Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle. The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.

Over the last half-billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In prose that is at once frank, entertaining, and deeply informed, The New Yorker writer Elizabeth Kolbert tells us why and how human beings have altered life on the planet in a way no species has before. Interweaving research in half a dozen disciplines, descriptions of the fascinating species that have already been lost, and the history of extinction as a concept, Kolbert provides a moving and comprehensive account of the disappearances occurring before our very eyes. She shows that the sixth extinction is likely to be mankind's most lasting legacy, compelling us to rethink the fundamental question of what it means to be human.

An alternative cover edition for this ISBN can be found here and here. The Emperor of All Maladies is a magnificent, profoundly humane “biography” of cancer - from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with - and perished from - for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. From the Persian Queen Atossa, whose Greek slave cut off her malignant breast, to the nineteenth-century recipients of primitive radiation and chemotherapy to Mukherjee’s own leukemia patient, Carla, The Emperor of All Maladies is about the people who have soldiered through fiercely demanding regimens in order to survive—and to increase our understanding of this iconic disease. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.

Short-story collection from the Pulitzer Prize-winning and bestselling author of The Shipping News and Accordion Crimes.Annie Proulx's masterful language and fierce love of Wyoming are evident in these tales of loneliness, quick violence, and the wrong kinds of love. Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent. The half-skinned steer -- The mud below -- 55 miles to the gas pump -- The bunchgrass edge of the world -- A lonely coast -- Job history -- Pair a spurs -- People in Hell just want a drink of water -- The governors of Wyoming -- The blood bay -- Brokeback Mountain

An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price. Until something goes wrong. . . . In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller.

Known to millions as the preeminent swashbuckler of the silver screen, Errol Flynn was a complex man who lived a life far more adventurous than any of his films. In My Wicked, Wicked Ways , Flynn reveals himself to be a self-aware and cosmopolitan devotee of excitement and pleasure. With gusto, he recalls his years as a soldier of fortune in the South Seas, his trip to war-torn Spain, his battles in Hollywood with studio honchos (Jack Warner was a particular nemesis) and ex-wives (esp. Lili Damita), and the furor surrounding his trial for rape in 1943. Freely mixing verbal abuse and tall tales with candid confessions, Flynn's autobiography makes for one hell of a read.

A haunted paleontologist returns to the museum where his sister was abducted years earlier and is faced with a terrifying and murderous spirit in this chilling novel from the author of A History of Fear—perfect for fans of Simone St. James and Katy Hays. Curator of paleontology Dr. Simon Nealy never expected to return to his Pennsylvania hometown, let alone the Hawthorne Museum of Natural History. He was just a boy when his six-year-old sister, Morgan, was abducted from the museum under his watch, and the guilt has haunted Simon ever since. After a recent break-up and the death of the aunt who raised him, Simon feels drawn back to the place where Morgan vanished, in search of the bones they never found. But from the moment he arrives, things aren’t what he expected. The Hawthorne is a crumbling ruin, still closed amid the ongoing pandemic, and plummeting toward financial catastrophe. Worse, Simon begins seeing and hearing things he can’t explain. Strange animal sounds. Bloody footprints that no living creature could have left. A prehistoric killer looming in the shadows of the museum. Terrified he’s losing his grasp on reality, Simon turns to the handwritten research diaries of his predecessor and uncovers a blood-soaked mystery 150 million years in the making that could be the answer to everything. Are these the ravings of a madman? Or is there something supernatural at play? And what does this have to do with Morgan’s disappearance? Another atmospheric mystery from Luke Dumas, The Paleontologist is a ghost story unlike any other that will haunt you long after you turn the final page.

Michael Crichton, the number one New York Times best-selling author of Jurassic Park, returns to the world of palaeontology in this recently discovered novel - a thrilling adventure set in the Wild West during the golden age of fossil hunting. The year is 1876. Warring Indian tribes still populate America's western territories, even as lawless gold-rush towns begin to mark the landscape. Against this backdrop two palaeontologists pillage the Wild West for dinosaur fossils while deceiving and sabotaging each other in a rivalry that will come to be known as the Bone Wars. Into this treacherous territory plunges William Johnson, a Yale student with more privilege than sense. Determined to win a bet against his archrival, William has joined world-renowned palaeontologist Othniel Charles Marsh on his latest expedition. But Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, and abandons him in Cheyenne, Wyoming, a locus of crime and vice. Soon William joins forces with Cope and stumbles upon a discovery of historic proportions. The struggle to protect this extraordinary treasure, however, will test William's newfound resilience and pit him against some of the West's most dangerous and notorious characters.... ©2017 Michael Crichton (P)2017 HarperCollins Publishers Limited

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

In his long-awaited first novel, American master George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy's body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?