A heartrending family saga following three generations of women connected by a fantastic tapestry through which they inherit the experiences of those that lived before them, sweeping readers from Partition-era India to modern day Brooklyn. Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her. Ayukta invites Nadya into this lineage, carrying her through its past. She relives her grandmother Amla’s life: Once a happy child in Karachi, Amla migrates to Gujarat during Partition, witnessing violence and loss that forever shape her approach to marriage and motherhood. Amla’s daughter, Arni, bears this weight in her own blood in 1974, when gender equity and urban class distinctions divide the community as a bold student movement takes hold. As Ayukta unspools these generations of women—whole decades of love, loss, heartbreak, and revival—she reveals the tapestry’s second gift: the ability for each of these women to dramatically reshape their own worlds. Like all power, both fantastic and societal, this inheritance is more treacherous than it seems. What would it mean, to impart an impossible burden? To withhold these incredible gifts? Sweeping, deeply felt and intergenerational, A Thousand Times Before is a debut as poetic as it is propulsive, as healing as it is heartbreaking, as it examines what it means to carry our past with us and to pass it on. Rooted in a tender love story, and spun with a tremendous amount of care, this book is a rare, remarkable feat from an incredible new literary talent.

This novel opens in 1992, the year of the High Court's decision on Indigenous land rights in Australia. Tarena Palson has just finished her law degree at Sydney University and although she doesn't have her results yet, she's already been thrown into her first case. Her family, who hail from the Torres Strait, are claiming ownership of an exquisite and valuable pearl shell, for sale as part of the deceased estate of a white doctor. But Tarena isn't sure she wants to be a lawyer after all. What place does a black lawyer have in a white legal system? Does she really want to live in Sydney? She loves the buzz of city life, but is it her? Does everyone have this much trouble keeping up with life?

Home is many people and places and languages, some separated by oceans. Nina Mingya Powles first learned to swim in Borneo – where her mother was born and her grandfather studied freshwater fish. There, the local swimming pool became her first body of water. Through her life there have been others that have meant different things, but have still been, in their own way, home: from the wild coastline of New Zealand to a pond in northwest London. This lyrical collection of interconnected essays explores the bodies of water that separate and connect us, as well as everything from migration, food, family, earthquakes and the ancient lunisolar calendar to butterflies. In powerful prose, Small Bodies of Water weaves together personal memories, dreams and nature writing. It reflects on a girlhood spent growing up between two cultures, and explores what it means to belong.

Tiny Moons is a collection of essays about food and belonging. Nina Mingya Powles journeys between Wellington, Kota Kinabalu and Shanghai, tracing the constants in her life: eating and cooking, and the dishes that have come to define her. Through childhood snacks, family feasts, Shanghai street food and student dinners, she attempts to find a way back towards her Chinese-Malaysian heritage.

The elderly Claudia Hampton, a best-selling author of popular history, lies alone in a London hospital bed. Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center — forever frozen in time, the still point of her turning world — is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.

In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family’s ancestral link to a young girl who was murdered by French settlers. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse. With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.

Award-winning author Michelle Porter makes her fiction debut with an enchanting and original story of the unrivaled desire for healing and the power of familial bonds across five generations of Métis women and the land and bison that surround them. Written like a crooked Métis jig, A Grandmother Begins the Story  follows five generations of women and bison as they reach for the stories that could remake their worlds and rebuild their futures. Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means. Allie, Carter's mother, is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife. And Geneviève is determined to conquer her demons before the fire inside burns her up, with the help of the sister she lost but has never been without. Meanwhile, Mamé, in the Afterlife, knows that all their stories began with her; she must find a way to cut herself from the last threads that keep her tethered to the living, just as they must find their own paths forward. This extraordinary novel, told by a chorus of vividly realized, funny, wise, confused, struggling characters—including descendants of the bison that once freely roamed the land—heralds the arrival of a stunning new voice in literary fiction.

A moving story told in visual art and fiction about gentrification, aging in place, grief, and vulnerable Chinese Canadian elders Bringing together ink artwork and fiction, Denison Avenue by Daniel Innes (illustrations) and Christina Wong (text) follows the elderly Wong Cho Sum, who, living in Toronto’s gentrifying Chinatown–Kensington Market, begins to collect bottles and cans after the sudden loss of her husband as a way to fill her days and keep grief and loneliness at bay. In her long walks around the city, Cho Sum meets new friends, confronts classism and racism, and learns how to build a life as a widow in a neighborhood that is being destroyed and rebuilt, leaving elders like her behind. A poignant meditation on loss, aging, gentrification, and the barriers that Chinese Canadian seniors experience in big cities, Denison Avenue beautifully combines visual art, fiction, and the endangered Toisan dialect to create a book that is truly unforgettable.

A new story about hope and survival. Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up—or are re-opened—across the land to bring in the dreamers and harvest their dreams. Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is—and what it will take to escape. Meanwhile, out in the world, his found family searches for him and dodges new dangers—school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go—and how many loved ones is he willing to betray—in order to survive.

Stupendous African Gothic, by the winner of Yale University’s Windham–Campbell Prize A modern Gothic story set on the African continent, The Creation of Half-Broken People tells the tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum, a place filled with artifacts from the family’s exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon’s Mines fame. Our heroine is happy with her association with the Good family, until one day she comes across a group of people protesting outside the museum. Instigating the protesters is an ancient woman, who our heroine knows is not real. The nameless woman knows too that the secrets of her past have returned. After this encounter, she finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions. With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present as she examines the collusion of colonialism, patriarchy, and capitalism in creating and normalizing a certain kind of womanhood.

