It is only a slight exaggeration to say that the British mathematician Alan Turing (1912-1954) saved the Allies from the Nazis, invented the computer and artificial intelligence, and anticipated gay liberation by decades--all before his suicide at age forty-one. This acclaimed biography of the founder of computer science, with a new preface by the author that addresses Turing’s royal pardon in 2013, is the definitive account of an extraordinary mind and life. Capturing both the inner and outer drama of Turing’s life, Andrew Hodges tells how Turing’s revolutionary idea of 1936--the concept of a universal machine--laid the foundation for the modern computer and how Turing brought the idea to practical realization in 1945 with his electronic design. The book also tells how this work was directly related to Turing’s leading role in breaking the German Enigma ciphers during World War II, a scientific triumph that was critical to Allied victory in the Atlantic. At the same time, this is the tragic account of a man who, despite his wartime service, was eventually arrested, stripped of his security clearance, and forced to undergo a humiliating treatment program--all for trying to live honestly in a society that defined homosexuality as a crime. The inspiration for a major motion picture starring Benedict Cumberbatch and Keira Knightley, Alan Turing: The Enigma is a gripping story of mathematics, computers, cryptography, and homosexual persecution.

Understanding the complexities of systemic racism. Systemic racism is incredibly difficult to understand—even for grownups! This book was made to help kids understand what systemic racism is and how it’s built into laws, schools, stories, and other institutions in a way that collectively makes life much harder for people of color. Jordan Thierry is a documentary filmmaker, activist, and storyteller. He has worked for over a decade to highlight the stories of people of color and working to undo the ongoing legacy of systemic racism in the U.S.A. — Meet A Kids Book About, a new kind of publishing company with a collection of beautifully designed books that kickstart challenging, empowering, and important conversations for kids and their grownups. Learn more about us at akidsbookabout.com.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

A monk joins a science team in exploring a long-lost spaceship, uncovering its dark and disturbing history—and encountering something beyond human understanding—in this thought-provoking, metaphysical science fiction novel. Vessel Iris has devoted himself to the Starlit Order, performing funeral rites for the dead across the galaxy and guiding souls back into the Infinite Light. Despite the comfort he wants to believe he brings to the dead, his relationships with his fellow Vessels are distant at best, leaving him reliant on his AI construct for companionship. The spaceship Counsel of Nicaea has been lost for more than a thousand years. A relic of Earth’s dying past, humanity took the ship to the stars on a multi-generation journey to find another habitable planet yet never reached its destination. Its sudden appearance has attracted a team of academics eager to investigate its archeological history. And Iris has been assigned to bring peace to the crew’s long departed souls. Carpeted in moss and intertwined with vines, Nicaea is more forest than ship. But the ship's plant life isn’t the only sentience to have survived in the past millennia. Something onboard is stalking the explorers one by one. And Iris with his AI construct may be their only hope for survival. . .

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history.   Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad . Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest.   Anna May starred in acclaimed films in Berlin, Paris, and London; she dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film.   Filled with stories of capricious directors and admiring costars, glamorous parties and far-flung love affairs, Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.

Ninth House meets Babel for fans of myth and folklore in this contemporary fantasy about a Korean-American college student at a magical university where fairy tales intersect with family heritage to unleash powers beyond imagining. “You always wanted magic to be real.” Sharon and her daughter V’s points of origin hold common both Korean American teenagers, raised by a single mother, each searching for her identity in the California suburbs. But during finals week, high schooler V experiences strange impulses during a last-day celebration with her friends and ends up crawling into the hollow trunk of an immense tree. That night, after breaking into a raging fever, V sees gleaming strands of illegible text hovering over her a script that flows between her and her mother, leading to Sharon’s long-forgotten diary. With the aid of a luminous quill, a fountainhead of Sharon’s uncontrollable memories spill onto the old diary pages. Unexpectedly, V witnesses Sharon as she maps out her time at college in the form of lost histories, diagrams, and drawings. Young Sharon once accepted a backhanded invitation to Alvsdahl, an exclusive East Coast college as storied and white as Camelot. Here legacies and heiresses claimed descent from Bluebeard or Cinderella, grappling for control over narratives that could grant them terrifying abilities or burn them to ash. An Asian girl with an unknown inheritance was no one—until Sharon’s discoveries began to crack open Alvsdahl’s secrets. Her bewitching narrative of classroom rivalries and animal professors, debauchery in the woods and sleeping princesses, threatening Godmothers and world-shattering powers, unfold as V desperately tries to help her mother—only to see how Sharon’s story is destined to transform them both. Lyrically written and highly imaginative, Angela Mi Young Hur’s The Loom Tree is a magical campus novel centering on two young women walking the thorny path toward adulthood, the fractures between parents and their children, and the global mythologies and family sagas that connect us all together. 

A brilliant, towering, puzzle-box novel about perfect summers and forbidden knowledge, somewhere in the mad interstice of Donna Tartt’s The Secret History and A.S. Byatt’s Possession. Summer, 1993, and university student Alex Lane finds himself at the end of the summer term, broke and without plans. When offered the chance to join students – including beautiful, mercurial Ella – clearing out Solace House, a Victorian residence left by reclusive hoarder Edwin Flayne, he accepts. Initially the house seems ordinary, if slightly mad. But sorting through junk, they discover Flayne’s journals detailing his obsession with his missing mother, his discovery of strange place Bewise, and his belief in another parallel realm, with coded instructions for reaching it. One of the students becomes increasingly obsessed with the house’s secrets and gaining forbidden knowledge – assuming they’re willing to sacrifice everything and everyone.