This classic exploration of the Goddess through time and throughout the world draws on religious, cultural, and archaeological sources to recreate the Goddess religion that is humanity’s heritage. Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Ten years ago, the kingdom of Jasad burned. Its magic outlawed; its royal family murdered down to the last child. At least, that’s what Sylvia wants people to believe. The lost Heir of Jasad, Sylvia never wants to be found. She can’t think about how Nizahl’s armies laid waste to her kingdom and continue to hunt its people—not if she wants to stay alive. But when Arin, the Nizahl Heir, tracks a group of Jasadi rebels to her village, staying one step ahead of death gets trickier. In a moment of anger Sylvia’s magic is exposed, capturing Arin’s attention. Now, to save her life, Sylvia will have to make a deal with her greatest enemy. If she helps him lure the rebels, she’ll escape persecution. A deadly game begins. Sylvia can’t let Arin discover her identity even as hatred shifts into something more. Soon, Sylvia will have to choose between the life she wants and the one she left behind. The scorched kingdom is rising, and it needs a queen. In this Egyptian-inspired debut fantasy, a fugitive queen strikes a deadly bargain with her greatest enemy and finds herself embroiled in a complex game that could resurrect her scorched kingdom or leave it in ashes forever.

Acclaimed by critics, beloved by readers of all ages, taught everywhere from inner-city grade schools to universities across the country, and translated all over the world, The House on Mango Street is the remarkable story of Esperanza Cordero. Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

The seventeen pieces in Ficciones demonstrate the whirlwind of Borges's genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal's abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything else in between. Part One: The Garden of Forking Paths Prologue Tlön, Uqbar, Orbis Tertius (1940) The Approach to Al-Mu'tasim (1936, not included in the 1941 edition) Pierre Menard, Author of the Quixote (1939) The Circular Ruins (1940) The Lottery in Babylon (1941) An Examination of the Work of Herbert Quain (1941) The Library of Babel (1941) The Garden of Forking Paths (1941) Part Two: Artifices Prologue Funes the Memorious (1942) The Form of the Sword (1942) Theme of the Traitor and the Hero (1944) Death and the Compass (1942) The Secret Miracle (1943) Three Versions of Judas (1944) The End (1953, 2nd edition only) The Sect of the Phoenix (1952, 2nd edition only) The South (1953, 2nd edition only)

The seventeen pieces in Ficciones demonstrate the whirlwind of Borges's genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal's abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything else in between. Part One: The Garden of Forking Paths Prologue Tlön, Uqbar, Orbis Tertius (1940) The Approach to Al-Mu'tasim (1936, not included in the 1941 edition) Pierre Menard, Author of the Quixote (1939) The Circular Ruins (1940) The Lottery in Babylon (1941) An Examination of the Work of Herbert Quain (1941) The Library of Babel (1941) The Garden of Forking Paths (1941) Part Two: Artifices Prologue Funes the Memorious (1942) The Form of the Sword (1942) Theme of the Traitor and the Hero (1944) Death and the Compass (1942) The Secret Miracle (1943) Three Versions of Judas (1944) The End (1953, 2nd edition only) The Sect of the Phoenix (1952, 2nd edition only) The South (1953, 2nd edition only)

From the New York Times bestselling author of Ninth House, Hell Bent, and creator of the Grishaverse series comes a highly anticipated historical fantasy set during the Spanish Golden Age In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

This unique guide to the Celtic Wheel of the Year offers readers both traditional and modern methods of celebrating seasonality. Each section explores a different season and associated festival, providing insight into how the wisdom of the ancient Celts can be applied to our lives today. Embrace Celtic traditions and seasonality with The Celtic Wheel of the Year! This one-of-a-kind guide explores the year as the ancient Celts understood it, offering insight into the layered connection between the land, cycles of life, and your place within them. With author and Celtic shaman Rhonda McCrimmon as your guide, you will explore the Wheel of the Year, learning the attributes of each cardinal direction as well as its center. You will learn both traditional and modern ways of honoring seasonality with the four Celtic fire Imbolc, Beltaine, Lughnasadh, and Samhain. Rather than viewing the Wheel of the Year as a rigid structure, you can allow it to guide your intuition and adapt it to your needs. McCrimmon invites you to engage with it and each festival in ways that resonate with you. Your journey around the wheel is uniquely yours. The Celtic Wheel of the Year is here to guide and support you as you walk the Celtic path in a way that honors your truth.

