Y/Na novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction. It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. An escalating series of mistranslations and misidentifications lands her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. Surreal, hilarious, and shrewdly poignant, Y/N is a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

"Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

From the acclaimed author of How to Be Eaten, a fresh take on the campus novel that follows an adjunct professor gigging her way through academia’s poor job market when she crosses paths with her old PhD adviser whose new novel might be about her—for readers of Worry, Vladimir, and Less.Meet Sam, an adjunct professor at a public university in Baltimore who takes a last-minute gig at the private liberal arts college down the road. Overworked and underpaid, her life is a blur of back-to-back classes, side hustles, and job applications as she attempts to claw her way toward a full-time position. But her already precarious existence is thrown into disarray when she runs into her former grad school adviser, Dr. Tom Sternberg, on campus. Tom and Sam have a complicated history, the lasting impact of which has haunted her academic career, and it’s the last thing she wants to think about as she navigates academic politics, institutional hurdles, and romantic entanglements with men and women that further complicate a sexuality not even she can define. Then she learns that Tom left his old job for undisclosed reasons—and his long-awaited second novel is about a professor’s reckoning with his checkered past. As whispers spread that Sam is the inspiration behind a central character, she fights to regain control of the story while questioning everything she thought she knew about her future—and herself. With biting humor and a keen eye for detail, Maria Adelmann offers a fresh twist on a tangled #MeToo story and turns Sam’s downward spiral into a searing critique of class and the hollow promises of the American dream. A hilarious yet sobering look at how hustle culture has come to define modern academia, The Adjunct Who really controls the narratives of success, identity, and power?