A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses--until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past. A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

Mothra takes center stage in this graphic novel adventure in the world of Godzilla! Mothra has fallen after a fearsome battle with a terrifying new kaiju, Antra. Without its protector, the world has entered a state of desolation. Kaiju roam freely, and what remains of humankind has been forced into hiding. But all hope is not lost! Mira is a young woman living in the wasteland who believes she lost her entire family in Mothra’s final stand—that is, until her missing twin shows up with two fairies! If Emi is to be believed, the sisters might hold the key to the rebirth of Mothra and the Earth’s return to normalcy. They just have to travel back in time and get its egg from the Jurassic period first.

An intergalactic art heist by a ragtag group of underqualified misfits. What could go wrong?For three hundred years, humanity’s greatest works of art have been on loan at the Museum of the Seed-Born. It was finally time for them to come home...but the alien curators were disinclined to return them. Force was out of the question. Earth’s government was they were not going to press the issue. So, all we had was guile and hubris to fuel our little intergalactic art heist. My old friend Tarquin was our leader, but not the captain. That was Tchik-tchik, though whether Tchik-tchik was our insectoid pilot’s name or species is still unclear to me. Misora, with her extremely illegal biotech mods, was our muscle. Jack was there to hack the security systems of the biggest museum in the galaxy. He was a sensynth, a sentient synthetic being, and the most powerful machine intelligence on Earth uncorrupted by alien technology. My name is Fennel Tycho. I’d like to tell you I was there because of my expertise in Art History. Truth is, I was there because without me, Jack would not have agreed to go. He was notorious for being difficult to work with—but it was a mistake to think I could make things any easier.A meditation on the nature of love, life, and the "culture of the copy," And Side by Side They Wander asks the In a future where there are clones, androids, and a sentient mycelium that creates fungal simulacra, who is real and what is fake?At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When Liana learns that her beloved husband, Prince Amron, was killed, she uses her half-divine blood to strike a bargain: the gods will send her back into the past and give her three days to make Amron fall in love with her. If she succeeds, she gets him back. If she fails, she loses him, and her divine powers, forever. Seventeen years earlier, Melia is forced by her controlling father to marry Amron on the brink of the biggest peace treaty in history. But Melia has her own plans: to destroy the treaty and carve a new future with her rebellious lover, Ferisa. As Melia’s betrayal sparks a bloody conflict, Liana realizes the gods have deceived her: she must help Amron earn Melia’s trust, even if it means losing him, or the future won’t exist. And Melia must decide whether to reveal the truth, knowing it could cost her everything – or let the kingdom burn to ashes. A dark fantasy story of love and revenge, Love Lethal Death Divine blends the history of Eastern Adriatic with Slavic folklore, set in the same world as Ghost Apparent and Dark Woods, Deep Water.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

“The Artificial State is the factory farming of humans, the sorting and segmenting, the isolation and alienation, as if humans were becoming to machines what animals had become to humans.” —Jill Lepore “Much in history is headlong but few grand transformations have been more precipitate or more heedless than the rise of . . . the Artificial State,” writes Jill Lepore in this passionate account of how rule by machine has ravaged the world. Inspired by Hannah Arendt’s The Origins of Totalitarianism, which argued in 1951 that the machinery of modern life was reshaping the very fundamentals of human existence, Lepore, profoundly disturbed by the technology revolution and by the soulless inundation of artificial intelligence, unfurls a new history for our own twenty-first century. Building on an essay in The New Yorker in 2024, Lepore’s clarion call traces our increasing dependence on and strangulation by data. Political campaigns, awash in an avalanche of fake bots, have been reduced to attention-mining algorithms, while multinational media corporations dictate public discourse, and the era of the liberal nation-state seems to be coming to a rapid end, replaced by billionaire technocrats reliant on autocracy and the tools of AI. With Orwellian overtones, The Rise and Fall of the Artificial State demonstrates how technology has corroded global democracy, leading to the destruction of both human community and capacity for self-government, creating a new form of AI government, a digital citizen’s assembly, where AI will recommend the course of action to humans in place of human-run legislatures. Especially sobering with this proliferation of “dizzying, ever-changing schemes, prophesies, and predictions” is that the Artificial State has come at the expense of the natural world, leading to catastrophic loss of wildlife habitat and biodiversity. Deliberately alarming, The Rise and Fall of the Artificial State, despite its abundance of dire facts, is not a funeral dirge; rather, it’s an inspiring wake-up call, written in Lepore’s typically elegiac prose, which demonstrates that nothing about the Artificial State was inevitable, for it is a “government without consent, even government without humans.” It can, Lepore asserts, be dismantled. Other heinous systems, like feudalism, fascism, and slavery, have also been dismantled, but disassembly requires identifying the parts, tracing the sources. It requires telling a new history. This is the purpose of The Rise and Fall of the Artificial State.

