An inspiring blend of nature writing and memoir that explores nature’s crucial role in our emotional and mental health. Bats can hear shapes, plants can eat light, and bees can dance maps. When his life took him to a painfully dark place, the poet behind The Cryptonaturalist, Jarod K. Anderson, found comfort and redemption in these facts and the shift in perspective that comes from paying a new kind of attention to nature. Something in the Woods Loves You tells the story of the darkest stretch of a young person’s life, and how deliberate and meditative encounters with plants and animals helped him see the light at every turn. Ranging from optimistic contemplations of mortality to appreciations of a single mushroom, Anderson has written a lyrical love letter to the natural world and given us the tools to see it all anew.

In the nineteenth century, English textile workers responded to the introduction of new technologies on the factory floor by smashing them to bits. For years the Luddites roamed the English countryside, practicing drills and manoeuvres that they would later deploy on unsuspecting machines. The movement has been derided by scholars as a backwards-looking and ultimately ineffectual effort to stem the march of history; for Gavin Mueller, the movement gets at the heart of the antagonistic relationship between all workers, including us today, and the so-called progressive gains secured by new technologies. The Luddites weren’t primitive and they are still a force, however unconsciously, in the workplaces of the twenty-first century world. Breaking Things at Work is an innovative rethinking of labour and machines, leaping from textile mills to algorithms, from existentially threatened knife cutters of rural Germany to surveillance-evading truckers driving across the continental United States. Mueller argues that the future stability and empowerment of working-class movements will depend on subverting these technologies and preventing their spread wherever possible. The task is intimidating, but the seeds of this resistance are already present in the neo-Luddite efforts of hackers, pirates, and dark web users who are challenging surveillance and control, often through older systems of communication technology.

M.F.K. Fisher's guide to living happily even in trying times, which was first published during the Second World War in the days of ration cards; includes more than seventy recipes based on food staples and features sections such as "How to Keep Alive" and "How to Comfort Sorrow.".

“A lightning bolt erupted from the cloud and aimed directly at Ned’s heart. He couldn’t cry out. He couldn’t even move. He could just feel the magic sink into his skin and spread itself over every inch of him, bubbling and slithering and cutting deep, until he didn’t know where the magic stopped and he began.” When Ned and his identical twin brother Tam tumble from their raft into a raging, bewitched river, only Ned survives. Villagers are convinced the wrong boy lived. Sure enough, Ned grows up weak and slow, and stays as much as possible within the safe boundaries of his family’s cottage and yard. But when a Bandit King comes to steal the magic that Ned’s mother, a witch, is meant to protect, it's Ned who safeguards the magic and summons the strength to protect his family and community. In the meantime, in another kingdom across the forest that borders Ned’s village lives Áine, the resourceful and pragmatic daughter of the Bandit King. She is haunted by her mother’s last words to her: “The wrong boy will save your life and you will save his.” But when Áine and Ned’s paths cross, can they trust each other long enough to make their way through the treacherous woods and stop the war about to boil over? With a deft hand, acclaimed author Kelly Barnhill takes classic fairy tale elements--speaking stones, a friendly wolf, and a spoiled young king--and weaves them into a richly detailed narrative that explores good and evil, love and hate, magic, and the power of friendship.

A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon. Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Despite the wild beauty of life here, isolation has taken its toll on the Salts. Raff, eighteen and suffering his first heartbreak, can only find relief at his punching bag; Fen, seventeen, has started spending her nights on the beach among the seals; nine-year-old Orly, obsessed with botany, fears the loss of his beloved natural world; and Dominic can’t stop turning back toward the past, and the loss that drove the family to Shearwater in the first place. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn’t telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new, together.

Safe as Houses, the debut story collection of Marie-Helene Bertino, proves that not all homes are shelters. The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. “Has my ham done anything wrong?” she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In “The Idea of Marcel,” Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.  The stories of Safe as Houses are magical and original and help answer such universal and existential questions How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn’t Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies? All homes are not shelters. But then again, some are. Welcome to the home of Marie-Helene Bertino. 

Tatterdemalion is a uniquely original post-apocalyptic novel rooted in fantasy and folklore. It begins when Poppy, who speaks the languages of wild things, travels east to the mountains with the wheeled and elephantine beast, Lyoobov. He’s seeking answers to the mysteries of his birth, and the origins of a fallen world. Up in the glacial peaks, among a strange, mountainous people, a Juniper Tree takes Poppy deep into her roots and shows him the true stories of the people who made his world, people he thought were only myths. It is through this feral but redemptive folklore that Poppy begins to understand the story of his own past and his place in the present. This brilliant collaboration between the visual artist Rima Staines and the author Sylvia Linsteadt features original color illustrations which inspired the story.

Seven students are avoiding going to school, hiding in their darkened bedrooms, unable to face their family and friends, until the moment they discover a portal into another world that offers temporary escape from their stressful lives. Passing through a glowing mirror, they gather in a magnificent castle which becomes their playground and refuge during school hours. The students are tasked with locating a key, hidden somewhere in the castle, that will allow whoever finds it to be granted one wish. At this moment, the castle will vanish, along with all memories they may have of their adventure. If they fail to leave the castle by 5 pm every afternoon, they will be eaten by the keeper of the castle, an easily provoked and shrill creature named the Wolf Queen. Delving into their emotional lives with sympathy and a generous warmth, Lonely Castle in the Mirror shows the unexpected rewards of reaching out to others. Exploring vivid human stories with a twisty and puzzle-like plot, this heart-warming novel is full of joy and hope for anyone touched by sadness and vulnerability.

When the Star-Priest Brotherhood from the City threaten to ravage and destroy the land of the Wild Folk, their only hope rests with two young hares and their human companions – Tin, an orphan City boy with a passion for invention, and curious Country girl Comfrey. In this magical quest, to protect the precious stargold that runs through the land, Tin and Comfrey must complete seemingly impossible tasks set by the mysterious and terrifying Wild Folk - each stranger than the last - to find the one who holds the secret to saving their world. The Wild Folk is a timeless adventure, weaving fantasy and folk lore into an enchanting tale that will fill you with wonder. The first in a duology, with a dash of Ursula Le Guin, a pinch of Frances Hardinge, and a generous helping from C.S. Lewis, this is a future classic, filled with unforgettable and diverse characters, and a story to be read time and again.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties. ’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation? Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house. Evocative, strange, and yet familiar, “the speculative conceits of these stories are elegantly balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human in the world” (Lauren Groff).

Originally published in 1854, Walden; or, Life in the Woods, is a vivid account of the time that Henry D. Thoreau lived alone in a secluded cabin at Walden Pond. It is one of the most influential and compelling books in American literature. This new paperback edition-introduced by noted American writer John Updike-celebrates the 150th anniversary of this classic work. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces as "Reading" and "The Pond in the Winter" Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden-as close to Thoreau's original intention as all available evidence allows. For the student and for the general reader, this is the ideal presentation of Thoreau's great document of social criticism and dissent.