* Illustrated (This title belongs to the STEAMPUNK ADVENTURES series. The STEAMPUNK ADVENTURES comprise an illustrated selection of classic Victorian speculative fiction, with each title being chosen for its quality, modern appeal and resonance with the steampunk movement of retro-futurism.) OUR AIRSHIP ESCAPADES into “a Dystopian Retro-Future which never was” continue in the epic Zeppelin war novel by H. G. Wells, THE WAR IN THE AIR. Young Bert Smallways, a brilliant mechanist and accidental aeronaut, finds himself as a reluctant stowaway upon the very same airship which begins the Great War. This is “dieselpunk” at its finest, featuring petrol-powered war machines, ironclads, bombardments, espionage, intrigue and daring adventures in the wild skies of the earliest 1900s. Smallways is swept away aboard the Vaterland, the flagship piloted by a belligerent German Prince, whose mastery of technology shall herald in a new age of war. How long can Smallways keep his identity a secret from the Prince? Will Bert survive THE WAR IN THE AIR? (Astute readers may notice that this novel served as the inspiration for a certain steampunk trilogy with titles such as LEVIATHAN, BEHEMOTH and GOLIATH.) Enriching and supplementing Wonderland Imprints’ well-received series of classic Illustrated Master Editions, the STEAMPUNK ADVENTURES series is devoted to reviving the very finest forgotten rarities which were originally published during the golden age of technology. The series explores the origins of retro-futurist elements, such as airships, mechanical men, goggled gentlemen of war, sophisticated adventuresses, gadgetry and weaponry, and global cataclysm. These are the tales of the Age of Steam, the lore of the ornate technology which reigned in a golden future that never was. Above all, this series is focused on telling great Victorian stories you’ve probably never heard of! Episode 3, THE WAR IN THE AIR (inspired by the George Griffith works featured in Episodes 1 and 2, THE ANGEL OF THE REVOLUTION and THE SYREN OF THE SKIES), is considered to be one of H. G. Wells’s greatest novels. This Wonderland Imprints edition features over 30 illustrations, an active table of contents, 11 chapters, 98,000 words and 310 pages of mayhem, secret agents and aerial adventure. Come aboard, and sail the crimson skies of war once again!

ISBNs moved from this edition Ancient Evil threatens the Elves: The ancient tree created by long-lost Elven magic, is dying. When Wil Ohmsford is summoned to guard the Amberle on a perilous quest to gather a new seed for a new tree, he is faced with the Reaper, the most fearsome of all Demons. And Wil is without power to control them....

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys. Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.

Horror stalks the Four Lands. The Ildatch, immemorial book of evil spells, has stirred to eldritch life, sending its foul Mord Wraiths to accomplish at last Mankind's destruction. Once again Allanon, ancient Druid Protector of the Races, must seek the help of a descendant of Jerle Shannara. Brin, daughter of Wil Ohmsford, born with the magic of the Wishsong which alone can open a way to the Ildatch, reluctantly joins him on his perilous journey east; meanwhile her younger brother Jair learns that Brin will fail and die, unless he can reach her in time. And as Brin walks into the trap the Ildatch has set, Jair must travel through the very heart of evil to reach her...

When it comes to relationships, Colin Singleton’s type is girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact. On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy–loving best friend riding shotgun—but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl. Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.

A modern-day homicide detective finds herself in Victorian Scotland—in an unfamiliar body—with a killer on the loose. May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness.May 20, 1869: Housemaid Catriona Mitchell had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead . . . exactly one-hundred-and-fifty years before Mallory was strangled in the same spot.When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality: life as a housemaid to an undertaker in Victorian Scotland. She soon discovers that her boss, Dr. Gray, also moonlights as a medical examiner and has just taken on an intriguing case, the strangulation of a young man, similar to the attack on herself. Her only hope is that catching the murderer can lead her back to her modern life . . . before it's too late.

9 hours, 16 minutes Evie Porter has everything a nice, Southern girl could a perfect, doting boyfriend, a house with a white picket fence and a garden, a fancy group of friends. The only catch: Evie Porter doesn’t exist. The identity comes first: Evie Porter. Once she’s given a name and location by her mysterious boss Mr. Smith, she learns everything there is to know about the town and the people in it. Then the mark: Ryan Sumner. The last piece of the puzzle is the job. Evie isn’t privy to Mr. Smith’s real identity, but she knows this job will be different. Ryan has gotten under her skin, and she’s starting to envision a different sort of life for herself. But Evie can’t make any mistakes--especially after what happened last time. Because the one thing she’s worked her entire life to keep clean, the one identity she could always go back to—her real identity—just walked right into this town. Evie Porter must stay one step ahead of her past while making sure there’s still a future in front of her. The stakes couldn't be higher--but then, Evie has always liked a challenge...

Over the course of one summer that begins with a shocking tragedy, three generations of the Adler family grapple with heartbreak, romance, and the weight of family secrets. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. This is the apartment where they raised their two daughters, Fannie and Florence. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams. When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal after tragedy.