The million-copy bestselling Queen of Twists Alice Feeney returns with a gripping and deliciously dark thriller about marriage. . . . . . and revenge. Author Grady Green is having the worst best day of his life. Grady calls his wife to share some exciting news as she is driving home. He hears Abby slam on the brakes, get out of the car, then nothing. When he eventually finds her car by the cliff edge the headlights are on, the driver door is open, her phone is still there. . . but his wife has disappeared. A year later, Grady is still overcome with grief and desperate to know what happened to Abby. He can’t sleep, and he can’t write, so he travels to a tiny Scottish island to try to get his life back on track. Then he sees the impossible – a woman who looks exactly like his missing wife. Wives think their husbands will change but they don’t. Husbands think their wives won’t change but they do.

A breathtaking reimagining of Cinderella, as told through the eyes of its iconic "evil" stepmother, revealing a propulsive love story about the lengths a mother will go to for her childrenA widow twice-over, Etheldreda is now saddled with the care of her two children, a priggish stepdaughter, and a razor-taloned peregrine falcon. Her entire life has become a ruse, just like the manor hall they live grand and ornate on the exterior, but crumbling, brick by brick, inside. Fierce in the face of her misfortune, Ethel clings to her family’s respectability, the lifeboat that will float her daughters straight into the secure banks of marriage.When a royal ball offers the chance to secure the future she desperately desires, Etheldreda must risk her secrets, pride, and limited resources in pursuit of an invitation for her daughters—only to see her hopes fulfilled by the wrong one. As an engagement to the heir of the kingdom unfolds with unnerving speed, she discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she’s sought for years and the wellbeing of the feckless stepdaughter who has rebuffed her at every turn.As if Bridgerton met Circe, and exhilarating to its core, Lady Tremaine reimagines the myth of the evil stepmother at the heart of the world’s most famous fairytale. It is a battle cry for a mother’s love for her daughters, and a celebration of women everywhere who make their own fortunes.

A breathtaking reimagining of Cinderella, as told through the eyes of its iconic "evil" stepmother, revealing a propulsive love story about the lengths a mother will go to for her childrenA widow twice-over, Etheldreda is now saddled with the care of her two children, a priggish stepdaughter, and a razor-taloned peregrine falcon. Her entire life has become a ruse, just like the manor hall they live grand and ornate on the exterior, but crumbling, brick by brick, inside. Fierce in the face of her misfortune, Ethel clings to her family’s respectability, the lifeboat that will float her daughters straight into the secure banks of marriage.When a royal ball offers the chance to secure the future she desperately desires, Etheldreda must risk her secrets, pride, and limited resources in pursuit of an invitation for her daughters—only to see her hopes fulfilled by the wrong one. As an engagement to the heir of the kingdom unfolds with unnerving speed, she discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she’s sought for years and the wellbeing of the feckless stepdaughter who has rebuffed her at every turn.As if Bridgerton met Circe, and exhilarating to its core, Lady Tremaine reimagines the myth of the evil stepmother at the heart of the world’s most famous fairytale. It is a battle cry for a mother’s love for her daughters, and a celebration of women everywhere who make their own fortunes.

A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life"Every cell in my body is filled with the code of generations of trauma, of death, of birth, of migration, of history that I cannot understand. . . . I want to have words for what my bones know." By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD--a condition that occurs when trauma happens continuously, over the course of years. Both of Foo's parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect. She thought she'd moved on, but her new diagnosis illuminated the way her past continued to threaten her health, relationships, and career. She found limited resources to help her, so Foo set out to heal herself, and to map her experiences onto the scarce literature about C-PTSD. In this deeply personal and thoroughly researched account, Foo interviews scientists and psychologists and tries a variety of innovative therapies. She returns to her hometown of San Jose, California, to investigate the effects of immigrant trauma on the community, and she uncovers family secrets in the country of her birth, Malaysia, to learn how trauma can be inherited through generations. Ultimately, she discovers that you don't move on from trauma--but you can learn to move with it. Powerful, enlightening, and hopeful, What My Bones Know is a brave narrative that reckons with the hold of the past over the present, the mind over the body--and examines one woman's ability to reclaim agency from her trauma.

A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life"Every cell in my body is filled with the code of generations of trauma, of death, of birth, of migration, of history that I cannot understand. . . . I want to have words for what my bones know." By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD--a condition that occurs when trauma happens continuously, over the course of years. Both of Foo's parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect. She thought she'd moved on, but her new diagnosis illuminated the way her past continued to threaten her health, relationships, and career. She found limited resources to help her, so Foo set out to heal herself, and to map her experiences onto the scarce literature about C-PTSD. In this deeply personal and thoroughly researched account, Foo interviews scientists and psychologists and tries a variety of innovative therapies. She returns to her hometown of San Jose, California, to investigate the effects of immigrant trauma on the community, and she uncovers family secrets in the country of her birth, Malaysia, to learn how trauma can be inherited through generations. Ultimately, she discovers that you don't move on from trauma--but you can learn to move with it. Powerful, enlightening, and hopeful, What My Bones Know is a brave narrative that reckons with the hold of the past over the present, the mind over the body--and examines one woman's ability to reclaim agency from her trauma.

