3.30 average Ā Ā·Ā 20 reviews
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Beautifully, gorgeously hopeful, this is a book of fairytales and families, and the madness within us all.
From the very first page, this book completely envelopes the reader in lyrical, storybook-like prose. Mehtaās writing is lovely and vivid, but never dense; wondrous without being overwrought, and lush without being so flowery as to veer into purple territory. The words are imbued with a lilting, melodic rhythm and the text flows like water across the page, depicting even the strangest and most outlandish concepts with a deft, understated artistry. If I had to describe the style of this book in the most succinct way, I would have to liken it to poetryāthe kinds of poems that convey the most heartbreaking, profound realities of our lives with the deceptively simple language that we use every day.
The story asks its readers for patience. And I found that I was so enraptured by the writing that I could not help but to give it that patience. Still, I recognize that the narrative framework and structure of the book itself will not be for everyone. It meanders, turns back on itself like a snake curling around its own tail, winds and twists and spins in rhythms that seem completely inexplicable. Time becomes meaningless and melts into nothingness. The plot is as clear as it is impenetrable.
Nevertheless, I think that the trust the book asks of readers is well-rewarded, in the end. The chapters all serve a purpose, even if the purpose is not immediately obvious, and although the moments Mehta writes about may not always seem significant, there is no denying that the story is enriched for having those moments there. The only reason that this is not a perfect 5 stars for me is that sometimes it does get a bit encrusted in abstract, philosophical concepts that I have a hard time connecting with, but honestly itās not super prevalent so itās just a tiny subjective nitpick that I have.
Trying to summarize what this book is strictly about feels like a monumental, insurmountable task, because it really is a story within a story within memories and dreams and maybe yet another story. So, keeping it as brief as I can, itās about finding family, and losing a sister, and searching for what was lost, and being irrevocably changed in the search. And finding family again, despite it all. Itās about loving those who were once strangers, and being changed by the act of loving, and hearing the echoes of that love reverberate through all of timeāuntil time itself becomes meaningless, and you are surrounded by the ringing songs of every love that once was and will be; every love that created yours, and every love that will come from you.
The book also delves into how stories form, change, and are changed. No story is static forever, Mehta tells us, because we are only human and we do not last forever. But even if the story changes and morphs into a new shape, the kernel of what originally created it will remain, and that is a form of immortality in and of itself. She uses footnotes and in-universe sourcesāessays, academia, forewords to imaginary booksāto talk about these points, and they were just so fun! Even when she writes in a drier academic tone, there is still such a profound sense of enigma and wonder wrapped up in her writing. I firmly believe that Mehta could write a tax guide, and Iād find it enthralling.
Overall, the tone of this book is deeply, deeply hopeful. The story spends time ruminating on what it means to āgo madā, but Mehtaās framing of madness is through the lens of human love and connection. What is madness, if not loving your sister so deeply that you would sacrifice everything for her? What is madness, if not spending your life and after-life and the lives and after-lives of your descendants, trying to find her again? The touch of whimsy that permeates the writing style and voice is just the cherry on top. Even when the narrative is heavy with loss, Mehtaās voice reminds us that love never fades, and that simply the act of loving blossoms into a song that can change the universe.
ā 4.5/5 stars
āThe Council of Pecansā is such a striking chapter to me because of how Kimmerer teaches us the concept of mast fruiting while also drawing a connection between this biological phenomenon and the importance of fostering a community of reciprocal relationships. Here, sheās talking about the pecan trees, but itās easy to see how it applies to our communities as well:
āIf one tree fruits, they all fruitāthere are no soloists. Not one tree in a grove, but the whole grove; not one grove in the forest, but every grove; all across the county and all across the state. The trees act not as individuals, but somehow as a collective. Exactly how they do this, we donāt yet know. But what we see is the power of unity. What happens to one happens to us all. We can starve together or feast together. All flourishing is mutual.ā
This seems to be a story that extends far beyond fruiting strategies in the natural world. Reciprocal relationships and the philosophy of respecting a shared resource, of ensuring community flourishing in order to benefit all rather than only a small group of individualsāthat seems to be what this entire book is about. In fact, later on in the same chapter, Kimmerer goes on to say:
āOur lands were where our responsibility to the world was enacted, sacred ground. It belonged to itself; it was a gift, not a commodity, so it could never be bought or soldā¦land held in common gave people strength; it gave them something to fight for.ā
And now I want to suggest Garrett Hardinās Tragedy of the Commons as a text that details a contrasting view of land and environmental resources, when the people involved have neither a relationship with the land nor do they reside within a community of reciprocal relationships. Iāve linked the full essay in the bolded text, for anyone interested in reading the whole thingāthough I do want to add a quick note that the essay primarily concerns itself with overpopulation and Hardin makes the argument that human reproduction should be restricted/controlled in order to curb population growth, which is a belief that directly opposes the Universal Declaration of Human Rights. So, lol, thatās an L for him. However, the most significant and influential point of his paper (and what my environmental science/ethics classes studied the essay for) lies in the discussion of the commons and how ārational actorsā will allegedly behave when presented with a shared resource:
āThe tragedy of the commons develops in this way. Picture a pasture open to all. It is to be expected that each herdsman will try to keep as many cattle as possible on the commons. Such an arrangement may work reasonably satisfactorily for centuries because tribal wars, poaching, and disease keep the numbers of both man and beast well below the carrying capacity of the land. Finally, however, comes the day of reckoning, that is, the day when the long-desired goal of social stability becomes a reality. At this point, the inherent logic of the commons remorselessly generates tragedy.ā
āAs a rational being, each herdsman seeks to maximize his gain. Explicitly or implicitly, more or less consciously, he asks, "What is the utility to me of adding one more animal to my herd?" This utility has one negative and one positive component.ā
ā1) The positive component is a function of the increment of one animal. Since the herdsman receives all the proceeds from the sale of the additional animal, the positive utility is nearly +1.ā
ā2) The negative component is a function of the additional overgrazing created by one more animal. Since, however, the effects of overgrazing are shared by all the herdsmen, the negative utility for any particular decision-making herdsman is only a fraction of -1.ā
āAdding together the component partial utilities, the rational herdsman concludes that the only sensible course for him to pursue is to add another animal to his herd. And another; and another.... But this is the conclusion reached by each and every rational herdsman sharing a commons. Therein is the tragedy. Each man is locked into a system that compels him to increase his herd without limitāin a world that is limited. Ruin is the destination toward which all men rush, each pursuing his own best interest in a society that believes in the freedom of the commons. Freedom in a commons brings ruin to all.ā
Hardinās description is familiar to all of us, Iām sure. Weāve seen the detrimental effects of unchecked pollution and resource use within our own lifetimes. Weāre living in a time of unprecedented anthropogenic climate change and environmental degradation; weāve seen photos of oil spills, of forest fires, of destruction caused by storms intensified through the effects of climate change. And chances are, we all have experienced some of this ourselves at one point or the other. So, itās not hard to imagine that we know exactly what Hardin means when he says, āfreedom in a commons brings ruin to allā.
But the crucial difference in the two viewpoints presented, to me, lies in the central assumption of how a ārational beingā will behave. In Hardinās essay, they are selfish and only concerned about their own individual gain. The system which Hardin writes aboutāand which we all know and have experienced first handāfavors these selfish free riders who look to maximize their own profit while exploiting the commons, over those who are more altruistic and willing to settle for less in order to help other people gain. When Kimmerer writes about the pecan trees and mast fruiting, when she speaks of the traditions and ethics of her own heritage, a ārational beingā is one who remembers their community and knows their place within it. Itās someone who knows that all flourishing must be mutual if the community is going to survive.
Looking at these two texts side by side, the difference is so stark. I think Kimmererās work in writing, sharing, and communicating the Potawatomi teachings here is so fucking important, if only because they give us another way to imagine the world and the society in which we live in. Hardinās paper is important because it illuminates the underlying framework by which our society operates in the present, and provides some solid principles around which our current environmental regulations and legislation have been shaped. āFreedom in a commons brings ruin to allā, he wrote, and we have a host of laws that are meant to protect the common people from the so-called rational beings seeking to maximize their own gain at the expense of our shared air and water and land.
But Kimmererās writings are important because they show us that it wasnāt always like thisāand, as such things go, it doesnāt have to be like this forever.

