lukewarmreader commented on a post
Aw, poor Iris. I really couldn't stand this woman in the first two books. But she's growing on me in this one.
Was thinking about what bothers me about Ashley Herring Blake's writing... I like contemporary romance. Gimme a good rom com! But she does the thing where she spells out the theme in the exposition or dialogue or interiority. And that is a bit like nails in a chalkboard for me.
I also appreciate her effort to be diverse with her characters, but it can feel... performative? Tokenism? Dunno. I think it'd be less a thing to me if it wasn't so constant. So many side characters are identified as POC or non binary or this or that... all her leads are white, though. Also a bit tiring that she has to like identify every characters sexuality or pronouns or gender the moment they're introduced.
Girl, just show me. Weave it into the story. If you can't, maybe reconsider the characters place/role in the story!
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Lady Knights Who Like Other Ladies
Champion: Finished 5 Side Quest books.
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The Decagon House Murders (House Murders, #1)
Yukito Ayatsuji
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The Thursday Murder Club (Thursday Murder Club, #1)
Richard Osman
Post from the Pagebound Club forum
I believe reading should open doors, not close them.
Which, yes, sounds a little like a bumper sticker. I'm a libra sun, though, so I'm gonna bring that overly-earnest air energy into most things. I've been listening to Hadestown all morning, so bear with me if you have the capacity lol. (Orpheus was surely an air sign, right? Or do you think water?)
I've been thinking about what I actually mean when I say that. That reading should open doors. Here's what I've got:
Reading has always felt like access to me. Access to other people. Other worlds. Other ways of thinking. Other ways of surviving. When I was a kid, learning to read felt like being handed a superpower. Suddenly there were whole lives and feelings and questions I had that weren't there before. Some of them made me laugh. Some made me feel less alone. Some made me ask better questions about myself, my family, and the world around me.
As an adult, one of my first jobs was teaching kids literacy and writing. And I learned very quickly that reading doesnt feel like magic for everyone.
For some kids, reading is hard. Also, as I've seen time and again in this forum, for many of us adults, too. For some, it is tied to shame or frustration or expectations.... Some kids have never seen themselves in the stories handed to them. Some are dealing with systems, families, disabilities, or just very real survival pressures that make "just read more" an absurdly incomplete answer.
But I also saw this: sometimes, when you find the right story for the right kid, and you read it in the right way, something can open. Not like some dramatic movie moment. Often not a lifelong transformation. But a pause. A question. A disruption, every time a kid asks, "Can we read one more chapter?"
Books matter to me because connection matters to me. Literacy matters because access matters. Libraries matter. Representation matters. Curiosity matters. The ability to question matters. The ability to say, "I hadn't thought of it that way," matters.
I think we are living in a world that benefits from keeping people divided, distracted, suspicious, and numb. Books dont magically fix that. I don't think any one community or person can do that. But I do think stories can make us harder to isolate. They can remind us that other people are real. They can help us practice empathy without sanding down the truth. Give us language when we might not have the words yet.
That has been true for me over and over... again and again
As a neurodivergent kid, I often felt outside of things. Misunderstood. Frustrated. Like everyone else was handed a social script I somehow missed. But books made sense. Stories were a language I knew how to speak, didn't need to rely on a script that other social interactions often required. From my first little grade school book club reading Alice in Wonderland, to my college class that taught me why Mrs. Dalloway buying the flowers herself matters, to Mary Oliver, to graphic novels, to romance, to fantasy, to the weird little books that rearrange our brain chemistry on a Tuesday.
That is why book spaces matter to me.
Not because they are perfect. People are messy.. Online spaces definitely can be, too. Communities are messy because they are made of human beings, and human beings bring their whole selves with them. Their hopes, grief, defensiveness, humor, blind spots, good intentions, bad days, and all the context no one else can fully see throughs a phone screen or computer.
But I still believe in the value of spaces built around reading.
I believe in spaces where people can be earnest without being embarrassed. Critical without being cruel. Excited without being dismissed. Curious without needing to perform certainty. I believe there should be room for the person writing a gorgeous, thoughtful review that feels to me like it should be nominated for some kind of award because holy shit, that might have been the best thing I've read all year! and the person simply saying, "This book made me feel insane and I need to lie down." What am I saying? I don' tknow. I guess just that -
I believe disagreement can make a conversation bigger instead of smaller.
Feedback can exist alongside care.
People can be imperfect and still worth listening to.
I also know building something meaningful is hard. Especially now. Especially online. Especially in tech, where so much of that world seems designed to monetize attention, flatten people into data, reward outrage, and then call it innovation. I've worked in corporate spaces. I know how quickly ideals can get swallowed by growth, money, optics, and the endless chase for more.
So when people try to build something different, something for real people that tries to prioritize said people.... I notice. I care. I want that kind of dream to survive, even when it gets complicated. Maybe especially then.
I don't know what the perfect version of any reading community looks like. I don't think there is one.
But I know what I value.
I value access. Curiosity. Clear expectations. Nuance. Joy. Constructive critique. Room for people who are still learning how to enter the conversation.
