Mermaids, kidnappers, and mercenaries hijack a tropical vacation in this genre-bending sendup of the American honeymoon. On the grounds of a Caribbean island resort, newlyweds Deb and Chip—our opinionated, skeptical narrator and her cheerful jock husband who’s friendly to a fault—meet a marine biologist who says she’s sighted mermaids in a coral reef. As the resort’s “parent company” swoops in to corner the market on mythological creatures, the couple joins forces with other adventurous souls, including an ex–Navy SEAL with a love of explosives and a hipster Tokyo VJ, to save said mermaids from the “Venture of Marvels,” which wants to turn their reef into a theme park. Mermaids in Paradise is Lydia Millet’s funniest book yet, tempering the sharp satire of her early career with the empathy and subtlety of her more recent novels and short stories. This is an unforgettable, mesmerizing tale, darkly comic on the surface and illuminating in its depths.

Elegant, sinister, and psychologically complex, After Me Comes the Flood is the haunting debut novel by the bestselling author of The Essex Serpent and Melmoth. On a hot summer’s day, John Cole decides to shut his bookshop early, and possibly forever, and drives out of London to see his brother. When his car breaks down on an isolated road, he goes looking for help and finds a dilapidated house. As he approaches, a laughing woman he’s never seen before walks out, addresses him by name and explains she’s been waiting for him. Entering the home, John discovers an enigmatic clan of residents all of whom seem to know who he is and claim they have been waiting for him to arrive. They seem to be waiting for something else, too—something final… Written before Sarah Perry’s ascension to an internationally bestselling author, After Me Comes the Flood is a spectacular novel of obsession, conviction and providence—a startling investigation of the nature of determination in all senses of the word. Wrote Katherine Angel, author of Unmastered, Perry’s novel “made me think of Fowles’s The Magus, Maxwell’s The Chateau, and Woolf’s To the Lighthouse.” Indeed.

A Nabokovian goof on Agatha Christie — a madcap mystery in the deceptive tradition of The Crying of Lot 49 —  Pale Fire   meets The Da Vinci Code?Icelander is the debut novel from a brilliant new mind, an intricate, giddy Icelandic lore and pulpy intrigue.  When Our Heroine’s dear friend is found murdered, it’s an obvious job for her mother, a legendary crime-solver and evil-thwarter. But her mother is dead, and Our Heroine has no interest in inheriting the business, or being chased through a sewer, or listening to skaldic karaoke, or fleeing the inhuman Refusirkir, or — But Evil has no interest in her interests, and adventure ensues.

In this heartrending spin on the zombie mythos, a brilliant scientist desperately searches for a cure after a devastating epidemic while also hiding a monumental secret—her undead husband. Having always preferred the company of microbes, British scientist Kesta Shelley has spent her life peering through a microscope rather than cultivating personal relationships. That changed when Kesta met Tim—her cheerleader, her best friend, her absolute everything. So when he was one of the last people in London to be infected with a perplexing virus that left the city ravaged, Kesta went into triage mode. Although the government rounded up and disposed of all the infected, Kesta is able to keep her husband (un)alive—and hidden—with resources from the hospital where she works. She spends her days reviewing biopsy slides and her evenings caring for him, but he’s clearly declining. The sedatives aren’t working like they used to, and his violent outbursts are becoming more frequent. As Kesta races against the clock, her colleagues start noticing changes in her behavior and appearance. Her care for Tim has spiraled into absolute obsession. Whispers circulate that a top-secret lab is working on a cure, and Kesta clings to the possibility of being recruited, but can she save her husband before he is discovered?

1987: After a childhood trauma and years in and out of the care system, sixteen-year-old Ursula finds herself with a new job in the postroom of a local art school, a bed in a halfway house, and—delightfully— some new friends, including wild-child, Sue. When Ursula is invited to join a squat at The Underwood, a mysterious house whose owners met a terrible end, she can’t resist the promise of a readymade, hodgepodge family. But as Sue’s behaviour and demands become more extreme, Ursula who has always been hungry—for food—and more importantly for love, acceptance and belonging, carries out her friend’s terrible dare. It's a decision that will haunt her for decades.Thirty-six years later, Ursula is a renowned, reclusive sculptor living under a pseudonym in London when her identity is exposed by true-crime documentary-maker who is digging into an unsolved disappearance. But it is not only the filmmaker who has discovered Ursula’s whereabouts, and as her past catches up with her present, Ursula must work out whether the monsters are within her or without.From critically acclaimed and award-winning author, Claire Fuller, Hunger and Thirst is a compelling and chilling tale of loneliness and female friendship, of the dangerous line between wanting and needing, and of how far a person will go to truly belong.

