“Deliciously vicious and unsettlingly hilarious, Cruelty Free is a nasty, thrilling Hollywood take-down for the ages.” —JENNIFER THORNE, author of Diavola A disgraced movie star returns to Hollywood 10 years after the kidnapping of her young daughter intent on seeking revenge, for fans of Monika Kim and Rachel Yoder. NOTHING FEELS BETTER THAN REVENGE. Ten years ago, Lila Devlin was an A-list actress with a movie star husband and a beautiful baby girl, Josie. When Josie was kidnapped out of her home and never seen again, Lila’s previously pristine public image twisted into that of an Unfit Mother. Driven mad by the hungry press, incompetent cops, and relentless true crime–obsessed “fans,” she disappeared into anonymity.  Now, Lila Devlin returns to LA with a grand vision for a radical new skincare brand to reinvent herself and honor Josie’s legacy. She's prepared to move into the next chapter of her life with forgiveness in her heart, when an encounter with a parasitic blogger ends with him dead. Lila suddenly discovers forgiveness isn’t nearly as satisfying as a body hitting the floor. With the help of her devoted publicist Sylvie, Lila begins a relentless, blood-soaked hunt through LA. Giving her skincare the edge it needs, they introduce a secret ingredient—revenge-sourced—from the bodies piling up. But as the company’s success skyrockets and Lila begins unraveling the truth behind her daughter’s kidnapping, her murderous side hustle threatens the life she’s painstakingly rebuilt. Both a striking portrayal of grief and womanhood, and a twisting, cynical satire on celebrity and toxic beauty standards, Cruelty Free is an ambitious debut from a talented star on the rise.  “Wildly twisted, razor-sharp, and ultimately heartbreaking, Cruelty Free is as much a novel about the fullness of grief as it is about the hollowness of vengeance." —LING LING HUANG, author of Natural Beauty

Her doctor is giving her the body of his dreams... and her nightmares. Isa is a micro-celebrity who rarely shows her face, and can’t wait to have it expertly ripped off and rearranged to look more feminine. When a successful fundraiser makes her gender affirming surgery possible, she’s overjoyed—until she has to give up all her money to save her dying father. Crushed by gender dysphoria and the pressure of disappointing her fans who paid for a new face, she answers a sketchy ad seeking transgender women for a free, experimental feminization treatment. The grotesquely flawless Dr. Skurm has gruesome methods, but he gets unbelievable results, and Isa is finally feeling comfortable in her skin. She even gains the courage to ask out her crush: an alluring and disfigured alchemy-obsessed artist named Rayna. But Isa’s body won’t stop changing, and she’s going from super model to super mutant. She has to discover the secret behind her metamorphosis—before the changes are irreversible, and she’s an unwanted freak forever. Transmuted is an outrageous and unapologetically queer body horror tale that will leave you gasping, giggling, and gagging for more. Book 30 in the Rewind-or-Die series: imagine your local movie rental store back in the ’70s, ’80s, and ’90s, remember all those fantastic covers. Remember taking those movies home and watching in awe as the stories unfolded in nasty rainbows of gore, remember the atmosphere and textures. Remember the blood.

From the author of the extraordinary Vampire Chronicles comes a huge, hypnotic novel of witchcraft and the occult through four centuries. Demonstrating, once again, her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches—a family given to poetry and to incest, to murder and to philosophy; a family that, over the ages, is itself haunted by a powerful, dangerous, and seductive being. On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking... and The Witching Hour begins. It begins in our time with a rescue at sea.  Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life.  He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV.  An intricate tale of evil unfolds—an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher... a creation that spells her own destruction and torments each of her descendants in turn. From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien—the clan's only male to be endowed with occult powers—provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing.  And always—through peril and escape, tension and release—there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death.  With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax.

A twisted, tangled story about workplace love-affairs, and plants with a taste for human flesh During a grocery run to her local shopping center, Shell Pine sees a ‘HELP NEEDED’ sign in a flower shop window. She’s just left her fiancé, lost her job, and moved home to her parents’ house. She has to make a change and bring some good into her life, so she goes inside and takes a chance. Shell realizes right away that flowers are just the good thing she's been looking for, as is Neve, the beautiful florist who wrote the sign asking for help. The thing is, Neve needs help more than Shell could possibly imagine. An orchid growing out of sight in the heart of the mall is watching them closely. His name is Baby, and the beautiful florist belongs to him. He’s young, he’s hungry, and he’ll do just about anything to make sure he can keep growing big and strong. Nothing he eats – nobody he eats – can satisfy him, except the thing he most desires. Neve. He adores her and wants to consume her, and will stop at nothing to eat the one he loves. This is a story about possession, and monstrosity, and working retail. It is about hunger and desire, and other terrible things that grow.

An eerie, hypnotic debut about friendship, desire, and memory set against the sultry backdrop of Florida’s swamplandsIt's been years since Ingrid has heard from her childhood best friend, Mayra, a fearless rebel who fled their hometown of Hialeah, a Cuban neighborhood just west of Miami, for college in the Northeast. But when Mayra calls out of the blue to invite Ingrid to a weekend getaway at a house in the Everglades, she impulsively accepts.From the moment Ingrid sets out for the house, danger looms: The directions are difficult, she’s out of reach of cell service, and as she drives deeper into the Everglades, the wet maw of the swamp threatens to swallow her whole. But once Ingrid arrives, Mayra is, in many ways, just as she remembers—with her sharp tongue and effortless, seductive beauty, still thumbing her nose at the world.Before they can fully settle into the familiar intimacy of each other's company, their reunion is spoiled by the reemergence of past disagreements and the unexpected presence of Mayra's new boyfriend, Benji. The trio spend their hours eating lavish meals and exploring the labyrinthine house, which holds as much mystery and danger as the swamp itself. Indoors and on the grounds, time itself seems to expand, and Ingrid begins to lose a sense of the outside world, and herself.Against this disquieting setting, where lizards dart in and out of porches and alligators peek up from dark waters, Gonzalez weaves a surreal, unforgettable story about the dizzying power of early friendship and the lengths we'll go to earn love and acceptance—even at the risk of losing ourselves entirely.

Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveals more than we might expect? Part revisionist history, part historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes fascist thugs, famous artists, austere puritans and debauched bon viveurs, imperialists, G-men and architects. Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America. Amusing, disturbing and fascinating, Bad Gays puts centre stage the queer villains and evil twinks in history.