After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

In this prequel to the bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls. It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking. Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest.

An iron giant saves the world in this contemporary classic. A mysterious creature stalks the land, eating barbed wire and devouring tractors and plows. The farmers are mystified—and terrified. And then they glimpse him in the night: the Iron Giant, taller than a house, with glowing headlight eyes and an insatiable taste for metal. The hungry giant must be stopped at any cost. Only a young boy named Hogarth is brave enough to lead the Iron Giant to a safe home. And only Hogarth knows where to turn when a space-bat as big as Australia, hungry for every living thing on Earth, darkens the sky. First published in 1968, Ted Hughes's classic tale is a powerful tribute to peace on earth—and in all the universe. Of it Madeleine L'Engle wrote, "How grateful we should be for Ted Hughes's brilliant The Iron Giant. It speaks to all ages, and we need its message even more now." Philip Pullman called it "so gripping that when you begin to read it aloud, everyone stops to listen, young children and old people alike." Whether you think of it as a science fiction fantasy or a modern fairy tale or a tall-tale parable for today, you will never forget it.

After touring the rural areas of Panga, Sibling Dex (a tea monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers' new series continues to ask: in a world where people have what they want, does having more even matter?

A story for seekers of small comforts. It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered. But the answer to that question depends on who you ask, and how. They’re going to need to ask it a lot. Becky Chambers’ new series asks: in a world where people have what they want, does having more matter?

A story for seekers of small comforts. It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered. But the answer to that question depends on who you ask, and how. They’re going to need to ask it a lot. Becky Chambers’ new series asks: in a world where people have what they want, does having more matter?