Because at the end of the day, I am here because books have made me feel less alone. And talking to people about books has been a big part of tht. They have helped me understand myself, other people, and the world with a little more softness and a little more courage.
That is what I want from the bookish/reading communities around them, too.
Not perfection or constant agreement.
Just a place where we remember there is a person on the other side of each of these posts. Or updates.
I'm real. So are you.
Anyway, that’s where I land: still a little too earnest, still probably overthinking it, still believing books can open doors.
The world is harsh, systems are cruel, we're all tired. But that's why we keep telling stories, even the sad or imperfect stories, right? That's why continuing to try can be one of the most radical forms of resistance.
lukewarmreader DNF'd a book

The Duke
Anna Cowan
lukewarmreader wrote a review...
Funny Story was an easy, fun, emotionally satisfying read. It definitely follows tried-and-true romance beats, so I wouldn't call it revolutionary or especially surprising in structure. But I also don't think it needed to be. What worked for me was the execution.
Henry writes characters in a way that made me want to root for them, even when they were making mistakes. No one felt so aloof, daft, or unnecessarily awful that I became annoyed with the conflict. The characters are flawed, but in a way that feels human rather than manufactured for drama.
I also don't usually read a lot of straight romance, and I'm definitely not typically drawn to golden retriever male main characters, but I enjoyed Miles as a MMC. He is very much a "good guy," but not in a way that felt boring or one-dimensional. He had enough texture, humor, and emotional messiness to feel like a real person rather than a walking green flag checklist.
One of Henry's strengths here is how she weaves everything together. The side characters and subplots feel meaningful without taking over the book or existing only as obvious plot devices. The romance is still the center of the story, but the world around it has enough life and movement to keep things interesting. I also thought the Michigan setting was used beautifully. As someone who went to undergrad there, I could practically see the coast of western Michigan while reading. The setting felt grounded and nostalgic without feeling like regional details were awkwardly pasted in.
The book also lands well emotionally. The characters grow, the relationship feels earned, and the closure is realistic while still being satisfying. It felt like a true popcorn read in the best way: enjoyable, well-paced, not too long, not too short, and easy to sink into.
In terms of spice, I'd put this solidly at a level 3: open door, at least one intimate scene with the reader present, but with more euphemistic language for the act and body parts. I personally wouldn't have minded a level 4, but I think this level probably makes the book more accessible for readers who are less comfortable with explicit intimacy scenes or who don't want spice to be the main focus.
I appreciate how Henry balances the pieces of her storytelling well. In romance, I often find that a book has good spice, good banter, good prose, or a good plot, but not always all of them together. Funny Story kept me interested throughout. The banter worked, the chemistry felt believable, the emotional arc made sense, and the side plots supported the romance instead of distracting from it.
That said, I would warn readers that this is very much a capital R Romance novel. I know Emily Henry sometimes gets described as writing more "women's fiction with romance," but at least with this book, I would say the romance is the plot. The relationship is the engine of the story. There are other meaningful pieces around it, but if you don't want the central focus to be two people falling in love, this may not be the book for you.
Overall, I get the Emily Henry appeal now. Funny Story isn't doing anything wild or groundbreaking, but it is smart, funny, warm, and very solidly crafted. Sometimes that's exactly what I want from a romance. I'll definitely be reading more of her work.
lukewarmreader finished a book

Funny Story
Emily Henry
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The Feywild Job (Dungeons & Dragons)
C.L. Polk
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Book Lovers
Emily Henry
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Coffeeshop in an Alternate Universe
C.B. Lee
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Roll for Love
M.K. England
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Roll for Romance: A Novel
Lenora Woods
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lukewarmreader commented on a post from the Pagebound Club forum
Hi! I need to touch grass today, and maybe you do too.
What's your earliest positive memory of reading?
Reading has been complicated for me. My relationship with it has changed a lot over time, with some starts and stops along the way. But one memory still feels really warm.
I remember being six and learning to read. In class, we would move up to the next reader book after successfully finishing the one before it. I used to stay after school so I could keep working through whatever level I was on.
I also remember going into my school library and discovering the American Girl books. I can still remember the smell of the library, the feel of those books, and the crinkly sound of the plastic covers the librarian put on them.
It was such a simple, wholesome kind of joy. I miss that feeling.
What about you? What's one of your earliest happy reading memories?
Post from the Pagebound Club forum
Hi! I need to touch grass today, and maybe you do too.
What's your earliest positive memory of reading?
Reading has been complicated for me. My relationship with it has changed a lot over time, with some starts and stops along the way. But one memory still feels really warm.
I remember being six and learning to read. In class, we would move up to the next reader book after successfully finishing the one before it. I used to stay after school so I could keep working through whatever level I was on.
I also remember going into my school library and discovering the American Girl books. I can still remember the smell of the library, the feel of those books, and the crinkly sound of the plastic covers the librarian put on them.
It was such a simple, wholesome kind of joy. I miss that feeling.
What about you? What's one of your earliest happy reading memories?