An alternative cover edition for this ISBN can be found here. A tense, page-turning psychological drama about the making and breaking of a family–and a woman whose experience of motherhood is nothing at all what she hoped for–and everything she feared. Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had. But in the thick of motherhood’s exhausting early days, Blythe becomes convinced that something is wrong with her daughter–she doesn’t behave like most children do. Or is it all in Blythe’s head? Her husband, Fox, says she’s imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well. Then their son Sam is born–and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth. The Push is a tour de force you will read in a sitting, an utterly immersive novel that will challenge everything you think you know about motherhood, about what we owe our children, and what it feels like when women are not believed.

A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion: "Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none." When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.