A story about the weight of the past and the promise of the future set between rural Australia and London - from the bestselling author of The Bass Rock Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max. Both a celebration and autopsy of a relationship, The Echoes is a novel about stories and who has the right to tell them, asking what of our past can we shrug off and what is fixed forever.

The author of It’s Me They Follow chronicles the improbable true story of how she left an abusive past to build a bookshop that survived the Covid pandemic and become an international sensation. Jeannine Cook always thought she’d open a bookshop in her old age. Raised by a blind librarian, books were integral to her life, and she expected she would eventually write one as well. Instead, Jeannine found herself a burnt-out workaholic with three jobs and no time to read or write, feeling like she hadn't fulfilled her purpose. In her journal, Jeannine began an imaginary dialogue with Harriet Tubman, “Q&As” she dubbed Conversations with Harriett. Jeannine wondered how Harriet became a “wade through waist-high water in the type of woman—and how she could become one too. On February 1, 2020, Jeannine fulfilled her dream and opened a bookstore in Philadelphia which she named after her hero and inspiration, Harriet Tubman. Harriett’s Bookshop would be a place to celebrate women authors, artists, and activists. While the name was ironic—Harriet could neither read nor write—it was also fitting. The City of Brotherly love was one of Harriet's first stops to freedom on the Underground Railroad. But in only six weeks, Jeannine would be forced to shut the shop’s doors when Covid turned the world upside down—not knowing whether her dream would survive. Five years later, this small independent bookshop is thriving, with satellite stores in unconventional places, from movie theaters to horse trailers. Despite global death and destruction, book bans, the downward spiral in readership, the lack of physical customers, AI, and more, Jeannine's shops have survived. Shut Up & Read is her story—the story of the little bookseller who could, and of the woman who has been the driving force behind it all.

A visionary author returns with his most ambitious novel yet, about the Apache warrior Geronimo and the fiercely fought end of an era of almost unimaginable freedom. In the contested borderlands between Mexico and the United States, a Mexican woman flees into the desert after a devastating raid on her dead husband’s ranch. A federale of the new Mexican Republic, sent in pursuit of cattle rustlers, discovers he’s on the trail of a more dramatic abduction. Decades later, with political ambitions on the line, the American and Mexican militaries try to manoeuvre the most legendary of Apache warriors into surrender. In our own day, a writer and his family travel through the region in search of the traces of history. Now I Surrender and That Is All is Álvaro Enrigue’s most ambitious and impassioned novel yet: orchestrated with a stunningly imagined cast of characters, both historical and purely fictional, their storylines playing out in multiple eras. Part epic, part spaghetti Western, it weaves past and present, and myth and history, into a searing elegy for a way of life that was an incarnation of true liberty―and an homage to the spark in us that still thrills to its memory.

From the #1 New York Times bestselling author of THE NEST, a stunning new novel about adultery, first love and other family secrets…'I could not put it down!' SHELBY VAN PELT, author of Remarkably Bright Creatures It’s 1977 and an air of restlessness has settled on the residents of Cambridge Road in Rochester, New York. When Nina Larkin is given a copy of The Joy of Sex by her newly divorced friend, she can no longer dismiss the nearly non-existent intimacy of her marriage. Just as her oldest child, Clara, is falling in love for the first time, Nina finds herself longing for the a midlife awakening. An intoxicating fling with a neighbour brings Nina a freedom she never thought possible—but also risks the reputations of both families and unravels Clara’s world, just as she stands on the threshold of adulthood. Years later, Clara, now a successful food stylist in New York City, has never been able to move past the long-ago scandal. Drawn back home by the pull of a family wedding and wrestling with her own demons, she makes a pivotal decision that turns her life upside down. Written with Cynthia D’Aprix Sweeney’s signature humor and insight, LAKE EFFECT is a wise and probing look at love and desire, mothers and daughters, loss and grief, and what we owe the people we love most.

In a world of hidden meanings and yearnful glances, she fatefully runs into him one summer. But all she wants to know is what his bathroom tiles look like… Mila is in her late 20s and she’s made it this far in life without really being alive. She is constantly thinking about herself from the outside in. All of that changes when she tries to find herself within two men who are so different yet so alike. One has a knowing smile, the other wears an enchanting grin. Both offer her moments so ripe they may as well be juicy nectarines for her to devour—but if it’s love or devotion, she can’t figure out. Working in an antique shop with a portal into endless possibilities, Mila interacts with the many faces of her being. She catapults her self-actualization when she confronts the watchful eye that lives within her. Sundays are—finally—made holy when she starts worshiping herself. Written using tarot cards, Only Alive on Sundays blurs the line between the magical and the mundane. Rashidi weaves the narrative of each Major Arcana card into an electric tale exploring the romance of pursuing selfhood, painting an image of what it would look like to be caught in the midst of The Lovers, The Tower, The Moon…

Will and Rosie meet as teenagers. They’re opposites in every way. She overthinks everything; he is her twin brother’s wild and unpredictable friend. But over secret walks home and late-night phone calls, they become closer—destined to be one another’s great love story. Until, one day, tragedy strikes, and their future together is shattered. But as the years roll on, Will and Rosie can’t help but find their way back to each other. Time and again, they come close to rekindling what might have been. What do you do when the one person you should forget is the one you just can’t let go?