The Spellshop is Sarah Beth Durst’s romantasy debut–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home. Taking refuge there, Kiela discovers, much to her dismay, a nosy—and very handsome—neighbor who can’t take a hint and keeps showing up day after day to make sure she’s fed and to help fix up her new home. In need of income, Kiela identifies something that even the bakery in town doesn’t have: jam. With the help of an old recipe book her parents left her and a bit of illegal magic, her cottage garden is soon covered in ripe berries. But magic can do more than make life a little sweeter, so Kiela risks the consequences of using unsanctioned spells and opens the island’s first-ever and much needed secret spellshop. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, The Spellshop will heal your heart and feed your soul.

The Spellshop is Sarah Beth Durst’s romantasy debut–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home. Taking refuge there, Kiela discovers, much to her dismay, a nosy—and very handsome—neighbor who can’t take a hint and keeps showing up day after day to make sure she’s fed and to help fix up her new home. In need of income, Kiela identifies something that even the bakery in town doesn’t have: jam. With the help of an old recipe book her parents left her and a bit of illegal magic, her cottage garden is soon covered in ripe berries. But magic can do more than make life a little sweeter, so Kiela risks the consequences of using unsanctioned spells and opens the island’s first-ever and much needed secret spellshop. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, The Spellshop will heal your heart and feed your soul.

The New York Times–bestselling author of The First Bad Man returns with an irreverently sexy, tender, hilarious, and surprising novel about a woman upending her life A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey. Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

The New York Times–bestselling author of The First Bad Man returns with an irreverently sexy, tender, hilarious, and surprising novel about a woman upending her life A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey. Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

An ICU nurse accidentally uncovers a patient’s frightening past in this chilling thriller. Meghan Michaels is trying to find balance between being a single mom to a teenage daughter and working as a full time nurse. While on duty at the hospital one day, a patient named Caitlin arrives in a coma with a traumatic brain injury, having jumped from a bridge and plunging over twenty feet to the train tracks below.  But when a witness comes forward with shocking details about the fall, it calls everything they know into question. Was Caitlin  pushed  and if so, by whom and why?  Meghan has always tried to stay emotionally detached from her patients, but this time, she mistakenly lets herself get too close until she’s deeply entangled in Caitlin’s and her family’s lives. Only when it’s too late, does she realize that she and her daughter could be the next victims.

A haunting coming-of-age tale following the daughter of Vietnamese immigrants, Ronny Nyugen, as she grapples with the weight of generational trauma while navigating the violent power of teenage girlhood, for fans of Jennifer’s Body and Little Fires Everywhere. It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba. Their parents rarely speak of their past in Vietnam, except through the lens of food. The family’s meals are a tapestry of cultural thick spring rolls with slim and salty nem nuong, and steaming bowls of pho tai with thin, delicate slices of blood-red beef. In the aftermath of the war, Me and Ba taught Ronny and Tommy that meat was a dangerous luxury, a symbol of survival that should never be taken for granted. But when tragedy strikes, Ronny’s world is upended. Her sense of self and her understanding of her family are shattered. A few nights later, at her first high school party, a boy crosses the line, and Ronny is overtaken by a force larger than herself. This newfound power comes with an insatiable hunger for raw meat, a craving that is both a saving grace and a potential destroyer. What Hunger is a visceral, emotional journey through the bursts and pitfalls of female rage. Ronny’s Vietnamese lineage and her mother’s emotional memory play a crucial role in this tender ode to generational trauma and mother-daughter bonding.

She’s off-limits, but he’s never been good at following the rules. For the first time in her life, Clementine “Emmy” Ryder has no idea what she’s doing. She’s accomplished everything on her to-do list. She left her small hometown of Meadowlark, Wyoming; went to college; and made a career for herself by doing her favorite thing: riding horses. But after an accident makes it impossible for her to get back into the saddle, she has no choice but to return to the hometown she always wanted to escape. Luke Brooks is Meadowlark’s most notorious bad boy, bar owner, and bachelor. He’s also the unofficial fifth member of the Ryder family. As Emmy’s older brother’s best friend, Luke spent most of his childhood antagonizing her. It’s been years since he’s seen her, but when she walks into his bar and back into his life, he can’t take his eyes off her. Despite his better judgment, he wants to do a whole lot more than just look at her. Emmy’s got too much on her mind to think about romance. And Luke knows he should stay away from his best friend’s younger sister. But what if Luke is just what Emmy needs to get her spark back? Or will they both go up in flames?

