Trailblazing pop star, actor, and director, Hayley Kiyoko debuts her first novel, a coming-of-age romance based on her breakthrough hit song and viral video, GIRLS LIKE GIRLS. It’s summertime and 17-year-old Coley has found herself alone, again. Forced to move to rural Oregon after just losing her mother, she is in no position to risk her already fragile heart. But when she meets Sonya, the attraction is immediate. Coley worries she isn't worthy of love. Up until now, everyone she's loved has left her. And Sonya's never been with a girl before. What if she's too afraid to show up for Coley? What if by opening her heart, Coley's risking it all? They both realize that when things are pushed down, and feelings are forced to shrivel away, Coley and Sonya will be the ones to shrink. It’s not until they accept the love they fear and deserve most, that suddenly the song makes sense. Based on the billboard-charting smash hit song and viral music video GIRLS LIKE GIRLS, Hayley Kiyoko's debut novel is about embracing your truth and realizing we are all worthy of being loved back.

Sixteen-year-old Deka lives in fear and anticipation of the blood ceremony that will determine whether she will become a member of her village. Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs. But on the day of the ceremony, her blood runs gold, the color of impurity--and Deka knows she will face a consequence worse than death. Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki--near-immortals with rare gifts. And they are the only ones who can stop the empire's greatest threat. Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she's ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be--not even Deka herself. The start of a bold and immersive West African-inspired, feminist fantasy series for fans of Children of Blood and Bone and Black Panther. In this world, girls are outcasts by blood and warriors by choice.

The real Pirates of the Caribbean were Black, and women! From Vanessa Riley, acclaimed author of Queen of Exiles, comes a sweeping, immersive saga based on the life of the legendary seventeenth-century pirate Jacquotte Delehaye. The Caribbean Sea, 1675. Jacquotte Delahaye is the mixed-race daughter of a wealthy tavern owner on the island of Tortuga. Instead of marriage, Jacquotte dreams of joining the seafarers and smugglers whose tall-masted ships cluster in the turquoise waters around Tortuga. She falls in love with a pirate, but when he returns to the sea, Jacquotte decides to make her own way. In Haiti she becomes Jacques, a dockworker, earning the respect of those around her while hiding her gender. Jacquotte discovers that secret identities are fairly common in the chaotic world of seafaring, which is full of outsiders and misfits. She forms a deep bond with Bahati, an African-born woman who has escaped slavery and also disguises herself as a man to navigate the world. They join forces with Dirkje De Wulf, a fearless adventurer who also lives as a man at sea. As Jacques, Jacquotte falls in love with Lizzôa d'Erville, a beautiful courtesan who deals in secrets and sex. While others see their work clothes as a disguise, Lizzôa’s true self is as a woman. For the next twenty years, Jacquotte raids the Caribbean, making enemies and amassing a fortune in stolen gold. When her fellow pirates decide to increase their profits by entering the slave trade, Jacquotte turns away from piracy and the pursuit of riches. Risking her life in one deadly skirmish after another, she instead begins to plot a war of liberation.

In this second novel by the award-winning novelist, a trio of women in East Harlem come together in friendship and tragedy to organize against the systems that hold them downWe're in East Harlem, in the mid-eighties, and the large and formidable (some say crazy woman) Twin Johnson discovers the body of Anita's boy, Tyrone, on the sidewalk. She does just what her uncle, who runs his basement crack den as a family business, warned her never to she calls the police, setting in motion a cycle of events that expand the consciousness of this struggling community. Anita, a postal worker, army widow, and church lady, is determined to solve her son's murder, but her quest for justice rattles the neighborhood, which itself is like a complex character in this teeming novel, with its Mets fans and gossips, immigrant shop owners and sneaker-obsessed teens on its garbage-piled streets. The local dreamers include a charismatic man of the cloth, a teenage girl with a Whitney Houston voice and no prospects at all, and Anita's opinionated new bestie, Wanda, whose own truant son the police harass and arrest on a regular basis, and who brings both blessings and curses into Anita's exploded world. Anita, Wanda, and Twin, the power triad of this vibrant novel, are all drawn into the basement den as the reader sinks into their rich backstories. Will they be able to break its spell? Will the Reverend's pressure on the authorities to find Tyrone's killer yield answers?  In the end, in the NY Mets' banner summer of 1986, this community will come together to mourn, find justice, and shape their dreams as best they can.

