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Crush
Richard Siken
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She Loves to Cook, and She Loves to Eat, Vol. 1
Sakaomi Yuzaki
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Piranesi
Susanna Clarke
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Since this book is about to get a lot of attention soon doing to being announced for the Cherry Blossom 2026 readalong, I thought I'd alert others to this article that outlines the similarities between her life and wholly fictitious Memoirs of a Geisha by white US American Arthur Golden, and its key differences. Iwasaki naturally also discusses the differences at length her autobiography. This article does contain spoilers for Iwasaki's book and Memoirs of a Geisha, but I think it may be useful to know what Iwasaki was responding to in writing her autobiography. She was already ostracized for breaking the silence on her profession by giving interviews that "informed" Memoirs of a Geisha, where Golden thanked her by name despite her speaking to him on a promise of anonymity. Golden, for his part, claimed that he had multiple interviewees, but no others were named nor did any step forward (they would have also faced considerable backlash), leading to the impression that Memoirs of a Geisha was her story. Yet he essentially added child prostitution to it and many other lurid elements. Note: I chose this particular article because a similar article I found, written in The Guardian in 2004, still managed to come off as very Orientalist.
Further, I want to note that the movie was directed and produced by white men (Rob Marshall and Stephen Spielberg), and cast actresses of Chinese descent in main roles, which lead to controversies in both China and in the Asian American community in the US at the time. It was felt that conflating a Chinese woman with Japanese sex workers (which, again, according to Iwasaki she was not) brought back memories of Chinese civilians being forced into prostitution and brutalized during the Sino-Japanese war. I can recall conversations in Asian American spaces centering around concerns about treating Chinese and Japanese as interchangeable, a frequent mistake and concern that persists to this day.
Geisha and their role in the preservation of traditional arts in Kyoto are still often misunderstood/conflated with sex workers by tourists, due to Western conceptions of East Asian women being submissive and sexualized. This fascination with geisha has lead to harassment toward them in real world to the point where the government of Kyoto had to step in recently.
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She Loves to Cook, and She Loves to Eat, Vol. 1
Sakaomi Yuzaki
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Post from the When We Lost Our Heads forum
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farron wrote a review...
As the now-large cast of characters navigates their way through a terrifying disaster, the limits of witch society and the limitations of its rules are put to the test. Excellent payoff for some of the conflicts that have been building with key characters, though it leaves things in disarray. One must question there is ever anything such as an absolute justice if enacting it could ever cause harm to the helpless.
The growth of Coco and Agott continue to be a highlight.
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farron commented on beezus's review of After God Vol. 1
we move fast with this story, and i prefer a bit more of a slowburn. but this is also shonen adjacent (?) so that fits with the genre! also like super cool storytelling, concept, and just wow!! i haven't read manga this good in a hot minute. i'm genuinely invested in waka as a protagonist and think her reasonings and powers are just beyond impressive. also nyababa <3
farron is interested in reading...

Smoke Gets in Your Eyes
Anaïs Flogny
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