Una novela sorprendente, inolvidable, cuyo tema gira en torno a un amor imposible para cuya consecución la protagonista recurrirá a las artes culinarias. Bajo la apariencia de un folletín por entregas y encabezando cada capítulo con una receta, esta historia mágica convierte la gastronomía en un código de sensualidad cargado de penetrantes aromas, de colores deslumbrantes. Tita es la pequeña, vive en un rancho con sus hermanas y sus sirvientas, y pese a saberse condenada a no poder gozar del amor por tener que hacerse cargo de su madre, no renunciará a Pedro. Él también la ama, pero se casará con su hermana Rosaura para poder seguir cerca de ella. Tita se refugia en la cocina y se entrega a la elaboración de platos mágicos capaces de transformar las emociones y el comportamiento de quienes los prueban, a la espera de que su trágico destino se cumpla.

I wore a dress on the night I first met Ming.It begins as your typical boy meets boy. While out with friends at their local university drag night, Tom buys Ming a drink. Confident and witty, a magnetic young playwright, Ming is the perfect antidote to Tom’s awkward energy, and their connection is instant. Tom finds himself deeply and desperately drawn into Ming’s orbit, and on the cusp of graduation, he’s already mapped out their future together. But shortly after they move to London to start their next chapter, Ming announces her intention to transition.From London to Kuala Lumpur, New York to Cologne, we follow Tom and Ming as they face tectonic shifts in their relationship and friend circle in the wake of Ming’s transition. Through a spiral of unforeseen crises—some personal, some professional, some life-altering—Tom and Ming are forced to confront the vastly different shapes their lives have taken since graduating, and each must answer the essential question: Is it worth losing a part of yourself to become who you are?Buoyed by a voice as tender, effervescent and wryly funny as the cast of characters it centers, Bellies is an unforgettable story of youth, intimacy, hunger and heartbreak, at once boldly original yet fiercely familiar, which unabashedly holds a mirror up to our most vulnerable selves and desires.

I wore a dress on the night I first met Ming.It begins as your typical boy meets boy. While out with friends at their local university drag night, Tom buys Ming a drink. Confident and witty, a magnetic young playwright, Ming is the perfect antidote to Tom’s awkward energy, and their connection is instant. Tom finds himself deeply and desperately drawn into Ming’s orbit, and on the cusp of graduation, he’s already mapped out their future together. But shortly after they move to London to start their next chapter, Ming announces her intention to transition.From London to Kuala Lumpur, New York to Cologne, we follow Tom and Ming as they face tectonic shifts in their relationship and friend circle in the wake of Ming’s transition. Through a spiral of unforeseen crises—some personal, some professional, some life-altering—Tom and Ming are forced to confront the vastly different shapes their lives have taken since graduating, and each must answer the essential question: Is it worth losing a part of yourself to become who you are?Buoyed by a voice as tender, effervescent and wryly funny as the cast of characters it centers, Bellies is an unforgettable story of youth, intimacy, hunger and heartbreak, at once boldly original yet fiercely familiar, which unabashedly holds a mirror up to our most vulnerable selves and desires.

White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

Alexandra Onassis hates only two things: austerity politics, and Danial Azad. As the only scholarship kids of their elite group at Columbia University, their heated dynamic was scorched forever by one fateful, awful night just before graduation. And in the ten years since, Alex and Danial have been on radically different paths: she crafts social media campaigns for an ultra-progressive political party; he’s a rising star at a notoriously savage private equity firm. But when two of their college friends decide to tie the knot in the Mediterranean — and to host their old crew on a ten-day chartered yacht trip beforehand — Alex must finally face Danial, and the sobering reality that she’s now the only middle class outcast in this ultra wealthy club. When her ideals start to clash with her most intimate desires, Alex must learn to swim in emotional waters that are as unfamiliar as they are undeniable.