A fast-paced, juicy debut novel that peeks behind the curtain at the cutthroat world of hip-hop music and the glamorous magazine scene in the late 1990s, written by the ultimate insider It’s 1999, and Nikki Rose is the only Black editor on the staff of a prestigious fashion magazine she once thought would be her ticket to becoming a respected editor-in-chief. But after being told one too many times by her boss that “Black girls don’t sell magazines,” she walks away to take over Sugar, a struggling hip-hop music and lifestyle magazine with untapped potential. Thrown into an entirely new world of wealth, decadence, and debauchery, Nikki has just six months to save Sugar—and her own dreams. As she pulls all-nighters at the office and parties with the era’s most influential bad boys, Nikki must prove she has what it takes to lead. But her most dangerous challenge is evading Alonzo Griffin, her very married, very powerful ex-boyfriend and former boss, who’s determined to destroy both her and Sugar. Along the way, Nikki leans on a circle of loyal friends, and navigates unexpected romances that force her to reckon with what—and who—she truly wants. If I Ruled the World is a smart, utterly immersive romp through one of the most dynamic eras in pop culture history—a story of ambition, friendship, love, and the journey to finding your own voice.

Gossip Girl meets Get Out in Ace of Spades, a YA contemporary thriller by debut author Faridah Àbíké-Íyímídé about two students, Devon & Chiamaka, and their struggles against an anonymous bully. When two Niveus Private Academy students, Devon Richards and Chiamaka Adebayo, are selected to be part of the elite school’s senior class prefects, it looks like their year is off to an amazing start. After all, not only does it look great on college applications, but it officially puts each of them in the running for valedictorian, too.Shortly after the announcement is made, though, someone who goes by Aces begins using anonymous text messages to reveal secrets about the two of them that turn their lives upside down and threaten every aspect of their carefully planned futures.As Aces shows no sign of stopping, what seemed like a sick prank quickly turns into a dangerous game, with all the cards stacked against them. Can Devon and Chiamaka stop Aces before things become incredibly deadly?With heart-pounding suspense and relevant social commentary comes a high-octane thriller from debut author Faridah Àbíké-Íyímídé.

A modern-day dark academia speculative fantasy with a twist, perfect for fans of Babel and A Deadly Education. Warren University has long stood amongst the ivy elite, built on the bones—and forbidden magic—of its most prized BIPOC students…hiding the rot of a secret society that will do anything to keep their own powers burning bright, no matter the cost to those lost along the way.

Snarky and romantic, I Hope This Doesn't Find You is Never Have I Ever meets To All the Boys if Lara Jean wrote hate emails instead of love letters. Sadie Wen is perfect on paper: school captain, valedictorian, and a "pleasure to have in class." It’s not easy, but she has a trick to keep her model-student smile plastered on her face at all times: she channels all her frustrations into her email drafts. She'd never send them of course -- she'd rather die than hurt anyone's feelings -- but it's a relief to let loose on her power-hungry English teacher or a freeloading classmate taking credit for Sadie's work. All her most vehemently worded emails are directed at her infuriating cocaptain, Julius Gong, whose arrogance and competitive streak have irked Sadie since they were kids. "You're attention starved and self-obsessed and unbearably vain . . . I really hope your comb breaks and you run out of whatever expensive hair products you've been using to make your hair appear deceptively soft..." Sadie doesn't have to hold back in her emails, because nobody will ever read them... that is, until they're accidentally sent out. Overnight, Sadie’s carefully crafted, conflict-free life is turned upside down. It's her worst nightmare -- now everyone at school knows what she really thinks of them, and they're not afraid to tell her what they really think of her either. But amidst the chaos, there's one person growing to appreciate the "real" Sadie -- Julius, the only boy she's sworn to hate...

This is what they deserve. They wanted me to be a monster. I will be the worst monster they ever created. Fifteen-year-old Sloane can incinerate an enemy at will—she is a Scion, a descendant of the ancient Orisha gods. Under the Lucis’ brutal rule, her identity means her death if her powers are discovered. But when she is forcibly conscripted into the Lucis army on her fifteenth birthday, Sloane sees a new opportunity: to overcome the bloody challenges of Lucis training, and destroy them from within. Sloane rises through the ranks and gains strength but, in doing so, risks something greater: losing herself entirely, and becoming the very monster that she ahbors.