An ICU nurse accidentally uncovers a patient’s frightening past in this chilling thriller. Meghan Michaels is trying to find balance between being a single mom to a teenage daughter and working as a full time nurse. While on duty at the hospital one day, a patient named Caitlin arrives in a coma with a traumatic brain injury, having jumped from a bridge and plunging over twenty feet to the train tracks below.  But when a witness comes forward with shocking details about the fall, it calls everything they know into question. Was Caitlin  pushed  and if so, by whom and why?  Meghan has always tried to stay emotionally detached from her patients, but this time, she mistakenly lets herself get too close until she’s deeply entangled in Caitlin’s and her family’s lives. Only when it’s too late, does she realize that she and her daughter could be the next victims.

A deeply personal memoir-in-essays, reckoning with being an object of Asian fetish and how media, pop culture, and colonialism contributed to the oversexualization of Asian women—from Kaila Yu, former pinup model and lead singer of Nylon Pink. No one fetishized Kaila Yu more than she fetishized herself. As a young girl, she dreamt of beauty. But none of the beautiful women on television looked like her. Growing up as a teenager in the late '90s and early 2000s, Asian representation was scarce, and where it existed, the women were often reduced to overtly sexual and submissive caricatures—the geishas of the book-turned-film Memoirs of a Geisha; the lewd twins, Fook Mi and Fook Yu, in Austin Powers films; Papillon Soo Soo’s sex worker character in the cult Vietnam War movie Full Metal Jacket; and pin-up goddess Sung-Hi Lee. Meanwhile, the "girls next door" were always white. Within that narrow framework, Kaila internalized a painful conclusion: The only way someone who looked like her could have value or be considered beautiful and desirable was to sexualize herself. Blending vulnerable stories from Yu’s life with incisive cultural critique and history, Fetishized is a memoir-in-essays exploring feminism, beauty, yellow fever, and the roles pop culture and colonialism played in shaping pervasive and destructive stereotypes about Asian women and their bodies. Yu revisits the formative moments that shaped her identity. She reflects on the women in media who influenced her, the legacy of U.S. occupation in shaping Western perceptions of Asian women, her own experiences in the pinup and import modeling industry, auditioning for TV and film roles that perpetuated dehumanizing stereotypes, and touring the world with her band in revealing outfits. She recounts altering her body to conform to Western beauty standards, allowing men to treat her like a sex object, and the emotional toll and trauma of losing her sense of self in the pursuit of the image she thought the world wanted. Raw and intimate, Fetishized is a personal journey of self-love and healing. It’s both a searing indictment of the violence of objectification and a tender exploration of the broken relationship so many of us have with beauty, desire, and our own bodies.

A deeply personal memoir-in-essays, reckoning with being an object of Asian fetish and how media, pop culture, and colonialism contributed to the oversexualization of Asian women—from Kaila Yu, former pinup model and lead singer of Nylon Pink. No one fetishized Kaila Yu more than she fetishized herself. As a young girl, she dreamt of beauty. But none of the beautiful women on television looked like her. Growing up as a teenager in the late '90s and early 2000s, Asian representation was scarce, and where it existed, the women were often reduced to overtly sexual and submissive caricatures—the geishas of the book-turned-film Memoirs of a Geisha; the lewd twins, Fook Mi and Fook Yu, in Austin Powers films; Papillon Soo Soo’s sex worker character in the cult Vietnam War movie Full Metal Jacket; and pin-up goddess Sung-Hi Lee. Meanwhile, the "girls next door" were always white. Within that narrow framework, Kaila internalized a painful conclusion: The only way someone who looked like her could have value or be considered beautiful and desirable was to sexualize herself. Blending vulnerable stories from Yu’s life with incisive cultural critique and history, Fetishized is a memoir-in-essays exploring feminism, beauty, yellow fever, and the roles pop culture and colonialism played in shaping pervasive and destructive stereotypes about Asian women and their bodies. Yu revisits the formative moments that shaped her identity. She reflects on the women in media who influenced her, the legacy of U.S. occupation in shaping Western perceptions of Asian women, her own experiences in the pinup and import modeling industry, auditioning for TV and film roles that perpetuated dehumanizing stereotypes, and touring the world with her band in revealing outfits. She recounts altering her body to conform to Western beauty standards, allowing men to treat her like a sex object, and the emotional toll and trauma of losing her sense of self in the pursuit of the image she thought the world wanted. Raw and intimate, Fetishized is a personal journey of self-love and healing. It’s both a searing indictment of the violence of objectification and a tender exploration of the broken relationship so many of us have with beauty, desire, and our own bodies.