The Other Black Girl meets Midsommar in this spine-chilling, propulsive psychological adult debut from highly acclaimed author Vincent Tirado, in which a married couple moves into a gated “community” that slowly creeps into a pervasive dread akin to the social horror of Jordan Peele and Lovecraft County—We Came to Welcome You cleverly uses the uncanny to illuminate the cultish, shocking nature of systemic racism. Where beauty lies, secrets are held…ugly ones. Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren’t helping her mental health, and she finds her nightly glass of wine becoming more of an all-day—and all-bottle—event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful, gated community of Maneless Grove. However, the neighbors are a little too friendly in Sol’s opinion. She has no interest in the pushy Homeowners Association, their bizarrely detailed contract, or their never-ending microaggressions. But Alice simply attributes their pursuit to the community “Invest in a neighborly spirit”…which only serves to irritate Sol more.   Suddenly, a number of strange occurrences—doors and stairs disappearing, roots growing inside the house—cause Sol to wonder if her social paranoia isn’t built on something more sinister. Yet Sol’s fears are dismissed as Alice embraces their new home and becomes increasingly worried instead about Sol’s drinking and manic behavior. When Sol finds a journal in the property from a resident that went missing a few years ago, she realizes why they were able to buy the house so easily… Through Sol’s razor-sharp tongue and macabre sense of humor, Tirado explores the very real pressures to assimilate with one’s surroundings to “survive,” while also asking the question: Is it survival when you’re no longer your true self? Because in Maneless Grove, either you become a good neighbor—or you die.

What happens when the life you thought you had does a 180º turn? Everything, and yet…nothing.Us is Sara and Diana’s love story, as well as the story of Diana’s gender transition. Full of humor, heartache, and the everyday triumphs and struggles of identity, this graphic memoir speaks to changing conceptions of the world as well as the self, at the same time revealing that some things don’t really have to change.Written, drawn, and colored by Sara Soler, with English translation by Silvia Perea Labayen and letters by Joamette Gil.

Whether a scholar of the classics or an admirer of fine poetry, this is the only Kindle version of Sappho's work that presents each fragment in the original Greek alongside a concise brand new English translation. A brief biography is also included, as well as an Ancient Greek pronunciation section, allowing you to read aloud and experience the true beauty of Sappho's original text. * new translation of the surviving fragments * includes the recent 2005 discovery of a near complete poem by Sappho. * table of contents to navigate between poems * brief biography to Sappho and her work * UPDATED with two other translations of Sappho's poems Introduction 2011 DUAL TEXT TRANSLATION by Peter Russell 1907 TRANSLATION by Bliss Carman 1910 TRANSLATION by John Myers O’hara Please visit www.delphiclassics.com for more information on our other titles.

Murdered bad girl Annie Lane is back from the grave and hellbent on revenge . . . she just has to figure out who killed her. This fast-paced thriller by a talented debut delivers a horror-infused hunt for justice that's at once furiously feminist, darkly funny, and utterly satisfying. Between her careless mom, her cheating ex-boyfriend, and her rotten reputation around town, Annie Lane is used to being left behind. But she’s never been left for dead before—until she wakes up to find her body’s been dumped on a mountain rumored to raise the dead. Annie can’t remember who killed her, but she’ll stop at nothing to figure it out and make them pay. Because girls like her don’t get justice unless they take it for themselves. Codie Crowley’s propulsive debut presents a furious and cathartic thriller skewering society’s condemnation of “unlikeable” girls.