"Lévi-Strauss is a French savant par excellence, a man of extraordinary sensitivity and human wisdom . . . a deliberate stylist with profound convictions and convincing arguments. . . . [The Raw and the Cooked] adds yet another chapter to the tireless quest for a scientifically accurate, esthetically viable, and philosophically relevant cultural anthropology. . . . [It is] indispensable reading."—Natural History

Mark J.P. Wolf's study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds-which are often transnarrative, transmedial, and transauthorial in nature-are compelling objects of inquiry for Media Studies. Chapters touch a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienceda history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer's Odyssey to the presentinternarrative theory examining how narratives set in the same world can interact and relate to one anotheran examination of transmedial growth and adaptation, and what happens when worlds make the jump between mediaan analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation's relationship with divine CreationBuilding Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.

Paratexts are those liminal devices and conventions, both within and outside the book, that mediate between book, author and reader: titles, forewords and publishers' jacket copy form part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette offers a global view of these liminal mediations and their relation to the reading public. With precision, clarity and through wide reference, he shows how paratexts interact with general questions of literature as a cultural institution. Richard Macksey's foreword situates Genette in contemporary literary theory.

These essays reveal Mikhail Bakhtin (1895-1975)--known in the West largely through his studies of Rabelais and Dostoevsky--as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

This volume is a provocative and entertaining collection of works which reveals the diversity of J.R.R. Tolkien's imagination and the breadth of his talent as a creator of fantastic fiction.

A five-thousand-year-old woman who has outlived empires and a doctor who’s spent his life fighting death collide in this novella from New York Times bestselling author Ali Hazelwood. Lilit of Nineveh has spent millennia in control. As a powerful revenant, she enforces one rule above all: protect mortals. Disciplined and focused, she has never made the same mistake twice, and she has learned that attachments can only lead to ruin. Enter Roman Martin. An overworked and relentlessly kind ER physician, he is the one mortal Lilit cannot quit. Any relationship between them is against everything Lilit has fought for. Still, she keeps coming back to him. Until someone starts hunting Lilit, and Roman is caught in the crossfire. When everything comes crashing down, Lilit must choose between the world she has sworn to protect and the man she was never meant to love.

A five-thousand-year-old woman who has outlived empires and a doctor who’s spent his life fighting death collide in this novella from New York Times bestselling author Ali Hazelwood. Lilit of Nineveh has spent millennia in control. As a powerful revenant, she enforces one rule above all: protect mortals. Disciplined and focused, she has never made the same mistake twice, and she has learned that attachments can only lead to ruin. Enter Roman Martin. An overworked and relentlessly kind ER physician, he is the one mortal Lilit cannot quit. Any relationship between them is against everything Lilit has fought for. Still, she keeps coming back to him. Until someone starts hunting Lilit, and Roman is caught in the crossfire. When everything comes crashing down, Lilit must choose between the world she has sworn to protect and the man she was never meant to love.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king. Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their sex, as the men around them moved them like pawns for political gains. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king. Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their sex, as the men around them moved them like pawns for political gains. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

The Forsaken are loose, the Horn of Valere has been found and the Dead are rising from their dreamless sleep. The Prophecies are being fulfilled - but Rand al'Thor, the shepherd the Aes Sedai have proclaimed as the Dragon Reborn, desperately seeks to escape his destiny. Rand cannot run for ever. With every passing day the Dark One grows in strength and strives to shatter his ancient prison, to break the Wheel, to bring an end to Time and sunder the weave of the Pattern. And the Pattern demands the Dragon.

A propulsive, electrifying and enraging retelling of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill. Born into a world on fire, Godling Hekate has never known safety. After her parents are on the losing side of the war between the ruling Titans and new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea. Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead.  When Hekate finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end. . .  ADVANCE PRAISE FOR HEKATE ‘In Hekate, we are plunged into a vivid and imaginatively wrought divine world that is monstrous, magical and beautiful through the perspective of a bewildered child of war who grows up to understand and embrace her power. It's a timely and achingly resonant reflection on conflict, fear and the unbreakable bonds of family conveyed in exquisite, evocative poetry.’ – Jennifer Saint, author of Ariadne   ‘In a wholly original, incandescent take on the myth of Hekate, Nikita Gill captures the beauty, brutality and otherworldly strangeness of the ancient world like no other writer. This beautifully imagined tale of a Refugee Goddess's. . . quest to find her destiny among a kingdom of outcasts is both deeply moving and absolutely captivating. . . This poem is pure magic.’  – Elodie Harper, bestselling author of The Wolf Den trilogy  

A propulsive, electrifying and enraging retelling of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill. Born into a world on fire, Godling Hekate has never known safety. After her parents are on the losing side of the war between the ruling Titans and new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea. Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead.  When Hekate finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end. . .  ADVANCE PRAISE FOR HEKATE ‘In Hekate, we are plunged into a vivid and imaginatively wrought divine world that is monstrous, magical and beautiful through the perspective of a bewildered child of war who grows up to understand and embrace her power. It's a timely and achingly resonant reflection on conflict, fear and the unbreakable bonds of family conveyed in exquisite, evocative poetry.’ – Jennifer Saint, author of Ariadne   ‘In a wholly original, incandescent take on the myth of Hekate, Nikita Gill captures the beauty, brutality and otherworldly strangeness of the ancient world like no other writer. This beautifully imagined tale of a Refugee Goddess's. . . quest to find her destiny among a kingdom of outcasts is both deeply moving and absolutely captivating. . . This poem is pure magic.’  – Elodie Harper, bestselling author of The Wolf Den trilogy