In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.  Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Manifesting fire. Seeing through walls. Stopping time. Abilities like these separate metahumans from ordinary people. Some metahumans serve as secret protectors, while others use their power for cheap gains. Some only wish to live quietly. And some seek to upend the world. 3,000 years ago, the world looked very different, populated by beings from mythology’s pages. But when the yao of old brought humanity to the brink of annihilation, Emperor Wu was forced to seal away the source of spiritual power, gifting the world to those without abilities. Now, someone is plotting to break that seal in a bid to reclaim what once was. When easy-going fire user Xuan Ji takes a job at the Anomaly Regulation Bureau to escape his mounting debt, he’s forced into a confrontation with the ancient demon Sheng Lingyuan. Enigmatic, aloof, and deeply broken, Sheng Lingyuan seems to have a connection with the seal—and with Xuan Ji himself. Together with a team of quirky metahumans, they must uncover both present-day conspiracies and sorrows from millennia past—and perhaps stop trying to kill each other. Drowning Sorrows in Raging Fire is a haunting urban fantasy with biting humour, exploring the lines people draw between each other—and the ones they’ll cross to be together.

Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination. A traditional haunted house story in a thoroughly contemporary setting, Horrorstör is designed to retain its luster and natural appearance for a lifetime of use. Pleasingly proportioned with generous French flaps and a softcover binding, Horrorstör delivers the psychological terror you need in the elegant package you deserve. Designed by Andie Reid, cover photography by Christine Ferrara.

“All around me, my friends are talking, joking, laughing. Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.”  We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.Fourteen teens who have grown up together in Japantown, San Francisco.Fourteen teens who form a community and a family, as interconnected as they are conflicted.Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.