Wealth. Power. Murder. Magic. Alex Stern is back and the Ivy League is going straight to hell. Find a gateway to the underworld. Steal a soul out of hell. A simple plan, except people who make this particular journey rarely come back. But Galaxy “Alex” Stern is determined to break Darlington out of purgatory―even if it costs her a future at Lethe and at Yale. Forbidden from attempting a rescue, Alex and Dawes can’t call on the Ninth House for help, so they assemble a team of dubious allies to save the gentleman of Lethe. Together, they will have to navigate a maze of arcane texts and bizarre artifacts to uncover the societies’ most closely guarded secrets, and break every rule doing it. But when faculty members begin to die off, Alex knows these aren’t just accidents. Something deadly is at work in New Haven, and if she is going to survive, she’ll have to reckon with the monsters of her past and a darkness built into the university’s very walls. Thick with history and packed with Bardugo’s signature twists, Hell Bent brings to life an intricate world full of magic, violence, and all too real monsters.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

Sold by her mother. Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den... Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others. But Amara's spirit is far from broken. By day, she walks the streets with her fellow she-wolves, finding comfort in the laughter and dreams they share. For the streets of Pompeii are alive with opportunity. Out here, even the lowest slave can secure a reversal in fortune. Amara has learnt that everything in this city has its price. But how much is her freedom going to cost her? Set in Pompeii's lupanar, The Wolf Den reimagines the lives of women who have long been overlooked.

Accidentally trapped in an underground bunker, a teen girl must navigate the bizarre secrets within. This astonishing indie-horror graphic novel will keep readers guessing—and turning pages! Mary had a bad feeling even before they arrived at dead Aunt Pearl’s house. Dragged to a remote mining town so her mom and stepdad can settle Pearl’s estate, Mary can't wait to escape from her wreck of a family—but she’s stuck with them in the middle of nowhere. After a vicious fight, Mary runs off to hide in an abandoned gold mine. Her escape plan backfires when she realizes she’s trapped inside. Even more terrifying… she’s not alone.

A romance editor looks for love where you’d least expect it—and discovers what our favorite horror films can tell us about sex, society, and ourselves If Sinners and the 1999 cult classic The Mummy taught Emma Cole anything in the year she spent bingeing scary movies, it’s that we love to swoon, sweat, and scream. We seem to crave the uncanny and the transgressive. Emma would know: her day job as a Harlequin book editor revolves around steamy stories that ruffle feathers and rip bodices. In Love Never Dies, she shows how our favorite horror films flirt with familiar tropes and themes to give us romantic subplots that are just as spinetingling. Cole takes readers behind the scenes of films like Tod Browning’s Dracula and Josh Ruben’s Heart Eyes, exploring how and why movies blur the lines of horror and romance. The books dives into - The “Dark Moment” and how it signals an HEA (Happily Ever After) - Why not having a lover (spoiler alert) saved Jamie Lee Curtis’s Laurie Strode in Halloween - Rosemary’s Baby, Interview with the Vampire, and Gothic horror’s comeback - How romance, especially monster romance, is often a stand-in for uncomfortable truths From vampires and monsters to slashers and psychological thrillers, Love Never Dies explores the enthralling nature of horror romance films that are full of heart. It’s just that sometimes, those hearts are on the outside.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.