The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

This is the way the world ends. Again. Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze -- the world-spanning empire whose innovations have been civilization's bedrock for a thousand years -- collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries. Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

In the heart of Vermont's Green Mountains, Helen Whybrow and her partner are presented with the opportunity to steward a two-hundred-acre conserved farm. Whybrow knows that "belonging more than anything requires participation" and radically intertwines her life with the land. Six months after purchasing Knoll Farm, they unload a flock of Icelandic sheep onto the field and Whybrow becomes a shepherd entering into "nature's constant cycle of life into death into life" and all its unexpected lessons. The challenging and profoundly rewarding work unfolds for Whybrow in the everyday rituals of farmsteading and caring for her family—birthing lambs in the late winter, harvesting blueberries in summer, fending off coyotes and foxes, seasonal shearing—while instilling the lessons of the land in her daughter and caring for her mother. As life at Knoll Farm endures years both abundant and lean, she learns that true stewardship is about accepting change and adapting. She embraces a transcendent rhythm of blood and bone, milk and muck. At once inspiring and brave, deeply felt and gorgeously written, The Salt Stones is a loving look at the world through a shepherd's interconnected ethos.

Given a chance at immortality, can Wu Ying grasp the fleeting opportunity? Long Wu Ying never expected to join a Sect or become a real cultivator. His days were spent studying, planting rice on the family farm and spending time with his friends. Fate, however, has different plans for Wu Ying and when the army arrives at his village, he and many other members of the village are conscripted. Given the opportunity to join the Verdant Green Waters Sect, Wu Ying must decide between his pedestrian, common life and the exciting, blood soaked life of a cultivator. Join Wu Ying as he takes his first step on his Thousand Li journey to become an immortal cultivator. The First Step is the first novel in A Thousand Li series, a book on cultivation, immortals, wondrous martial art styles and spirit beasts and will be loved by wuxia and xianxia fans. The First Step is written by Tao Wong, the bestselling scifi and fantasy LitRPG author of the System Apocalypse, Adventures on Brad and the Hidden Wishes.

This is the way the world ends. Again. Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze -- the world-spanning empire whose innovations have been civilization's bedrock for a thousand years -- collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries. Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.

A terrifying locked-room mystery from the author of William--this time set on a remote outpost on Mars.The human crew sent to prepare the first colony on Mars arrives to find the new base half-destroyed and the three robots sent to set it up in disarray—the machines have formed alliances, chosen their own names, and picked up some disturbing beliefs. Each must be interrogated. But one of them is missing.In this barren, hostile landscape where even machines have nightmares, the astronauts will need to examine all the stories--especially their own--to get to the truth.Exiles is a terrifying, taut, one-sitting read, and Mason Coile once again blends science fiction and psychological horror to engage some of humanity’s deepest questions.

The newest edition is here. Another alternate cover can be found here. Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.

A terrifying locked-room mystery from the author of William--this time set on a remote outpost on Mars.The human crew sent to prepare the first colony on Mars arrives to find the new base half-destroyed and the three robots sent to set it up in disarray—the machines have formed alliances, chosen their own names, and picked up some disturbing beliefs. Each must be interrogated. But one of them is missing.In this barren, hostile landscape where even machines have nightmares, the astronauts will need to examine all the stories--especially their own--to get to the truth.Exiles is a terrifying, taut, one-sitting read, and Mason Coile once again blends science fiction and psychological horror to engage some of humanity’s deepest questions.

A heady, dark-hued Gothic gem of a debut in nineteenth-century Bulgaria, a self-proclaimed vampire slayer—actually, a traveling con artist—joins forces with a teenage girl to create a monster deadly enough to vanquish their own demons.  We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake. The village of Koprivici, however, is plagued by exceptional illness and misfortune, its children rarely surviving infancy. There, Yana meets a headstrong orphan who the villagers blame for their curse. As Anka approaches womanhood, the village Captain is grooming her for marriage against her will. Anka is powerless against him—that is, until Yana arrives. Together, the orphan and the vampire slayer hatch a to conjure a monster so vile, it might provide cover for Anka to escape. But their plan quickly takes on a horrifying life of its own... Inspired by Slavic folklore, She Made Herself a Monster concocts a clever mix of witchery, ghost stories, heresy, and deception to spin a feminist fable about agency and the power of collective action. It is a haunting and astoundingly cathartic tale of two women who will stop at nothing to take control of their fate.