Two video game creators go head-to-head in this delightful, queer enemies-to-lovers workplace romance debut. Cat Li cares about two things: video games and swoony romances. The former means there hasn't been much of the latter in her (real) life, but when she lands her dream job writing the love storylines for Compass Hollow—the next big thing in games—she knows it’s all been worth it. Then she meets her boss: the infamous Andi Zhang, who’s not only an arrogant hater of happily-ever-afters determined to keep Cat from doing her job but also impossibly, annoyingly hot. As Compass Hollow’s narrative director, Andi couldn’t care less about love—in-game or out. After getting doxxed by internet trolls three years ago, Andi’s been trying to prove to the gaming world that they’re a serious gamedev. Their plan includes writing the best game possible, with zero lovey-dovey stuff. That is, until the man funding the game’s development insists Andi add romance in order to make the story “more appealing to female gamers.” Forced to give Cat a chance, Andi begrudgingly realizes there’s more to Cat than romantic idealism and, okay, a cute smile. But admitting that would mean giving up the single-player life that has kept their heart safe for years. And when Cat uncovers a behind-the-scenes plan to destroy Andi’s career, the two will have to put their differences aside and find a way to work together before it’s game over.

A story of love and duty set in San Francisco's Chinatown during the Red Scare. “That book. It was about two women, and they fell in love with each other.” And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: “Have you ever heard of such a thing?” Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.

Meet Kate and Baba, two young Irish country girls who have spent their childhood together. As they leave the safety of their convent school in search of life and love in the big city, they struggle to maintain their somewhat tumultuous relationship. Kate, dreamy and romantic, yearns for true love, while Baba just wants to experience the life of a single girl. Although they set out to conquer the world together, as their lives take unexpected turns, Kate and Baba must ultimately learn to find their own way.

An indolent college student creates a chaotic fictional world in this classic of Irish literature: “A marvel of imagination, language, and humor” (New Republic).   In this comic masterpiece, our unnamed narrator—a student at University College, Dublin, who spends more time drinking and working on his novel than attending classes—creates a character, a pub owner named Trellis, who himself is devoted mainly to writing and sleeping. Soon Trellis is collaborating with an author of cowboy romances, and from there unspools a brilliantly unpredictable adventure that James Joyce himself called “a really funny book.”   “’Tis the odd joke of modern Irish literature—of the three novelists in its holy trinity, James Joyce, Samuel Beckett and Flann O’Brien, the easiest and most accessible of the lot is O’Brien. . . . Flann O’Brien was too much his own man, Ireland’s man, to speak in any but his own tongue.” —The Washington Post   “As with Scott Fitzgerald, there is a brilliant ease in [O’Brien’s] prose, a poignant grace glimmering off every page.” —John Updike   “One of the best books of our century.” —Graham Greene  

Make your own movie from start to finish with this entertaining, practical choose-your-path nonfiction guide to the world of filmmaking, from the critically acclaimed author of The Lady from the Black Lagoon .  Girls belong in the world of filmmaking. While we see them acting on-screen, there are also countless women working every single job possible behind the scenes as part of the film's crew. Are you a girl who is interested in film making? Do you wonder how you actually make a movie? Well, this is the book for you.   Girls Make Movies  puts you in the driver’s seat as you create a fictitious zombie blockbuster and are guided through each stage of production and learn about the processes, techniques, and people involved in making a Hollywood hit. Luckily, every path through this nonfiction book results in the film being made, but you will be asked to make choices that will affect the outcome of the movie. Will you shoot on location or on a studio lot? Use practical or special effects? Hire a greensperson or a someone to do pyrotechnics? The choices are up to you! Written by critically acclaimed author Mallory O'Meara and paired with eye-catching, graphic illustrations by popular comic book artist Jen Vaugh, this unique, practical book provides young girls with advice and inspiration while offering a sense of adventure as they learn how to create a movie! 

Coming soon! Daughter of Daring by Mallory O'Meara will be available Jun 18, 2024.

From the New York Times bestselling author of The Atlas Six comes Masters of Death, a story about vampires, ghosts, and death itself. There is a game that the immortals play. There is only one rule: Don’t lose. Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the mansion has been murdered, and until he can solve the mystery of how he died, he refuses to move on. Fox D’Mora is a medium, and though he is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death. When Viola seeks out Fox to help her with the ghost infestation, he becomes inextricably involved in a quest that neither he nor Vi expects (or wants). But with the help of an unruly poltergeist, a demonic personal trainer, a sharp-voiced angel, a love-stricken reaper, and a few mindfulness-practicing creatures, Vi and Fox soon discover that the difference between a mysterious lost love and an annoying dead body isn’t nearly as distinct as they thought.

*A Finalist for the Spirited Award for Best New Book on Drinks Culture, History or Spirits**A Guardian Best History and Politics Book of 2022*“At last, the feminist history of booze we’ve been waiting for!” —Amy Stewart, author of The Drunken BotanistThe James Beard Award-winning history of women drinking through the agesStrawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colors and fruity flavors—these are the Girly Drinks.From the earliest days of civilization, alcohol has been at the center of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered “places for men” when, without women, they might not even exist?With whip-smart insight and boundless curiosity, Girly Drinks unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O’Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that readers everywhere can look to each celebrated woman in this book—and proudly have what she’s having.

Remarkably little is known about the European eel, Anguilla anguilla. So little, in fact, that scientists and philosophers have, for centuries, been obsessed with what has become known as the “eel question”: Where do eels come from? What are they? Are they fish or some other kind of creature altogether? Even today, in an age of advanced science, no one has ever seen eels mating or giving birth, and we still don’t understand what drives them, after living for decades in freshwater, to swim great distances back to the ocean at the end of their lives. They remain a mystery. Drawing on a breadth of research about eels in literature, history, and modern marine biology, as well as his own experience fishing for eels with his father, Patrik Svensson writes a book about this unusual animal. In The Book of Eels, we meet renowned historical thinkers, from Aristotle to Sigmund Freud to Rachel Carson, for whom the eel was a singular obsession. And we meet the scientists who spearheaded the search for the eel’s point of origin, including Danish marine biologist Johannes Schmidt, who led research efforts in the early twentieth century, catching thousands upon thousands of eels, in the hopes of proving their birthing grounds in the Sargasso Sea. Blending memoir and nature writing, Svensson’s journey to understand the eel becomes an exploration of the human condition that delves into overarching issues about our roots and destiny, both as humans and as animals, and, ultimately, how to handle the biggest question of all: death.

Hollow Land is a groundbreaking exploration of the political space created by Israel’s colonial occupation. In this journey from the deep subterranean spaces of the West Bank and Gaza to their militarized airspace, Eyal Weizman unravels Israel’s mechanisms of control and its transformation of the Occupied Territories into a theoretically constructed artifice, in which all natural and built features function as the weapons and ammunition with which the conflict is waged. Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defense during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations. In exploring Israel’s methods to transform the landscape and the built environment themselves into tools of domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.

In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Forensic Architecture has not only shed new light on human rights violations and state crimes across the globe, but has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group's founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Traversing multiple scales and durations, the case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman's Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. The practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.