s father died five years ago, “home” has been more of an idea than a place. She knows being on the run is better than anything waiting for her as a “ward of the state.” But when the sharp-eyed and kind Mr. Jameson with an interest in her case comes looking for her, Lucy wonders if hiding from her past will ever truly keep her safe. Five years in the foster system has taught her to be cautious and smart. But she wants to believe Mr. Jameson and his “friend-not-friend,” a tall and fierce-looking woman who say they want to look after her. They also tell Lucy the truth her father hid from her: She is Ojibwe; she has – had – a sister, and more siblings; a grandmother who’d look after her and a home where she would be loved. But Lucy is being followed. The past has destroyed any chance of normal she has had, and now the secrets she’s hiding will swallow her whole and take away the future she always dreamed of.

How a force that’s hard to name, but which we all feel, is reshaping what it means to be humanIn Against the Machine, “furiously gifted” (The Washington Post) novelist, poet, and essayist Paul Kingsnorth presents a wholly original—and terrifying—account of the technological-cultural matrix enveloping all of us. With masterful insight into the spiritual and economic roots of techno-capitalism, Kingsnorth reveals how the Machine, in the name of progress, has choked Western civilization, is destroying the Earth itself, and is reshaping us in its image. From the First Industrial Revolution to the rise of artificial intelligence, he shows how the hollowing out of humanity has been a long game—and how your very soul is at stake.It takes effort to remain truly human in the age of the Machine. Writing in the tradition of Wendell Berry, Jacques Ellul and Simone Weil, Kingsnorth reminds us what humanity a healthy suspicion of entrenched power; connection to land, nature and heritage; and a deep attention to matters of the spirit. Prophetic, poetic, and erudite, Against the Machine is the spiritual manual for dissidents in the technological age.

Something pushed out from the body there on the floor, and stretched forth a slimy, wavering tentacle... Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalized late Victorian readers. Machen's "weird fiction" has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late Victorian horror classics, a selection of lesser known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualize the life and work of this foundational figure in the history of horror. Contents: - The Lost Club - The Great God Pan - The Inmost Light - The Three Impostors - The Red Hand - The Shining Pyramid - The Turanians - The Idealist - Witchcraft - The Ceremony - Psychology - Midsummer - The White People - The Bowmen - The Monstrance - N - The Tree of Life - Change - Ritual.

This haunting jungle of a novel has been hailed as “a masterpiece” by Luis Buñuel and “one of the great novels not only of Spanish America, but of our time” by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader’s mind. The story is like a great puzzle . . . invested with a vibrant, almost tangible reality. —The New York Times Although many of the other “boom” writers may have received more attention—especially Fuentes and Vargas Llosa—Donoso and his masterpiece may be the most lasting, visionary, strangest of the books from this time period. Seriously, it’s a novel about the last member of an aristocratic family, a monstrous mutant, who is surrounded by other freaks so as to not feel out of place. —Publishers Weekly Nicola Barker has said: "I'm no expert on the topic of South American literature (in fact I'm a dunce), but I have reason to believe (after diligently scouring the internet) that Chile's Jose Donoso, while a very highly regarded author on home turf, is little known on this side of the Atlantic. His masterpiece is the fabulously entitled The Obscene Bird of Night. It would be a crass understatement to say that this book is a challenging read; it's totally and unapologetically psychotic. It's also insanely gothic, brilliantly engaging, exquisitely written, filthy, sick, terrifying, supremely perplexing, and somehow connives to make the brave reader feel like a tiny, sleeping gnat being sucked down a fabulously kaleidoscopic dream plughole."