An alchemist and his young nephew hunt down a legend in this profound and unsettling speculative Western, for fans of Karen Russell and Victor LaValle.Alone in a frontier town in the nineteenth-century Northwest, Gentle Montgomery is grieving his best friend. Liam was an alchemist, killed when he tried to capture a creature that shouldn’t a giant salamander that drives men mad. When Gentle’s teenage nephew Kitt arrives at his doorstep, the two set out together to track the monster down, so they can use its blood in an alchemical formula that will bring Liam back to life.It's a hard and haunted journey. The salamander produces surreal nightmares and waking dreams of a blighted, burning future. And Gentle and Kitt soon find themselves pursued by a bloodthirsty hunter, a sadistic judge, and a doomsday cult, all of whom have their own plans for the river monster. Armed with nothing but Liam’s alchemical notebooks, they must not only find the salamander but learn to understand it—and the terrifying visions it causes—before it’s too late. And as Gentle struggles to comprehend the creature, his lost friend, his nephew, and his fellow seekers, it becomes clear that the Great Work of the alchemists may pale in comparison to the small work of human connection.Sheldon Costa’s dark, vivid, and strangely hopeful debut novel is a supernatural adventure through the wilderness of friendship and the rotten heart of the early American empire.

Thistle is a young woman whose father, a pilot, dies suddenly in a plane crash when she is thirteen years old. The airline’s compensation payout is substantial but doesn’t assuage the family’s grief. By the time she is seventeen, Thistle has lost most of her teenage years trying to make sense of her father’s premature death. In the meantime, her body is developing, and she finds herself sexualized and objectified by men against her will. Teenaged Thistle is increasingly aware of her allure but unsure of how to use that to her advantage. When her mother gifts her a camera, Thistle decides to turn the lens on herself, capturing her nude body in various poses just before she turns eighteen. One day, after surreptitiously photographing a young girl at the park, Thistle remembers the nudes she took of herself when she was underage. Impulsively, Thistle decides to sell the pictures online. Initially, she believes that putting her nudes online will empower her. Instead, it marks the beginning of a psychotic episode and Thistle’s descent into a world where both narrator and reader cannot separate fantasy from reality. Thistle believes a moth to be the reincarnation of her father, feels judged by the weasels who have taken over her apartment, seeks counsel from a tick, and her interactions with other people grow increasingly fraught. After the authorities confiscate her computer, Thistle is taken into custody and must reckon with her past in order to meet her future.

A gripping psychological thriller that sheds light on the current political situation in Hong Kong. Tongueless follows two rival teachers at a secondary school in Hong Kong who are instructed to switch from teaching in Cantonese to Mandarin—or lose their jobs. Apolitical and focusing on surviving and thriving in their professional environment, Wai and Ling each approach the challenge differently. Wai, awkward and unpopular, becomes obsessed with Mandarin learning; Ling, knowing how to please her superiors and colleagues, thinks she can tactfully dodge the Mandarin challenge by deploying her social savviness. Wai eventually crumples under the pressure and dies by suicide, leaving her colleague Ling to face seismic political and cultural change alone as she considers how far she will go to survive such a ruthlessly competitive work environment. Sharp, darkly humorous, and politically pointed, Tongueless presciently engages with important issues facing Hong Kong today during which so much of the city’s uniqueness—especially its language—is at risk of being erased.

Myung and Laleh are keepers of the whale of babel. They roam within its cosmic chambers, speak folktales of themselves, and pray to an enigmatic figure they know only as 'Great Wisa'. To Laleh, this is everything. For Myung, it is not enough. When Myung flees the whale, she stumbles into a new universe where shapeshifting islands and ancient maps hold sway. There, she sets off on an adventure that is both tragic and transformative, for her and Laleh. For at the heart of her quest lies a mystery that has confounded scholars for centuries: the truth about the mad sisters of Esi. Fables, dreams and myths come together in this masterful work of fantasy by acclaimed author Tashan Mehta, sweeping across three landscapes, and featuring a museum of collective memory and a festival of madness. At its core, it asks: In the devastating chaos of this world, where all is in flux and the truth ever-changing, what will you choose to hold on to?

The Empires of Varkal and Med’ariz have always been at war. Alefret, the founder of Varkal’s pacifist resistance, was bombed and maimed by his own government, locked up in a secret prison and tortured by a ‘visionary’ scientist. But now they’re offering him a chance of freedom. Ordered to infiltrate one of Med’ariz’s flying cities, obeying the bloodthirsty zealot Qhudur, he must find fellow anti-war activists in the enemy’s population and provoke them into an uprising against their rulers. He should refuse to serve the warmongers, but what if he could end this pointless war once and for all? Is that worth compromising his own morals and the principles of his fellow resistance members? A stunning meditation on war, nationalism, violence and courage by a rising star of the genre.

A spaceship called Audition is hurtling through the cosmos. Squashed immobile into its largest room are three giants: Alba, Stanley and Drew. If they talk, the spaceship keeps moving; if they are silent, they resume growing. Talk they must, and as they do, Alba, Stanley and Drew recover their shared memory of what has been done to their former selves – experiences of imprisonment, violence and misrecognition, of disempowerment and underprivilege. Pip Adam’s uncategorisable new novel, part science fiction, part social realism, asks what happens when systems of power decide someone takes up too much room – about how we imagine new forms of justice, and how we transcend the bodies and selves we are given.