An artist plagued by a violent past. An heir destined to never take her own throne. A tyrant bound to life, consumed by his bloody trail. Dawn breaks over a dying land. Ever since surviving the bloody coup that cost Ara her home and Stedd his family, they’ve found solace in each other’s arms, dreaming of a life where Ara can cultivate her gardening and engineering talents while Stedd flourishes in his art. But the old magic that once held Evenia together has long faded, and when King Vayne Savant learns of Ara’s godly heritage and royal bloodline, she turns from a budding engineer into a reluctant bride, and a pawn in his cunning plan to dominate the continent amid its technological collapse. Desperate to escape her husband’s bloodstained grasp, Ara strikes a dark deal with the king: a child—the heir to two thrones—in exchange for her freedom. Her plan should have been simple, but in between sieges, squabbling, and sessions of pleasure are nights spent waking to assassins’ blades at her throat and the threat of sinister societies formidable enough to outsmart even Savant’s cunning. Unwilling to lose Ara, Stedd sets down his paintbrush and picks up a blade, entering a war he doesn’t understand. But the line between love and hatred is a thin one, and Stedd soon finds himself torn between rescuing the love of his life or pursuing revenge on the man who destroyed it. The fate of the continent lies in the hands of a ruthless conqueror and a pacifistic queen, their destinies far more than they understand. If they can find common ground, Evenia may be saved. But the obstacles that lie in their wake are more than they can anticipate, and the consequences for failure greater than they could imagine.

An artist plagued by a violent past. An heir destined to never take her own throne. A tyrant bound to life, consumed by his bloody trail. Dawn breaks over a dying land. Ever since surviving the bloody coup that cost Ara her home and Stedd his family, they’ve found solace in each other’s arms, dreaming of a life where Ara can cultivate her gardening and engineering talents while Stedd flourishes in his art. But the old magic that once held Evenia together has long faded, and when King Vayne Savant learns of Ara’s godly heritage and royal bloodline, she turns from a budding engineer into a reluctant bride, and a pawn in his cunning plan to dominate the continent amid its technological collapse. Desperate to escape her husband’s bloodstained grasp, Ara strikes a dark deal with the king: a child—the heir to two thrones—in exchange for her freedom. Her plan should have been simple, but in between sieges, squabbling, and sessions of pleasure are nights spent waking to assassins’ blades at her throat and the threat of sinister societies formidable enough to outsmart even Savant’s cunning. Unwilling to lose Ara, Stedd sets down his paintbrush and picks up a blade, entering a war he doesn’t understand. But the line between love and hatred is a thin one, and Stedd soon finds himself torn between rescuing the love of his life or pursuing revenge on the man who destroyed it. The fate of the continent lies in the hands of a ruthless conqueror and a pacifistic queen, their destinies far more than they understand. If they can find common ground, Evenia may be saved. But the obstacles that lie in their wake are more than they can anticipate, and the consequences for failure greater than they could imagine.

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

Comprising a selection of essays, Upstream finds beloved poet Mary Oliver reflecting on her astonishment and admiration for the natural world and the craft of writing.  As she contemplates the pleasure of artistic labor, finding solace and safety within the woods, and the joyful and rhythmic beating of wings, Oliver intimately shares with her readers her quiet discoveries, boundless curiosity, and exuberance for the grandeur of our world. This radiant collection of her work, with some pieces published here for the first time, reaffirms Oliver as a passionate and prolific observer whose thoughtful meditations on spiders, writing a poem, blue fin tuna, and Ralph Waldo Emerson inspire us all to discover wonder and awe in life's smallest corners.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

Giant turtles, impossible ships, and tidal rivers ridden by a Drowned girl in search of a family in the latest in the bestselling Hugo and Nebula Award-Winning Wayward Children series from Seanan McGuire. Nadya had three mothers: the one who bore her, the country that poisoned her, and the one who adopted her. Nadya never considered herself less than whole, not until her adoptive parents fitted her with a prosthetic arm against her will, seeking to replace the one she'd been missing from birth. It was cumbersome; it was uncomfortable; it was wrong. It wasn't her. Frustrated and unable to express why, Nadya began to wander, until the day she fell through a door into Belyrreka, the Land Beneath the Lake--and found herself in a world of water, filled with child-eating amphibians, majestic giant turtles, and impossible ships that sailed as happily beneath the surface as on top. In Belyrreka, she found herself understood for who she was: a Drowned Girl, who had made her way to her real home, accepted by the river and its people. But even in Belyrreka, there are dangers, and trials, and Nadya would soon find herself fighting to keep hold of everything she had come to treasure.

