An intense, intimate and first-of-its-kind look at the world of human smuggling in Latin America, by a MacArthur "genius" grant winner and anthropologist with unprecedented access Political instability, poverty, climate change, and the insatiable appetite for cheap labor all fuel clandestine movement across borders. As those borders harden, the demand for smugglers who aid migrants across them increases every year. Yet the real lives and work of smugglers—or coyotes , or guides, as they are often known by the migrants who hire their services—are only ever reported on from a distance, using tired tropes and stereotypes, often depicted as boogie men and violent warlords. In an effort to better understand this essential yet extralegal billion dollar global industry, internationally recognized anthropologist and expert Jason De León embedded with a group of smugglers moving migrants across Mexico over the course of seven years. The result of this unique and extraordinary access is SOLDIERS AND the first ever in-depth, character-driven look at human smuggling. It is a heart-wrenching and intimate narrative that revolves around the life and death of one coyote who falls in love and tries to leave smuggling behind. In a powerful, original voice, De León expertly chronicles the lives of low-level foot soldiers breaking into the smuggling game, and morally conflicted gang leaders who oversee rag-tag crews of guides and informants along the migrant trail. SOLDIERS AND KINGS is not only a ground-breaking up-close glimpse of a difficult-to-access world, it is a masterpiece of narrative nonfiction.

In this powerful and provocative memoir, genre-bending essayist and novelist Kiese Laymon explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse. Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been. In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations.

A poignant, personal reflection on basketball, talent and allegiance, and of course, LeBron James—from the author of the National Book Award finalist A Little Devil in America While Hanif Abdurraqib is an acclaimed author, a gifted poet, and one of our culture’s most insightful critics, he is most of all, at heart, an Ohioan. Growing up in Columbus in the 1990s, Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron were forged, and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tensions between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with memoir. “Here is where I would like to tell you about the form on my father’s jumpshot,” Abdurraqib writes. “The truth, though, is that I saw my father shoot a basketball only one time.” There’s Always This Year is a classic Abdurraqib triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. It’s about basketball in the way They Can’t Kill Us Until They Kill Us is about music and A Little Devil in America is about history—no matter the subject, Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.

From the beloved, bestselling author of Elektra and Ariadne , a reimagining of the myth of Atalanta, a fierce huntress raised by bears and the only woman in the world’s most famous band of heroes, the Argonauts Princess, Warrior, Lover, Hero When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it. The Argonauts' quest for the Golden Fleece is filled with impossible challenges, but Atalanta proves herself equal to the men she fights alongside. As she is swept into a passionate affair, in defiance of Artemis's warning, she begins to question the goddess's true intentions. Can Atalanta carve out her own legendary place in a world of men, while staying true to her heart? Full of joy, passion, and adventure, Atalanta is the story of a woman who refuses to be contained. Jennifer Saint places Atalanta in the pantheon of the greatest heroes in Greek mythology, where she belongs.

A memoir of leaving the Evangelical church, reckoning with religious trauma while also interrogating just how much Evangelicalism has and continues to affect all Americans--via our power structures and pop culture--and how it drives our democracy towards fascism. Jeanna Kadlec was a devout Evangelical and the wife of a pastor's son before she came to the double realization that she was queer and that she had to leave the church in order to survive. This is a memoir of growing up Evangelical--of indoctrination, family, and working poor middle America--and a sharp critique of how the tenets of conservative Christianity have built our power structures and political systems, in addition to how they've shaped our culture and our daily interactions with each other. From writing about Lilith and celebrity purity rings, to coming out and discovering F/F fanfiction, finding community outside of Christianity in the face of millennial loneliness, to interrogating the liberal and academic stigma against faith, this memoir traces the damage Evangelicalism, with its demands for unquestioning obedience, has caused in individuals, communities, and our country, past to present--and also imagines how could we radically leave it behind: new methods of building community, finding meaning, and reintegrating concepts of fellowship and love into our everyday discourse.

Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled--and beat--The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them. Based on more than two hundred interviews with ACT UP members and rich with lessons for today's activists, Let the Record Show is a revelatory exploration--and long-overdue reassessment--of the coalition's inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.

Farah Jasmine Griffin has taken to her heart the phrase "read until you understand," a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life. Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students. Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden, and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy, and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s "Winter in America." Griffin entwines memoir, history, and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.