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Frieren: Beyond Journey’s End, Vol. 11
Kanehito Yamada
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Frieren: Beyond Journey’s End, Vol. 10
Kanehito Yamada
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Frieren: Beyond Journey's End, Vol. 9
Kanehito Yamada
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Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures
Merlin Sheldrake
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Mad Sisters of Esi
Tashan Mehta
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This book is just cute. That's really the best word for it. If you've ever wished there was more D&D woven into your romance reads, this one delivers on that front and it's a good time..
That said, I do tend to prefer slow burn or at least a little enemies-to-lovers tension, and this is very much not that. The romance moves fast and the couple doesn't really hit any walls along the way. There aren't a lot of hard moments or obstacles that test them.
But here's the thing: not every romance needs to put its characters through the wringer, and if you're in the mood for something light and drama-free, this is a really solid pick. It's the kind of story where you just get to enjoy two people falling for each other without any of the heartache. Sometimes that's exactly what you need.
Also I just want D&D in more books in general. Romance, fantasy, whatever. More of it everywhere, please.
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Roll for Romance: A Novel
Lenora Woods
lukewarmreader completed their yearly reading goal of 40 books!







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The Decagon House Murders (House Murders, #1)
Yukito Ayatsuji
lukewarmreader commented on lukewarmreader's review of The Empress of Salt and Fortune (The Singing Hills Cycle, #1)
This story is interested in people the world dismisses as ornamental, domestic, small, or politically harmless, and in the ways that dismissal becomes its own kind of cover. The empress and Rabbit both move through a world that is primed to overlook them, and the story never treats that as weakness. Instead, it becomes the space where patience, intelligence, observation, and quiet loyalty can do real work.
I also loved that the book doesn't celebrate force or spectacle as the only meaningful forms of strength. It makes room for a different kind of power, one built through restraint, strategy, memory, and surviving long enough to be underestimated by the wrong people. That felt like the heart of it for me, and it's part of what made the story so satisfying. Quiet, precise, and much sharper than it first appears.
That part resonated with me personally. For most of my life, I was the quiet kid, shy, introverted, and often more in my own head than out in the world. I internalized the idea that strength meant being the loudest, most outgoing, most obviously assertive person in the room. Getting older has made me believe the opposite more and more. There is real power in being observant, thoughtful, and underestimated. Often that kind of strength is more effective precisely because people are not looking for it. This story captures that beautifully and reinforces the idea that power can live in unexpected places.
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Roll for Romance: A Novel
Lenora Woods
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I really enjoyed The Thursday Murder Club. The four main characters were the highlight for me. They each had distinct voices, clear personalities, and enough complexity to feel like real people rather than cozy mystery archetypes.
I also found Richard Osman's female characters refreshingly well-written. He's one of the first male authors I've read where I didn't feel like the women were being written as caricatures with a higher-pitched voice. They were genuinely smart, layered, funny, stubborn, and capable, and the men were given that same care, too.
My only real struggle was keeping track of some of the suspects and side characters, especially while listening on audio. A few stood out clearly, like Bogdan, whose accent helped me place him immediately, though I spent the entire audiobook thinking his name was "Bob Dan," which is honestly on-brand for me and my auditory processing struggles but what can you do haha. I could also mostly keep track of the priest, but some of the other male characters blurred together a bit.
Osman also does a nice job addressing heavier topics, but still in a way that doesn't take away from the cozier vibes of the story. The interiority of the aging main characters, their fears around death and longing for connection, their uncertainty surrounding the reality of what life looks like now that they are older... It helped elevate the story-telling. My one critique for many "cozy" stories is that can feel flat. This one didn't. It made me tear up several times, just in how honestly it was written.
That said, it didn't take away from my overall enjoyment. This was a warm, clever cozy mystery with a likable cast and strong characters. Overall carried enough charm to make me open to continuing the series.
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The Thursday Murder Club (Thursday Murder Club, #1)
Richard Osman
lukewarmreader commented on a post
Aw, poor Iris. I really couldn't stand this woman in the first two books. But she's growing on me in this one.
Was thinking about what bothers me about Ashley Herring Blake's writing... I like contemporary romance. Gimme a good rom com! But she does the thing where she spells out the theme in the exposition or dialogue or interiority. And that is a bit like nails in a chalkboard for me.
I also appreciate her effort to be diverse with her characters, but it can feel... performative? Tokenism? Dunno. I think it'd be less a thing to me if it wasn't so constant. So many side characters are identified as POC or non binary or this or that... all her leads are white, though. Also a bit tiring that she has to like identify every characters sexuality or pronouns or gender the moment they're introduced.
Girl, just show me. Weave it into the story. If you can't, maybe reconsider the characters place/role in the story!
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Lady Knights Who Like Other Ladies
Champion: Finished 5 Side Quest books.