Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

A murder on the high seas. A detective duo. A demon who may or may not exist. It's 1634 and Samuel Pipps, the world's greatest detective, is being transported to Amsterdam to be executed for a crime he may, or may not, have committed. Traveling with him is his loyal bodyguard, Arent Hayes, who is determined to prove his friend innocent. But no sooner are they out to sea than devilry begins to blight the voyage. A twice-dead leper stalks the decks. Strange symbols appear on the sails. Livestock is slaughtered. And then three passengers are marked for death, including Samuel. Could a demon be responsible for their misfortunes? With Pipps imprisoned, only Arent can solve a mystery that connects every passenger onboard. A mystery that stretches back into their past and now threatens to sink the ship, killing everybody on board. The breathtaking new novel from Stuart Turton, author of the The 7 1/2 Deaths of Evelyn Hardcastle, winner of the Costa Best First Novel Award.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

"WHO AM I?" A devastating dungeon break at his sister's high school is quickly taken care of by Jinwoo...but not before he confirms that magic beasts no longer register him as a human. What's more, the deceased Byunggu Min sends him a cryptic warning from beyond the grave: Jinwoo's powers are more frightening that he knows. Left with too many questions and very few answers, his final hope lies in the key to Cartenon Temple. Jinwoo's determined to find out who—or what—he's become, and to do so, he's prepared to return to where it all began!

Andrea Stewart returns with The Bone Shard Emperor, the second installment of this unmissable, action-packed, magic-laced fantasy epic. The Emperor is Dead. Long live the Emperor.   Lin Sukai finally sits on the throne she won at so much cost, but her struggles are only just beginning. Her people don’t trust her. Her political alliances are weak. And in the north-east of the Empire, a rebel army of constructs is gathering, its leader determined to take the throne by force.   Yet an even greater threat is on the horizon, for the Alanga – the powerful magicians of legend – have returned to the Empire. They claim they come in peace, and Lin will need their help in order to defeat the rebels and restore peace.   But can she trust them?