In the spring of 1995, Nate Cartwright has lost everything: his parents are dead, his older brother wants nothing to do with him, and he's been fired from his job as a journalist in Washington DC. With nothing left to lose, he returns to his family's summer cabin outside the small mountain town of Roseland, Oregon to try and find some sense of direction. The cabin should be empty. It's not. Inside is a man named Alex. And with him is an extraordinary little girl who calls herself Artemis Darth Vader. Artemis, who isn't exactly as she appears. Soon it becomes clear that Nate must make a choice: let himself drown in the memories of his past, or fight for a future he never thought possible. Because the girl is special. And forces are descending upon them who want nothing more than to control her.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

Kit Davenport is in trouble—not that this would surprise anyone who knows him. Headstrong, reckless, and utterly unsuited for the stodgy House of Lords, Kit has spent years dodging his father’s stern disapproval and delighting in clandestine rendezvous. But time is running out. With an arranged marriage looming and the confines of white wigs and stiff decorum closing in, Kit is desperate to escape a life that feels completely wrong for him. His solution? A wildly impulsive decision that lands him aboard the Deliverance, a galleon captained by the infuriatingly charismatic Reggie Sharpe. With a devil-may-care attitude and a delicious grin, Captain Sharpe commands the waves with his crew of misfits . . . who all turn out to be pirates. Before Kit can say “wrong ship,” he’s trading ballroom etiquette for rum-soaked camaraderie, explosive gunfights, and, perhaps most excitingly, heart-stopping kisses under the stars. But life at sea holds just as many secrets as treasures. And when Kit’s past catches up with him, he’ll have to decide who he truly wants to be: a gentleman, or a pirate?

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.