In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

Two newly translated works from one of the greatest literary writers and thinkers of the modern age, available together in English for the first time. Translating a work from its original language can be complicated; it’s a complex art that can easily mar and twist the intent and meaning of a writer’s words. Precise translations were of particular importance to Milan Kundera, who did not live to see all his books published in his native Czech language. Words, for Kundera, were the object of constant scrutiny. This fascinating volume includes two Kundera works from the 1980s, originally written for the now defunct French magazine Le Debat, which have never been available in in English. In “89 Words,” Kundera wryly recounts the many pitfalls in reading his own poorly translated works. When a friend of Kundera’s asked him about the words he considered the most—the ones he fretted over and loved—Kundera created a personal dictionary—his “89 Words.” This discerning essay, steeped in his signature barbed cheekiness, showcases his casually gutting philosophical reflections on what it means to be a writer in translation—the exile of life and art in another language. In the second work, “ A Disappearing Poem,” Kundera writes with a wistfulness and despair for his ever-more-distant home, offering an intimate look at the specificity of his native the richness of a heritage born in a “small nation” but whose significance is universal. Here, like in A Kidnapped West, we find the double condemnation of “Soviet civilization,” which had suffocated and persecuted Czech culture, and of Western Europe, which refused to neither acknowledge Kundera’s culture or understand it. Prefaced by lauded French historian Pierre Nora and translated from the French by award-winning Matt Reeck, these two texts return us to Kundera’s much-missed living presence. Subtle, alive, and full of wit and irony, 89 Words followed by A Poem that Disappears is an homage to a literary legend and a reminder of just how prescient his words and insights are today.

Precious Ramotswe has only just set up shop as Botswana's No.1 (and only) lady detective when she is hired to track down a missing husband, uncover a con man, and follow a wayward daughter. However, the case that tugs at her heart, and lands her in danger, is a missing eleven-year-old boy, who may have been snatched by witch doctors.

The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate... An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them. Excerpt: I remember the whole beginning as a succession of flights and drops, a little seesaw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days - found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping place at which I was to be met by a vehicle from the house.

'He now saw himself stained with the most loathed and monstrous sins, the object of universal execration ... doomed to perish in tortures the most severe' Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.

FBI Agent Ella Dark has studied serial killers from the time she could read, devastated by the murder of her own father. With her photographic memory, she has obtained an encyclopedic knowledge of every serial killer, every victim and every case. But when a serial killer strikes in the swamps of Louisiana, Ella soon comes to learn that the real thing is like nothing she ever expected. FBI Agent Ella Dark, 29, is given her big chance to achieve her life’s dream: to join the Behavioral Crimes Unit. Ella’s hidden obsession of gaining an encyclopedic knowledge of serial killers has led to her being singled out for her brilliant mind, and invited to join the big leagues. But face to face with a real murder, a real killer, and a real ticking clock, Ella realizes she can’t rely on her knowledge. She must learn to trust her instinct, and allow herself to enter the dark canals of a real killer’s mind. If she gets it wrong, her career is at stake. And so is the next victim’s life. Will Ella’s talent be an asset? Or the source of her downfall?