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Every Rising Sun
Jamila Ahmed
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This is How You Lose the Time War
Amal El-Mohtar
Post from the Piranesi forum
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The Scarlet Pimpernel
Emmuska Orczy
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Valerin the Fair (Out of True, #1)
Rien Gray
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Railed by the Reaper (Valley of the Old Gods, #5)
Dalia Davies
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Horror Starter Pack Vol I 👹🦇⚰️
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An introduction to the Horror genre, these books are part of the cultural zeitgeist or the 'canon' that many would recognize. Look for more niche titles in later Starter Pack volumes.
sealtor commented on a post from the Pagebound Club forum
who else on this site really loves reading history, whether for fun or not, whether light and engaging or rigorous and theory-heavy? what are your preferred areas? right now my personal research interests point at late medieval to early modern europe and history of magic, but i like to roam inquisitively, one might say.
sealtor commented on soliryo's update
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Limitless Heroics: Including Characters with Disabilities, Mental Illness, and Neurodivergence in Fifth Edition
Dale Critchley
Post from the The Haunting of Hill House forum
Shirley Jackson's descriptions always send me, as someone who has tried to read her novels for years now but end up getting an unrelated depressive, amnesiac episode partway each time. So I haven't really read anything beyond what I describe here. What I describe in the following post details Chapter 2 and the beginnings of Chapter 3; hence, I have not marked it with spoilers.
How perfectly Eleanor is set up in the opening paragraph of Chapter 2 -- "Eleanor Vance was thirty-two years old when she came to Hill House. The only person in the world she genuinely hated, now that her mother was dead, was her sister. She disliked her brother-in-law and her five-year-old niece, and she had no friends." In other words: if Eleanor Vance went missing, nobody would miss her. Her otherness is then described in the next lines: inability to look at sunlight normally, difficulty talking, her feud with her sister. This is not a human, this is a creature. Who else is a better to-be inhabitant of Hill House, which is as crooked and hated as her?
Speaking of her feud with her sister, it's just... wow. chef's kiss. I'm fawning. Other than Chapter 2, Chapter 3 describes their dynamics amazingly. When read out loud by Bernadette Dunne, Eleanor's repeated "It's half my car" takes on a new level -- it sounds like it was uttered by a wet, quivering leaf. It sounds like a mantra. As Carrie and Eleanor's brother-in-law continue talking over to her, Eleanor stops sounding like she's trying to convince them and starts sounding like she's pleading with them, trying to convince herself, of all people.
I argue, that this conversation ends with the real supernatural phenomenon that we, as the readers, are privy to see: their shared Mother's ghost is invoked by Carrie, and she effectively shuts down the conversation with the authority that she borrowed from their Mother. We can only imagine what Eleanor feels, and indeed we can: "her years with her mother had been built up devotedly around small guilts and small reproaches, constant weariness, and unending despair."
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The Haunting of Hill House
Shirley Jackson
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Really woo-woo. I don't think this adds to occult literature and except to show that there's both a readership and an author who's interested in this topic.
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Solid book and historical document. Wish it had less journalistic errors. Satisfies my need for mountaineering deaths well.
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Hades: Myth, Magic & Modern Devotion
Jamie Waggoner
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Radical Tarot: Queer the Cards, Liberate Your Practice, and Create the Future
Charlie Claire Burgess
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Wuthering Heights
Emily Brontë
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High Crimes: the Fate of Everest in an Age of Greed
Michael Kodas
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The Hands of the Emperor (Lays of the Hearth-Fire, #1)
Victoria Goddard