As a young horse, Black Beauty is well-loved and happy. But when his owner is forced to sell him, his life changes drastically. He has many new owners—some of them cruel and some of them kind. All he needs is someone to love him again.... Whether pulling an elegant carriage or a ramshackle cab, Black Beauty tries to live as best he can. This is his amazing story, told as only he could tell it.

In a ruined, nameless city of the future, a woman named Rachel, who makes her living as a scavenger, finds a creature she names “Borne” entangled in the fur of Mord, a gigantic, despotic bear. Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel. At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse. Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond. Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city. Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?

Under the watchful eye of The Company, three characters — Grayson, Moss and Chen — shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit. A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden. Jeff VanderMeer's Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth – all the Earths.

A vivid, exhilarating peek at our prehistoric past, now available in paperback This action-packed, fully-imagined time travel book takes a young Texan girl, participating in an archaeological dig, back to the time of the mammoth. There Esther is adopted by a group of mammoth hunters, who teach her to forage for food, make clothes, build fires, and protect herself from the megafauna who roam the land-scimitar cats, panthers, and more. Even as she grows attached to her new family and proud of her many skills, Esther searches for a way home. Praise for 11,000 Years Lost A Texas Bluebonnet Award suggested read for 2006-2007 "A vivid and engrossing picture of Pleistocene society...Griffin draws on her careful research to invent the past with a specificity beyond an archaeologist's wildest dreams."-- Archaeology Magazine "Esther's adventures in the messy world of late Ice Age Texas provide a compelling and believable read. Likable characters populate a fully realized world." -- Kirkus "An exciting peek into the distant past." -- Booklist "A unique, superior contribution to speculative adventure fiction, Ether's survival story is an emotionally satisfying, well-crafted read."-- The Bulletin of the Center for Children's Books

A palace the size of a city, ruled by giant Ladies of unknowable, eldritch origin. A land left to slow decay, drowning in the debris of generations. All this and more awaits you within The West Passage, a delightfully mysterious and intriguingly weird medieval fantasy unlike anything you've read before. When the Guardian of the West Passage died in her bed, the women of Grey Tower fed her to the crows and went back to their chores. No successor was named as Guardian, no one took up the fallen blade; the West Passage went unguarded. Now, snow blankets Grey in the height of summer. Rats erupt from beneath the earth, fleeing that which comes. Crops fail. Hunger looms. And none stand ready to face the Beast, stirring beneath the poisoned soil. The fate of all who live in the palace hangs on narrow shoulders. The too-young Mother of Grey House sets out to fix the seasons. The unnamed apprentice of the deceased Grey Guardian goes to warn Black Tower. Both their paths cross the West Passage, the ancient byway of the Beast. On their journeys they will meet schoolteachers and beekeepers, miracles and monsters, and very, very big Ladies. None can say if they'll reach their destinations, but one thing is for the world is about to change.