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sammyjoe2222

225 points

0% overlap
Level 2
My Taste
The Troop
100% Match (Pocket Nasties)
Cravings : An Extreme Horror Novelette
Diavola
Jurassic Park
Reading...
The Residency: A gothic suspense novel set on a remote Scottish island that will keep you up all night
0%
The Burn Line
28%
The Queen
0%
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sammyjoe2222 DNF'd a book

7w

Smile for the Cameras

Smile for the Cameras

Miranda Smith

An actress desperate to reclaim her fame must survive the real-life plot of the horror movie that made her famous in this psychologically twisted locked-room thriller influenced by '90s slasher films.Twenty years ago, Ella Winters was the it girl. She made a name for herself in Hollywood and throughout America as the final survivor in the cult-classic slasher Grad Night. But the real horror is what happened when the cameras weren’t rolling—something terrible that Ella and her co-stars agreed never to speak of again. Shortly after the movie's premiere, Ella disappeared from the acting scene under the pretense of caring for her ailing mother, hoping for a quiet life out of the spotlight to ease her guilty mind.Now, after her mother’s passing, Ella has decided to return to the silver screen. And with the cast and crew of Grad Night in the process of filming a reunion documentary, Ella has the perfect ticket back into Hollywood's good graces. Weighed down by the secret she’s been keeping all these years, Ella apprehensively makes the trip to the original set—a cabin in rural Tennessee—to reunite with her castmates for the first time in over a decade. But when the actors begin to meet the exact gruesome fates of the characters they originally played, falling victim to someone dressed as the Grad Night villain, it's clear their secret is out.Now, the question Can the final girl survive one last nightmare?

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sammyjoe2222 DNF'd a book

7w

The Luminous Dead

The Luminous Dead

Caitlin Starling

A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.When Gyre Price lied her way into this expedition, she thought she’d be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck—enough to get her off-planet and on the trail of her mother—meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane. Instead, she got Em. Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information to “ensure the smooth operation” of her expedition. Em knows all about Gyre’s falsified credentials, and has no qualms using them as a leash—and a lash. And Em has secrets, too . . . As Gyre descends, little inconsistencies—missing supplies, unexpected changes in the route, and, worst of all, shifts in Em’s motivations—drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive—she must confront the ghosts in her own head. But how come she can't shake the feeling she’s being followed?

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sammyjoe2222 commented...

7w

  • We Used to Live Here

    We Used to Live Here

    Marcus Kliewer

    Thoughts from 36%
    11
    6
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    sammyjoe2222 commented...

    22w

    Your the second person in a row that is reading this....hmmm

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    sammyjoe2222 commented...

    22w

    Hmmm... interesting. Is it any good? I may pick it up

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    sammyjoe2222 commented...

    22w

    That cover is upside down

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    Eaglemask finished a book

    22w

    But What If We're Wrong? Thinking About the Present As If It Were the Past

    But What If We're Wrong? Thinking About the Present As If It Were the Past

    Chuck Klosterman

    We live in a culture of casual certitude. This has always been the case, no matter how often that certainty has failed. Though no generation believes there’s nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure—until, of course, they don’t. But What If We’re Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or—weirder still—widely known, but entirely disrespected)? Is it possible that we “overrate” democracy? And perhaps most disturbing, is it possible that we’ve reached the end of knowledge? Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We’re Wrong? is built on interviews with a variety of creative thinkers—George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others—interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It’s a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It’s about how we live now, once “now” has become “then.”

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    sammyjoe2222 finished a book

    22w

    We Live Here Now

    We Live Here Now

    Sarah Pinborough

    After a holiday accident that nearly kills her, 32-year old Emily and her husband Freddie move from London into Larkin Lodge, a beautiful country house on remote Dartmoor, far away from their lives and friends in London. It should help heal her and be a wonderful fresh start but soon after moving in, Emily starts to feel that there's something wrong. There's a terrible presence emanating from the room on the third floor. While Freddie doesn't sense anything wrong, Emily can't bear to even step across the threshold, and as the darkness she feels in the room upstairs spreads like mould further into the building, and strange occurrences start happening, Emily becomes convinced that someone was murdered in the house and is now haunting it.But there are no records of any one ever dying in the property, not even old in their beds. In fact, it's been a happy home for all who've lived here. Except, it seems, for them. Ever since they moved into the house, their marriage has started to crumble. There's a sense of distrust. With Freddie growing distant and irritable and dismissing her concerns about the house as part of her post-sepsis syndrome, and with cracks in their relationship building with each day, Emily starts doing some digging into the secrets of Larkin Lodge and the locals who've lived there.But how can she solve a murder that never happened? And can she solve it in time to prevent another?What if you could have the best of the person you once fell in love with, and all it took was one little murder - a murder no one could ever know took place?Would you do it?If so, then Larkin Lodge will be happy to help.

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