ayzrules commented...
thank you to @farron for the dolphin meme and also for supporting me through this extremely harrowing time in my life. also thank you to everyone who followed along with my daily progress card hatred, you have my eternal gratitude
review is forthcoming but i might actually need to work on this for a week or two because i have a LOT to say. nevertheless it will be dedicated to everyone who supported me through the immense trials and tribulations of this experience!!!!!!
(If you canāt read this on the app use this link to open the status update on mobile browser lol)

ayzrules finished a book
26w

The Poet Empress
Shen Tao
Debut author Shen Tao introduces readers to the lush, deadly world of The Poet Empress, a sweeping, epic and intimate fantasy perfect for fans of The Serpent & the Wings of Night, The Song of Achilles and She Who Became the Sun. Wei Yin is desperate. After the fifth death of a sibling, with her family and village on the brink of starvation, she will do anything to save those she loves. Even offer herself as concubine to the cruel, dissolute heir of the blood-gutted Azalea Houseāwhere poetry magic is power, but women are forbidden to read. But in a twist of fate, the palace now stands on the knife-edge of civil war, with Wei trapped in its center. . . with a violent prince. To save herself and the nation, she must survive the dangers of court, learn to read in secret, and compose the most powerful spell of all. A ballad of love. . . and death. The Poet Empress is an epic fantasy that explores darker themes, subjects, and scenes that may not be suitable for all readers. Please see the author's content note at the beginning of the book.