“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

Since the early years of the twenty-first century, Matt Cardin has distinguished himself by writing weird fiction with a distinctively cosmic and spiritual focus, publishing two short story collections that have now become rare collector’s items. In this substantial volume, Cardin gathers the totality of his short fiction, including the complete fiction contents of Divinations of the Deep (2002) and Dark Awakenings (2010). Several of the tales have been substantially revised from their original appearances. Inspired by H. P. Lovecraft, Thomas Ligotti, and other masters of cosmic horror, Cardin’s fiction explores the shadowy side of religious and spiritual experience. His tales draw upon the author’s thorough knowledge of Judeo-Christian and other religious traditions to expose the existential terror we all feel in living in a cosmos that may be actively hostile to our species. In tales long and short (including a new novella co-written with Mark McLaughlin), Cardin rings a succession of changes on those fateful words from the Book of Job: “Let those sorcerers who place a curse on days curse that day, those who are skilled to rouse Leviathan.” Cover artwork: "The Taming of the Leviathan" by Michael Hutter

“The New Testament à la Cormac McCarthy.” – Kirkus Reviews --- Haunting visions drive a grieving butcher to hunt down an obese, pre-ministry Jesus to prevent an age of fire and ash. But when the Butcher ‘adopts’ a dead newborn, his hunt for the son of Nazareth takes a personal and horrific turn. --- How does one choose between personal redemption and world-wide salvation? --- From Bethlehem to Jerusalem to Nazareth, familiar events and figures are reimagined with a modern sensibility, building to a gut-wrenching conclusion. A heart of darkness story that explores: fathers and sons, grief, zealotry, and choice. --- “Unique and unforgettable. A visceral and immersive work of historical horror - masterfully done.” - A.C. Wise, Out of the Drowning Deep, & Wendy, Darling --- "Enthralling, gut-wrenching, and bloody, The Butcher of Nazareth is destined to become a literary classic.” Pedro Iniguez, Bram Stoker Award nominee and author of Fever Dreams of a Parasite --- “DSH’s writing is witty, smart, and precise.” – Chicago Sun-Times --- “DSH has a taut, bristling writing style stacked with compelling ideas.”- New City Journal

A dark and utterly original literary horror debut, following a priest whose bloodthirsty life has extended far longer than any mere human’s—and is upended when a stranger comes to town Stutley Tillinghast lives a solitary life, ostensibly as the minister of a remote rural parish in Rhode Island. For many decades now, what little human contact he’s allowed himself has been brief, frenzied and bloody, and has always ended in a shallow grave in his cellar. There’s a name for what he is, but he prefers not to use it: it is simple enough that he has his needs, and that when they become unbearable, he fulfils them. In his long and lonely life, he has met only one other like him—the woman he still yearns for, the one who made him what he is. Then a girl arrives, searching for him. She has his last name, and bears an uncanny resemblance to that woman, awakening memories Tillinghast had long suppressed; the connection he feels for her is immediate and overwhelming. She’s also sick, very sick, with symptoms Tillinghast recognizes all too well…and only he knows how to cure her. Inspired by the real events of the New England vampire panic of the nineteenth century, TILLINGHAST is a novel to sink your teeth into: at once a gripping, atmospheric horror that turns the classic monster narrative on its head; a literary work of exceptional prose about giving into–or resisting–our impulses; and a remarkably moving father-daughter story that will leave you unexpectedly hopeful—and rooting, despite your every instinct, for the killers.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

In this queer horror novel debut, a priest falls in love with the antichrist and even God can’t stop the horror it will bring. Dante, a protestant young man, and Jude, a sadistic pastor of a small Texas church, harbor a terrible secret from the world; they’re together. The two share a taboo and passionate relationship in hidden peace, until the dreams start. God speaks to them in visions of smoke and fire, night after night, until the two of them come to a truth they cannot ignore; Dante is the Antichrist, sent by God and urged to start off the apocalypse. Dante refuses to participate in the end of the world and the damnation of souls. But Jude is a loyal pastor, indifferent to the suffering of others, and is compelled to do what God tells him; even if it means killing the love of his life. This queer horror love story hones in on the humanity of the Antichrist, a half-human entity as flawed, complex, and doomed as any other soul. With lyrical prose reminiscent of Clive Barker, blasphemy is redefined and love is tested. In Of Beasts, Worma explores if love is enough for someone born to be evil.

Revenge me. For I am murdered . . . Odette and her best friend, Cecilia, grow up between two grand homes, one in Hampstead and one in Suffolk, the ancient and imposing Herne House. Odette’s mother, Lydia, is almost parasitic in her neediness, but despite her, Odette and Cecilia come of age together—free to roam, to learn, and to love. When Lydia inexplicably sickens and dies, a dark veil falls. Odette’s father retreats to his study, while her aunt—the cold and cruel Claudine—increasingly takes charge of the household. Lost in grief and spiraling into madness, Odette disappears into the shadows, leaving Cecilia alone and with her affections tested. As Claudine is announced as Odette’s new stepmother, the girls reckon with this final betrayal, and a sinister presence awakens. To her horror, Odette realizes that her mother never truly left. She now haunts the manor, ready to drag long- held secrets into the light and exact revenge against those who thought her dead and gone. A visceral tale of grief and madness, Rottenheart exhumes the heart of Hamlet to tell a fearless queer love story laced with an unforgettable haunting, asking whether we can truly outrun our suffering, or if we are forever indebted to the vengeful dead.