Selected as an Evening Standard 'one to watch in 2023' It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend. Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love. Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah. But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness. Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

Narrative weaving the biblical account of Mary and Jesus, the Egyptian myth of Isis and Osiris, and the Sumerian story of Inanna and Dumuzi to create an exotic tale of a strong, sensual woman. From Publishers Weekly This feminist retelling of the conception, birth, life and death of Christ as narrated by Mary Magdalene may cause some uproar in Christian circles. Yeshua (Christ) is born to Almah Mari (the Virgin Mary) after her union in Sacred Marriage at the Temple in Jerusalem with an unblemished man who kills himself as a sacrifice for his people. Later Mari Anath becomes Magdalene, or High Priestess of the Goddess, and assumes co-rule with Jehovah, succeeding Almah Mari. Mari Anath follows Yeshua in the years of his ministry, despite objections from some adherents who call her harlot because they oppose the double worship of the Goddess and Jehovah and the equality of sexes that relationship im plies. But days before the crucifixion, when Yeshua sacrifices himself, he and the Magdalene are united in Sacred Marriage in the Temple before the people. Mari Anath gives birth to Yeshua's daughter Anna after she and Judas (who is The Christos's twin brother and betrays him at his behest in order to fulfill the prophesy) flee to Gaul to make a new life. First novelist Kinstler, a professor of philosophy, mines the literature of myth to make this lyrically written interpretation plausible. She provides notes and a bibliography to buttress much of her tale.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. "A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village Voice A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National book Critics Circle Award Finalist