A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life. As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously. But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat. As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....

The day after the funeral all our mourning clothes hung out on the line like sleeping bats. 'This will be really embarrassing,' I kept saying to my family, 'when she shows up at the door in a week or two.' When Deena's wild and mysterious sister Mandy disappears - presumed dead - her family are heartbroken. But Mandy has always been troubled. It's just another bad thing to happen to Deena's family. Only Deena refuses to believe it's true. And then the letters start arriving. Letters from Mandy, claiming that their family's blighted history is not just bad luck or bad decisions - but a curse, handed down through the generations. Mandy has gone in search of the curse's roots, and now Deena must find her. What they find will heal their family's rotten past - or rip it apart forever.

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an enclosed order of nuns. A new bell, legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disastrous homosexual relations, while the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean....Iris Murdoch's funny and sad novel has themes of religion, the fight between good and evil, and the terrible accidents of human frailty.

Alternate cover edition of ASIN B07S5D5TH7 In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders. But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case. Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. Can our unorthodox but brilliant gang catch the killer before it's too late?

Two newly translated works from one of the greatest literary writers and thinkers of the modern age, available together in English for the first time. Translating a work from its original language can be complicated; it’s a complex art that can easily mar and twist the intent and meaning of a writer’s words. Precise translations were of particular importance to Milan Kundera, who did not live to see all his books published in his native Czech language. Words, for Kundera, were the object of constant scrutiny. This fascinating volume includes two Kundera works from the 1980s, originally written for the now defunct French magazine Le Debat, which have never been available in in English. In “89 Words,” Kundera wryly recounts the many pitfalls in reading his own poorly translated works. When a friend of Kundera’s asked him about the words he considered the most—the ones he fretted over and loved—Kundera created a personal dictionary—his “89 Words.” This discerning essay, steeped in his signature barbed cheekiness, showcases his casually gutting philosophical reflections on what it means to be a writer in translation—the exile of life and art in another language. In the second work, “ A Disappearing Poem,” Kundera writes with a wistfulness and despair for his ever-more-distant home, offering an intimate look at the specificity of his native the richness of a heritage born in a “small nation” but whose significance is universal. Here, like in A Kidnapped West, we find the double condemnation of “Soviet civilization,” which had suffocated and persecuted Czech culture, and of Western Europe, which refused to neither acknowledge Kundera’s culture or understand it. Prefaced by lauded French historian Pierre Nora and translated from the French by award-winning Matt Reeck, these two texts return us to Kundera’s much-missed living presence. Subtle, alive, and full of wit and irony, 89 Words followed by A Poem that Disappears is an homage to a literary legend and a reminder of just how prescient his words and insights are today.

Keira Swanson, 28, lands her dream job at Viatorum, a slick magazine in New York City, as an aspiring travel writer. But their culture is brutal, her boss is a monster, and she doesn’t know if she can last for long. That changes when Keira, by a fluke, is handed a coveted assignment and given her big chance: to travel to Ireland for 30 days, witness the legendary Lisdoonvarna festival of love, and to debunk the myth that true love exists. Keira, cynical herself and in a rocky place with her long-term boyfriend, is all too happy to oblige. But when Keira falls in love with Ireland and meets her Irish tour guide, who just may be the man of her dreams, she is no longer sure of anything. A whirlwind romantic comedy that is as profound as it is funny, LOVE LIKE THIS is book #1 in the debut of a dazzling new romance series that will make you laugh, cry, and will keep you turning pages late into the night—and will make you fall in love with romance all over again.

Keira Swanson, 28, lands her dream job at Viatorum, a slick magazine in New York City, as an aspiring travel writer. But their culture is brutal, her boss is a monster, and she doesn’t know if she can last for long. That changes when Keira, by a fluke, is handed a coveted assignment and given her big chance: to travel to Ireland for 30 days, witness the legendary Lisdoonvarna festival of love, and to debunk the myth that true love exists. Keira, cynical herself and in a rocky place with her long-term boyfriend, is all too happy to oblige. But when Keira falls in love with Ireland and meets her Irish tour guide, who just may be the man of her dreams, she is no longer sure of anything. A whirlwind romantic comedy that is as profound as it is funny, LOVE LIKE THIS is book #1 in the debut of a dazzling new romance series that will make you laugh, cry, and will keep you turning pages late into the night—and will make you fall in love with romance all over again.

20 hrs. 19 min. D. H. Lawrence's controversial classic, The Rainbow, follows the lives and loves of three generations of the Brangwen family between 1840 and 1905. Their tempestuous relationships are played out against a backdrop of change as they witness the arrival of industrialization - the only constant being their unending attempts to grasp a higher form of existence symbolized by the persistent, unifying motif of the "rainbow". Lawrence's fourth novel, a prequel to Women in Love, is an invigorating, absorbing tale about the undying determination of the human soul.