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The Castaway and the Witch
Ioanna Papadopoulou
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White Tears/Brown Scars: How White Feminism Betrays Women of Color
Ruby Hamad
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The Castaway and the Witch
Ioanna Papadopoulou
lit4log wrote a review...
thank you netgalley for this ARC! content warnings for gore, classism, racism, misogynoir, and allusions to transphobia. From Jamison Shea, author of I Feed Her to the Beast and the Beast is Me, comes a horror novel rife with psychic visions, an evil tech bro, and melting bodies. Winona (Winnie) Bray is a psychic working at a small shop who's perfected the art of lying to her clients, friends, and family. Her only goal is to make enough money to make either out of Buffalo, NY. Apollo Rathbun is an outcast who's finally done with their family after their latest expulsion from school. With no one on their side of the story Apollo is adrift. Then Cyrus, Apollo's cousin, pops up with an offer that gives them somewhere to stay. Unbeknownst to any of them, this is how the end of the world begins. Shea perfectly walks the line of YA horror, the descriptions are rich and haunting. The box of bone, the abandoned manor, Winnie's visions, all needle into your brain and peer behind your shoulder. Throughout the atmosphere is concrete and buildup is foreboding. Roar of the Lambs is a quiet kind of horror, it's slow and persistent. You see it in Winnie's POV chapters; you walk step by step with Apollo and Cyrus through the old Rathbun family manor, as its secrets are uncovered; you feel it in the deterioration of both Winnie and Apollo as the box picks them apart. Winnie and Apollo were alright as characters. I enjoyed Winnie's POV the most, her sharp words and refusal to give up. Apollo was... there. I felt as if they were really only there to give us a little bit of insight to see what Cyrus' whole plan was and even then, you don't see much of it. My biggest irk is the main traits they are set up with. Winnie is introduced as two things: a psychic and a liar and I feel we really only see one of them. Apollo at the start is someone who sees through her lies, so anytime it's mentioned in their POV that they can tell Winnie is lying-- well she must not be that great. Apollo is an outcast, violent, someone you don't want to put up with, and then they have the softest inner monologue ever. There are only minor scenes that talk about what got them expelled from school and even then they skate the topic, it's all implications and guesses. We do get to piece together answers for most of the questions through flashbacks and POV switches. But the characters get muddled up. Exploration of both Winnie and Apollo's family felt flat, just props for the horror of the box. All of it felt weak, we get told what happened in the past where it could've been explored through flashes of Winnie's psychic powers. The biggest disappointment for me was that I was unaware this had romance in it. Once it started, it didn't stop and I felt at times the romance overshadowed the horror. Suddenly the world ending wasn't our biggest deal but an awkward kiss was. Winnie's deterioration is deduced to quick sentences mentioned in passing instead of getting to read it. The romance was sweet, I just wish I knew it was a thing from the beginning. Speaking of romance the LGBTQ+ rep was casual and no big deal: Apollo is genderqueer using they/them pronouns, Winnie is bisexual, and other small mentions of Winnie's sapphic cousin. Overall Roar of the Lambs is well crafted in its atmosphere and horror, the characters are intriguing at the start, and the mystery of everything keeps you going. It fits right in for the YA genre, my enjoyment just lacked.
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Roar of the Lambs
Jamison Shea
lit4log finished a book
Roar of the Lambs
Jamison Shea
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Body's a Bad Monster
Rowan Isabelle Perez
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The Jasmine Throne (The Burning Kingdoms, #1)
Tasha Suri
lit4log commented on m.a.greenereads's review of The Awakening of Lora Abernathy (The Cosms Cycle, #1)
DNF @ 27% (not rating because of this) (TL;DR at the bottom 🙃) Some background: I was looking for horror recs (specifically subgenres within horror to check out) on Pagebound and the author mentioned their book was available to read for free as an ARC & had body horror. However, I fear this gave me wrong expectations going in and there was a miscommunication. I think they maybe thought I was looking for book recs in other (non-horror) genres but that have a subgenre of horror, rather than specific subgenres of horror where the main genre is still horror (i.e. body horror books: the main genre is just listed as “horror” but it’s more specifically “body horror”). Because of this, I expected the book to be horror fantasy, not fantasy with horror elements. And I actually DNFed before I even got to any horror elements. However, that’s not my only reason for DNFing. While I was intrigued by how Lorna, the first character we’re introduced to, and her dog-form worked (they seem to be separate identities/characters/beings that have to share a body), I pretty quickly lost interest as I read on. I think the main reason was the POV switch to a somewhat less interesting character and being so quickly introduced to new characters. Both things made it difficult to feel like I was getting to know any of the characters, their motivations, or really feel invested in any of them. And not being invested in the main characters makes continuing to read a story very difficult. On top of that there were two instances of the tense randomly switching from past tense to present tense. One felt like a definite mistake, while the other I couldn’t tell if it was purposeful or also a mistake. The first instance occurs in the middle of a chapter and is a is a single paragraph (pg. 18 of pdf version) and then the next paragraph goes back to past tense. The second instance occurs at the end of Chapter 3 and then the book seemingly continues using present tense when, until then, it was in past tense. Just kinda weird and random and feels like an error. Lastly there were a few personal taste and opinion-based things I didn’t like: I had trouble distinguishing the vibe of the setting… I think it’s medieval fantasy? However there is modern language (“nerd shit” & “girls girl”). I’m personally not a fan of modern aspects in an otherwise medieval/classic fantasy setting The writing felt a bit simplistic, cliche at times, and juvenile The dialogue (especially the flirting & banter) was quite cringey, cheesy, and/or unrealistic imo I don’t know a lot about DnD but it gives the vibes that it started out as a DnD campaign (or maybe WAS a full-on DnD campaign) that the author then turned into a novella. At the very least it feels set in a classic DnD-inspired world? Especially with some of the terminology (see: “adventurers”) and the worldbuilding/fantasy races (i.e. “tiefling”). Plus the general concept feels very DnD coded (different characters of different fantasy races come together to do a job). I’m not personally a fan of this but I could see others liking this aspect of it The PROS: I felt the description of character actions & facial expressions were quite good (setting descriptions were pretty good too) Tobias being a trans character was super cool Kind of piggybacking off the above, loved the diversity. There was a small side character in a wheelchair and lots of LGBTQ+ rep (especially trans/gender queer) TL;DR I had the wrong expectations going in (thought it was more horror than it was) but even upon realizing this, was willing to give it a shot. Was intrigued at first and loved the diversity (lots of gender queer rep), but didn’t feel any real investment in any of the characters. The final nail(s) in the coffin were jarring tense changes that felt like mistakes. On top of that though, there were some things that I’m personally not a fan of: unrealistic & cheesy dialogue, modern phrases in an otherwise medieval fantasy setting, and it felt like a DnD campaign turned into a novella. The combination of all this led me to DNF.
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Fantasy and Sci-Fi with a Side of Romance 🐉💘🚀
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Dramatic battles, tense political intrigue, unique world building...and is that maybe some romance I'm sensing? These books are not Romantasy but focus primarily on the SFF elements. Romance is a subplot and may not appear until later in the series, but when it does, you won't be disappointed.
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Horror Starter Pack Vol I 👹🦇⚰️
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An introduction to the Horror genre, these books are part of the cultural zeitgeist or the 'canon' that many would recognize. Look for more niche titles in later Starter Pack volumes.
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Fantasy Starter Pack Vol I 🐉🧚♂️🏰
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An introduction to the Fantasy genre, these books are part of the cultural zeitgeist or the 'canon' that many would recognize. Look for more niche titles in later Starter Pack volumes.
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The City of Brass (The Daevabad Trilogy, #1)
S.A. Chakraborty
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Her Soul for a Crown (International Edition)
Alysha Rameera
lit4log commented on hatsunemiku's update
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Seven Days in June
Tia Williams