Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

A haunting, diverse debut story collection that explores the isolation we experience in the face of the mysterious, often dangerous forces that shape our lives Anjali Sachdeva's debut collection spans centuries, continents, and a diverse set of characters but is united by each character's epic struggle with fate: A workman in Andrew Carnegie's steel mills is irrevocably changed by the brutal power of the furnaces; a fisherman sets sail into overfished waters and finds a secret obsession from which he can't return; an online date ends with a frightening, inexplicable disappearance. Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake. The world by night -- Glass-lung -- Logging lake -- Killer of kings -- All the names for God -- Robert Greenman and the mermaid -- Anything you might want -- Manus -- Pleiades

Shy Miwa has always dreamed of finding love, but living in small-town Japan made finding the right match difficult—especially since she likes girls! Even going away to college didn’t seem to help, until one day her outgoing classmate Saeko suggests they might as well start dating each other since it’s not like either of them has other options. At first it seems like things won't work out as their personalities clash and misunderstandings abound. But when their casual friendship starts to become something more, Miwa begins to wonder—can a pragmatic proposal lead to true love?

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

Guthrie was a good place to be from, but it wasn’t a great place to live, not when you were like Adam, in all the ways Adam was like Adam. Adam Binder hasn’t spoken to his brother in years, not since Bobby had him committed to a psych ward for hearing voices. When a murderous spirit possesses Bobby’s wife and disrupts the perfect life he’s built away from Oklahoma, he’s forced to ask for his little brother’s help. Adam is happy to escape the trailer park and get the chance to say I told you so, but he arrives in Denver to find the local magicians dead. It isn’t long before Adam is the spirit’s next target. To survive the confrontation, he’ll have to risk bargaining with powers he’d rather avoid, including his first love, the elf who broke his heart. The Binder brothers don’t realize that they’re unwitting pawns in a game played by immortals. Death herself wants the spirit’s head, and she’s willing to destroy their family to reap it.

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.