Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London’s major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price—a night in her bed. Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smouldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare. As Lucie tries to out-manoeuvre Tristan in the boardroom and the bedchamber, she soon discovers there’s truth in what the poets say: all is fair in love and war… A lady must have money and an army of her own if she is to win a revolution - but first, she must pit her wits against the wiles of an irresistible rogue bent on wrecking her plans...and her heart.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

When your life flashes before your eyes, where would you stop?No one can change the past, but the Midnight Train can take you there. The chance to re-live the moments that meant most. To see what kind of person you really were.For Wilbur his best days were with Maggie, the love of his life. On his honeymoon in Venice.Before he gave it all away.He wishes he could go back and live differently. But to do so risks everything . . . A magical, time-travelling love story, from the world of The Midnight Library.

A charismatic young necromancer decides the safest path to power is seducing a dark lord, not becoming one, in this witty and endearingly macabre queer paranormal rom-com debut by Bridgette Way. Kieran Prentiss, necromancer prodigy and New York’s “Most Darling Devil,” has a secret: while he might love death, he has no interest in killing. Though the world expects him to rise as the next great villain, Kieran has no interest in ruling over anyone. After an encounter with Dark Lord du Maurier—known to his fans as LdM, New York’s infamously fearsome and impossibly attractive ruler—an idea strikes: why become a dark lord when he can seduce one instead? Under the guise of managing LdM’s PR for the upcoming Dark Leader of the Northeast competition, Kieran enters LdM’s orbit with one goal: getting LdM to put a ring on it. But when the competition goes awry, it becomes clear someone wants to oust LdM. While Kieran is busy avoiding an assassin’s crosshairs and trying to secure his future as a trophy husband, the line between scheming and true feelings blurs. But how can Kieran ever hope to have a real relationship with a man he’s been lying to since day one?

New York Times bestselling author T. Kingfisher returns to the cozy fantasy world of Swordheart in this deliciously charming sequel. Four hundred years ago, three warriors were trapped inside enchanted swords, cursed to be immortal servants of whoever wielded the blade. One of them is the Dervish, a restless, fiery soul who hates his captivity and hates his wielders even more, but has never found a way to escape the sword’s magic. Then one day, a disillusioned scholar named Learned Edmund is tasked with delivering the sword to a distant city, and, in the greatest of peril, draws the blade. The Dervish finds himself bound to a sweet, brilliant, and above all kind young man. And while he may be able to protect Edmund from bandits, cultists, dragons, and strange inhuman diplomats, he may find it much harder to protect his own heart.

He is a brilliant math Professor with a peculiar problem--ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory. She is an astute young Housekeeper, with a ten-year-old son, who is hired to care for him. And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor’s mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities--like the Housekeeper’s shoe size--and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away. The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.

In this delightfully cozy and creepy YA romp, a cave monster masquerading as a search-and-recovery guide intends to find and eat a lost wizard—but catches feelings for him instead, perfect for fans of TJ Klune and Andrew Joseph White.Theory has a monstrous secret. He isn’t an ordinary search-and-recovery guide at Fiendworld, the world’s premier magical-sinkhole-turned-amusement-park; he’s a cursed, human-eating mantis. But not to worry—he has an excellent solution for his particular diet. Whenever he’s asked to retrieve the corpse of a lost adventurer, he simply snacks on a finger or two. No harm done. That is, until he’s given his latest recover the body of park management’s missing son. Great. Yet another foolish wizard who got lost adventuring, and this time the direct descendant of the very person who cursed Theory in the first place. Worse, when Theory reluctantly sets off on the search, he’s shocked to find the wizard somehow still alive. Nim—the wizard in question—has no desire to be rescued. He’s on a mission to the bottom of the sinkhole, and refuses to return to the surface before he gets there. He may be a subpar wizard, as his parents constantly remind him, but he’s got a positive attitude, an enchanted backpack, and now a mysterious rescue worker to recruit to his cause! Even though said worker is quite rude and seems to be getting Nim into more danger rather than out of it. To survive, Theory and Nim must brave man-eating fish, walls of tentacles, and devastating both their own, and ones the park desperately tries to keep hidden. Along the way, they may just discover that they’re stronger together than apart.

FROM ONE OF JAPAN'S GREATEST CRIME WRITERS—THE AUTHOR OF THE HONJIN MURDERS: Nothing at The Black Cat Café is as it seems. . . In order to solve this sensational stand-alone murder mystery, scruffy detective Kosuke Kindaichi will have to untangle a complex web of love, jealousy, and betrayal In post-war Tokyo, still recovering from the devastating wartime bombing raids, a patrolling policeman passing The Black Cat Café makes a gruesome discovery: the body of a woman, lying in a hastily dug hole, with a dead black cat by her side. The woman’s face is disfigured beyond recognition, and the café’s black cat seems alive and well, so where did the two corpses come from, and why were they buried in the café’s garden? As the legendary scruffy sleuth Kosuke Kindaichi investigates, he realizes the café’s enigmatic madam, Oshima, has a past shrouded in secrecy, and what exactly is her relationship with the owner, Itoshima? Murder at the Black Cat Café is the latest instalment in the Kosuke Kindaichi mysteries—the classic series that made Seishi Yokomizo Japan’s greatest and best-loved crime writer of all time. This edition also includes a bonus story, ‘The Well Wheel Creaks’.

An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe.  Poet, Mystic, Widow, Wife charts the life and times of four medieval women—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living.   Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death—and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.