A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers - one they are determined to conceal. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

When Helen Macdonald's father died suddenly on a London street, she was devastated. An experienced falconer—Helen had been captivated by hawks since childhood—she'd never before been tempted to train one of the most vicious predators, the goshawk. But in her grief, she saw that the goshawk's fierce and feral temperament mirrored her own. Resolving to purchase and raise the deadly creature as a means to cope with her loss, she adopted Mabel, and turned to the guidance of The Once and Future King author T.H. White's chronicle The Goshawk to begin her challenging endeavor. Projecting herself "in the hawk's wild mind to tame her" tested the limits of Macdonald's humanity and changed her life.Heart-wrenching and humorous, this book is an unflinching account of bereavement and a unique look at the magnetism of an extraordinary beast, with a parallel examination of a legendary writer's eccentric falconry. Obsession, madness, memory, myth, and history combine to achieve a distinctive blend of nature writing and memoir from an outstanding literary innovator.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

Harry Potter, along with his best friends, Ron and Hermione, is about to start his third year at Hogwarts School of Witchcraft and Wizardry. Harry can't wait to get back to school after the summer holidays. (Who wouldn't if they lived with the horrible Dursleys?) But when Harry gets to Hogwarts, the atmosphere is tense. There's an escaped mass murderer on the loose, and the sinister prison guards of Azkaban have been called in to guard the school...