A corporate hacker. An elusive billionaire. A society trying to survive the American Nightmare. New York City, 2075. Filipino-American Nick Carraway has just moved to the heart of the fractured New Americas, where he’s struck by the city’s contradictions—shining corporate towers casting bleak shadows over the slums of a crumbling middle class. When Nick meets alluring new-money Jay Gatsby, he falls for Gatsby’s frank charm and confident aura. But in a city where the wealthy flaunt tech-enhanced bodies to cheat death, surfaces aren’t all they seem—and as a corporate- sanctioned cyberspace hacker, Nick knows that no secret can stay buried forever. He’s the reason they don’t. And his latest assignment? Investigate Gatsby himself. As Nick becomes entangled in the dark affairs of the elite—and the devastating fallout of their actions on the city’s most vulnerable—he must reckon with the limits of compassion and accountability across class and status. What takes precedence: Love, or truth? Heart, or soul? A brilliant reimagining of Fitzgerald’s classic tale of glamour, desire, and desperation, Local Heavens examines the guardrails of morality… and the price of desire. Publication set for fall 2025.

A life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington. In Tokyo, the son works as an English tutor, drinking his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in Houston, particularly his mother, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they’ve last seen each other, the mother arrives uninvited on his doorstep. Separated only by the son’s cat, Taro, the two of them bristle against each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life begins to steer them in unexpected directions— the mother to a tentative friendship with a local bistro owner, and the son to cautiously getting to know a new patron of the bar—the two of them begin to see each other more clearly. Sharing meals and conversations and an eventful trip to Nara, both mother and son try the best they can to define where “home” really is—and whether they can find it even in each other. Written with understated humor and an open heart, moving through past and present and across Houston, Jamaica, and Japan, Bryan Washington’s Palaver is an intricate story of family, love, and the beauty of a life among others.

Giant turtles, impossible ships, and tidal rivers ridden by a Drowned girl in search of a family in the latest in the bestselling Hugo and Nebula Award-Winning Wayward Children series from Seanan McGuire. Nadya had three mothers: the one who bore her, the country that poisoned her, and the one who adopted her. Nadya never considered herself less than whole, not until her adoptive parents fitted her with a prosthetic arm against her will, seeking to replace the one she'd been missing from birth. It was cumbersome; it was uncomfortable; it was wrong. It wasn't her. Frustrated and unable to express why, Nadya began to wander, until the day she fell through a door into Belyrreka, the Land Beneath the Lake--and found herself in a world of water, filled with child-eating amphibians, majestic giant turtles, and impossible ships that sailed as happily beneath the surface as on top. In Belyrreka, she found herself understood for who she was: a Drowned Girl, who had made her way to her real home, accepted by the river and its people. But even in Belyrreka, there are dangers, and trials, and Nadya would soon find herself fighting to keep hold of everything she had come to treasure.

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

A powerful, intimate novel that masterfully explores what constitutes a meaningful life in a violent world—from the award-winning author of Open City Life is hopeless but it is not serious. We have to have danced while we could and, later, to have danced again in the telling. A weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis. We’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus. He is a reader, a listener, a traveler, drawn to many different kinds of stories from history and epic; stories of friends, family, and strangers; stories found in books and films. Together these stories make up his days. In aggregate these days comprise a life. Tremor is a startling work of realism and invention that engages brilliantly with literature, music, race, and history as it examines the passage of time and how we mark it. It is a reckoning with human survival amidst “history’s own brutality, which refuses symmetries and seldom consoles,” but it is also a testament to the possibility of joy. As he did in his magnificent debut Open City, Teju Cole once again offers narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.

Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he’s on the verge of becoming a dead barbarian – leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman Captain Jezal dan Luthar, dashing officer, and paragon of selfishness, has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta a whole lot more difficult. Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood.